PEN15 is a comedy web television series that premiered on Hulu in 2019. The show was created by Maya Erskine, Anna Konkle, and Sam Zvibleman. It follows the lives of two 13-year-old girls, Maya and Anna, as they navigate through the ups and downs of middle school in the year 2000.

"Reboot" is a television series that premiered in 2022 and is a science-fiction action-adventure show. It is a reboot of the 1994 series of the same name. The show follows the story of four teenagers who become trapped in a virtual world created by an evil entity known as The Sorcerer. The group must work together to find a way to escape and defeat The Sorcerer before he can take over the real world.

A pair of young women make for "strange bedfellows" when they finally become friends of sort after one's attempts to scam the other fail. June Colbern moves to New York only to find her dream job falls apart when the mortgage company she went to work for suddenly falls apart as the company goes under due to ripping off schemes. After losing her apartment she moves in with Chloe who June discovers is a con artist. They do become friends however and Apartment 23 becomes a place of interest to other local residents like Robin, a neighbor obsessed with Chloe, Eli who lives next door and spies on the women. Chloe has one good friend in James Van Der Beek (played by James Van Der Beek) on whom she can rely. Starring as Chloe is Krysten Ritter from Veronica Mars & Gilmore Girls, Dreama Walker from Gossip Girl & The Good Wife is June Colbern, Robin is played by Liza Lapira from Fast & Furious and Crazy, Stupid, Love. James Van Der Beek (Dawson's Creek, Mercy) plays a fictionalized version of himself. Fun series with plenty of New York scenery.

If you have missed a chance to be hooked up with Gilmore Gilrs, the new ABC's dramedy Bunheads is exactly what you need. The first episode of Bunheads has left such a feeling that if there were a little bit more of GG-like moments in Bunheads, the CW lawyers would inevitably file the suit against ABC. And that is not surprisingly taking into consideration the fact that the TV show was created by the same Amy Sherman-Palladino who created splendid Gilmore Gilrs. It is felt throughout the sharp dialogs, giddy repartees, deeply portrayed personalities and perfectly constructed dance scenes. The astonishing dancing ingredient of the Bunheads, is of course not only the personal merit of Sherman-Palladino, but Sutton Foster and Kelly Bishop. Both of them have quite serious dancing background. Another Sutton's and Kelly's merit is drollery atmosphere which these two awesome women create around themselves. Kelly plays Fanny Flowers, a small town dance studio owner, while Sutton portrays Michelle Simms, a cute dancer being caught in the lower point of the career, when series of questionable decisions had led her out of Las Vegas dancing scenes to small rural town Paradise, California where she met Fanny. There are more pry personalities in the series like talented and perfectly shaped Sasha (Julia Goldani Telles) and purposeful Bettina, aka Boo (Kaitlyn Jenkins). All the characters feature inexpressible chemistry between each other, and the spirit of the show is sweet, pleasurable and cuddlesome.

Television snobs maintain the American version of "The Office" TV series pales by comparison with its British forerunner. Their sneers, however, have done nothing to diminish "The Office's" standing as America's premier sitcom. Audiences and critics wholeheartedly agree the Dunder Mufflin office follies restored NBC as network television's pre-eminent purveyor of great half-hour comedies. Filmed as a "mockumentary," the American "Office" TV show remains faithful to the British example of perfectly deadpan delivery, and the producers wisely add neither laugh-tracks nor musical cues. Of course, brilliant one-liners punctuate the show, but they are subtle and ironic rather than snappy. For example, in characteristically clueless style, Scranton office manager Michael Scott tells his staff, "As Abe Lincoln once said: If you are a racist, we will attack you from the North." Steve Carrell leads a well-chosen ensemble cast who portray a sales force the New York Times aptly characterized as "uniformly unattractive, wan and dull" characteristics which, of course, make them deliciously funny.

Regular viewers of ABC's Wednesday night comedy hit "Cougar Town" will feel their lips curl into wry smiles when they read pre-premiere summaries of the show: The producers and writers originally conceived "Cougar Town" as the life and times of a forty-something divorcee intrepidly devoted to seducing younger men in a small Florida town. The early promos stress the small town's obsession with its high school football team, ironically The Cougars. The football theme arrived still-born, and the entire show might have hit the airwaves DOA except that Courteney Cox and "Scrubs"-creator Bill Lawrence had vision and courage to work a few miracle revisions. The whole "Cougar Town" crew rapidly realized, like Jules surveying a bar-full of mini-skirted matrons, "I know I'm one of them. I just don't feel like one of them." They wisely helped Jules morph into her authentic self. The younger boyfriend disappeared from "Cougar Town" after just a few episodes, and stories coalesced around Cox's character Jules, her teen-aged son Travis, and Jules's extended family"”her neighbours on the cul-de-sac, her co-workers in her real estate office, and her profligate ex-husband. While "Cougar Town" struggled to resolve its identity crisis, Lawrence's innuendo-rich dialogue and Cox's increasingly sophisticated delivery sustained the show. By the end of "Cougar Town's" first season, ratings alone offered ample testimony to "Cougar Town's" radical improvement as it held audiences in the half-hour after "Modern Family"; but the Hollywood Foreign Press sealed the deal, nominating Cox for a 2010 Golden Globe as Best Actress in a Comedy.