Take a set of twin sisters who've been at odds for many years. Add in the fact that one of them suddenly disappears. And then show that one of them is full of mystery and intrigue, and on the run from some mysterious mob. Here we have Siobhan and Bridget. Two sisters who have been living apart and out of touch for the past eight years, with one taking a road that winds up leading her onto a path that is unsafe and definitely different from the norm that her twin has followed. When the two sisters take a boat trip Siobhan suddenly disappears overboard. Now Siobhan discovers her twin Bridgit has been leading a double life and hers will never again be the same. Siobhan is attacked by some evil men who evidently are part of the mob when she stays in her sister, Bridgit's house. So did one of the twins really die or simply disappear to avoid the mob? Sarah Michelle Geller (Buffy the Vampire Slayer, Scooby-Doo) stars as both twins and she has her hands full when she discovers her twin was leading a life full of mystery and fear. Nestor Carbonell (Smokin' Aces, The Dark Knight) is FBI agent Victor Machado who finds his job of keeping Bridget safe a dangerous one. Action packed with top quality writing and actors.

After 30 years of nearly oblivion, TNT is reviving the grandfather of all plutocracy soap-dramas, Dallas. A little bit rebranded but still not losing its luster, this grand soap-opera appears to us in the new, contemporary glossiness, featuring all good old actors, like 80-year-old Larry Hagman who still plays incorrigible old buzzard J.R. Ewing, Patrick Duffy is still Bobby Ewing while Linda Gray is Sue Ellen Ewing. After the very first episode of renewed in 2012 Dallas you will find out, that the original characters are perfectly combined with the next generation of oil tycoons (as well as the new generations of actors playing them). Meet Jesse Metcalfe, who is Christopher, Bobby Ewing's adopted son who tries to bring the family business into the new modern route of green energy industry. Jordana Brewster, who may be familiar to you as Mia Toretto from Fast Five, now is Elena Ramos, John Ross's new girlfriend and ex-fiancee of Christopher. Who is John Ross? He is John Ross Ewing III (played by Josh Henderson) who tries to be a good son of his father by strict following all the family business traditions of oil drilling. This is the very short glance on Dallas 2012 turbulences, and you have to discover the rest 99.99% all by yourself.

With the plethora of "reality" programming seen everywhere today it is refreshing to see a show like The L Word which deals with a group of people involved with being lesbian, transgender, or who are bisexual. All the ongoing stress and controversy that must be dealt with on a daily basis plays out in and around West Hollywood, in sunny Los Angeles, California. Some powerful writing is provided by Guinevere Turner (American Psycho) and Rose Troche (Six Feet Under) and others. Starring in the L Word are some well known names such as Jennifer Beals (as Betty Porter), Pam Grier (as Kate Porter), and Laurel Holloman (as Tina Kennard). The coded language for lesbian has long been "the L Word" but today simply calling oneself a lesbian is more preferred and common for these women have "come out" proudly. This controversial show deals with same sex marriage and the desire to have a baby. Alcohol and drugs effect lives and ongoing relationships are often threatened by affairs and sexual transgender issues.

That may well be the title to a dream sequence by some brilliant but unqualified attorney "want to be's" who can only imagine how they could accomplish what Mike Ross has done. He bluffed his way in by convincing Harvey Specter, one of the finest lawyers in Manhattan to hire him in spite of the fact he has no law degree. Although Ross is brilliant and extremely personable he could not afford the schooling and his choices in friends and recreational drugs did not help his situation. However he can pass the bar without attending any law school simply because he has an eidetic memory. Now clean and dedicated to becoming a first rate attorney, Mike Ross (Patrick J. Adams from FlashForward, Raising the Bar) must prove himself to the man who put his trust in and hired him, Harvey Specter (played by Gabriel Macht from Love and Other Drugs, Middle Men). Mike Ross must convince the other attorneys he graduated from the Harvard Law school because that's the only place they hire new recruits from. And he is a fast learner who's wit and conviction works well in the court room.

Slackers serving Satan as his bounty hunters? At a bare minimum, "The Reaper" does offer conclusive proof that colluding with the devil is considerably more exciting than a job at the Work Bench, a fictional Seattle home improvement store. Imagine Sam Oliver's surprise when he learns on his twenty-first birthday his parents negotiated a long-ago deal with the captain of the underworld: Save daddy's life, and they will give Satan their first-born child. Of course, mom and dad used every form of contraception imaginable until Satan released their doctor from his gambling debts in exchange for Doc's telling mom and dad they could not conceive. Sam ensues. Satan himself shows-up at the big twenty-first gala to detail "The Reaper's" new job description. Sam, who once complained that college "made him sleepy," naturally balks at the devil's deal; but the devil is at least as persuasive with Sam as he was with Eve. Satan tells Sam, should he decline, his mother forfeits her soul. Sam grudgingly accepts new super-powers and goes to work hunting down wayward sinners who have contrived to escape Hell. Television drama ensues. "The Reaper" earned an extremely devoted"”albeit somewhat cultish"”following. A representative review explained the attraction: "This show is so refreshing - great premise, great characters, and they don't take themselves too seriously. The Devil is a hunk, and just couldn't be played better than Ray Wise."

"Spartacus: Gods of the Arena" - different gladiator, same sex and violence. Starz' deliciously decadent"”salacious, violent, often flat-out brutal"”"Spartacus: Blood and Sand" recently went on extended hiatus, leaving its legions of loyal fans "jonesing" for their weekly doses of decapitation and bare breasts. The Spartacus team satisfied fans' craving with "Spartacus: Gods of the Arena," a six-episode prequel to the continuing saga of Batiatus and Associates. Starting with a flashback montage of "Blood and Sand's" greatest hits, more precisely Batiatus's life flashing before his eyes in the moment before his death, "Spartacus: Gods of the Arena" shows Batiatus's rise to prominence and power with the assistance and support of his all-pro gladiator Gannicus. Because these stories represent "a more ruthless time"¦where honor was just finding its way into the arena," the writers and producers feel free to elaborate and experiment with their already-established characters, and they feel similar artistic license with super-slow-motion gore and fun-fantasy sex. They clearly are perfecting their craft. One particularly insightful viewer concluded his review of "Spartacus: Gods of the Arena" with a sage observation: "I think that's one of the smart decisions putting it on a Friday night since it's an ideal end of the work week thing to watch."