"The Company You Keep" was a television show that aired on BBC One in the United Kingdom. The show was a drama series that followed the lives of a group of middle-aged friends who were trying to navigate their way through life's challenges. The group, known as the "Company," was made up of six friends who had all attended university together and were now in their 40s.

"Good Trouble" is a television drama series that premiered in 2019 on Freeform, an American cable channel. It is a spin-off of the show "The Fosters" and follows the lives of sisters Callie and Mariana Adams Foster as they navigate adulthood in Los Angeles. The show tackles various contemporary issues such as social justice, identity, and relationships.

"We Are Who We Are" is a television series that was released in 2020. The show revolves around two teenagers who are living on an American military base in Italy. They are dealing with issues related to their gender identity and sexual orientation while navigating their way through adolescence.

Just how much reality can we really stand? After being involved in a serious car accident with his wife and son Michael Britten, a police detective, must face the reality of one or the other of his loved ones having been killed in that wreck. He experiences "realities" involving each scenario and as we witness, his mind wraps around the existence of that reality being true. Scary as that may sound the detective does manage to perform his duties as a police detective and solve crimes. His captain (Laura Innes from ER, The Event) and his partner "Bird" Freeman (Steve Harris from Homicide: Life on the Streets, Law & Order) worry about Britten's sanity as he moves between two reality scenarios that are equally terrifying. Jason Isaacs (Harry Potter films, The Patriot) is detective Britten, a man who is Awake through his sorrow and visions. He wears colored rubber bands, each one different for the reality he sees. Red reflects his wife being alive and green for his son remaining alive. We, the viewing audience, can tell by color of those bands how much he pines for his missing loved ones.

"Body of Proof" will bring at least one more strong female lead to network television, bringing the sum total to approximately two. Too bad they will compete head-to-head in the same time-slot; good thing we have DVRs. "We need to have more smart women characters on television," says Dana Delany as she prepares to play medical examiner Megan Hunt in ABC's new drama, "Body of Evidence." As plots unfold on the new show, Dr. Megan Hunt's brilliance never will become an issue"”if anything she sometimes is too smart for her own good; but her compassion and human kindness frequently will be in doubt. Dr. Hunt brings a few issues to the autopsy room: Five years ago, she lost everything in the wake of a serious car accident"”her marriage, custody of her daughter,; and, most importantly, her extremely successful practice as a neurosurgeon. Promos for "Body of Evidence" are slick, stylish, sexy, and sassy. Ms. Delany looks seductively into the camera, promising, "Don't believe everything you've heard. The truth is much worse." Adding even more spice and power, Jeri Ryan ends her peripatetic travels across the dial, settling down to play Dr. Kate Murphy, the medical examiner. Set for debut on March 29, 2011, "Body of Evidence" promises to become a Tuesday ten o'clock favourite.

It was good while it lasted. Launched with much fanfare and intense audience interest, "FlashForward" brilliantly recreated the mysterious, fascinating, are-they-prophetic? two minutes and seventeen seconds on October 6, 2009, when almost everyone on Earth lost consciousness of their ordinary surroundings and caught glimpses of their lives on April 29, 2010. An ambitious attempt at transposing Robert J. Sawyer's "high-concept" novel from the printed page to the small screen, "FlashForward" focused on the team of FBI investigators charged with determining what had happened. One of the FBI agents enjoyed the special privilege of seeing his team crack the case in his vision of the future; all he has to do is recreate the six months of investigative work that yield the break-through. Meanwhile, the principal characters attempt to cope with the consequences of their visions for their lives in the present, because they have seen broken marriages, lives lost, and great portrayals on their horizons. Most viewers and critics sadly agreed "FlashForward" unfortunately juxtaposed a brilliant high-tech crime drama on some pathetically ordinary people and lives.