Big Love

Describing "Harry's Law," one summary says flatly, "A former patent lawyer brings together a group of misfit associates to form an unconventional law practice." How did the producers ever pitch that concept to the network? Oh, wait. It was NBC. Still, a patent lawyer? Misfit associates? Real exciting, right? Do not judge too quickly, because Kathy Bates applies her quirky charisma to her portrayal of Harriet "Harry" Korn, and she works some small screen magic. A mid-season replacement for one of NBC's cavalcade of epic failures, "Harry's Law" actually looks a lot like a real television drama"”real characters, real actors, real plots, and dialogue peppered with genuinely witty repartee. The premise and some of the best writing come from David E. Kelley, television's answer to John Grisham"”prolific and provocative. As The New York Times observes, "A hallmark of Mr. Kelley's shows is often the thinnest application of logic or reason in depictions of a world dedicated to logic and reason." The settings and courtroom dramas seldom resemble anything in real life, but they tend to recreate the audience's imagination of the legal system and "crusading" criminal attorneys. Close enough. In eight episodes, "Harry's Law" has established a loyal following in a timeslot long dominated by ABC's "Castle." Vegas betting parlours probably will give you odds on "Harry's Law" returning in the fall, and it might be worth risking a dollar or so.

Intensely cerebral, narrated more or less in the style of a Latin American magic-realist novel which shows the conclusion before the story begins, "Damages" TV show strangely fulfills the immanent promise in cable television programming, appealing very strongly to what the poet Milton called "fit audience though few." "Damages" series'unmistakable style, sophistication, and subtle sizzle are spellbinding, and the writers have crafted heroes you love to love and villains you love to hate with a team of attorneys working both sides of the continental divide between good and evil. Unabashedly stealing its premise from the Bernie Madoff case, "Damages" asks and answers, "What if you were Madoff's antagonist?" Glenn Close plays Patty Hewes, the high-powered and equally high-priced attorney determined to bring down ponzi-schemer Louis Tobin, portrayed by Len Cariou. The word "perfect" appears in most critics' discussions of their performances. A New York Times reviewer aptly summarized, "It's impossible to overestimate how delicious Ms. Close is as this fiercely driven, mercurial and manipulative woman. " In a stroke of casting genius, the producers chose Lily Tomlin to quicken the character of Mrs. Tobin, long-suffering wife of the arch-villain; the audience remains in suspense about her true colors and motives, suspecting she may be "Damages'" answer to Lady Macbeth. Martin Short also stars as Tobin's family attorney.

Alaska Daily was a daily newspaper published in Anchorage, Alaska, USA. It was first published in 1946 as the Anchorage Daily News, and it served as a major source of news and information for Alaskans until its merger with the Alaska Dispatch in 2014.

When "The Good Wife" premiered in the fall of 2009, insiders whispered that Alicia Florrick, the good wife, was modeled after Silda Spitzer, the remarkably resilient former spouse of Elliott Spitzer, former New York prosecutor who ended-up himself prosecuted on charges of using public funds to support his prostitute habit. In the first few episodes, Alicia stood mute and shell-shocked as her politician husband admitted to "indiscretions," was tried and sent to jail. With only mild irony, the good wife emerges as the amazing woman as soon as hubby gets fitted for his orange jumpsuit. Played with tremendous grace, style, and power by Julianna Marguiles, Alicia Florrick, a la Silda Spitzer, returns to her old law practice. A little out of practice after thirteen years as wife and mother, she wobbles before she restores her professional standing. As "The Good Wife" evolved, it outgrew its need for "ripped from the headlines" comparisons. Episode by episode, Marguiles quickened, toughened, and deepend Alicia's character. Her imprisoned spouse becomes simply a footnote or sidebar as Alicia struggles to keep her family intact and build her career in a law firm riddled with scheming, scandal, and intrigue.

"I Hate Suzie" is a British television series that premiered in 2020. It follows the life of Suzie Pickles, a former teen pop star who is now a struggling actress. Suzie's life is turned upside down when her phone is hacked and compromising photos of her are leaked online. The series follows her as she navigates the fallout from the scandal and tries to rebuild her life.

If you liked Thelma & Louise, Mad Money and Divine Secrets of the Ya-Ya Sisterhood, then you are probably a fan of award-winning screenwriter Callie Khouri. Her talented writing had secured ABC's new television series Nashville positions as a huge hit of 2012-2013 seasons. The TV show depicts life and struggle of country music star Rayna James to get back on the big stage. Her last chance is her next promo tour, which she has no chances to fail, just because if she fails, her future career as country music star will be very questionable if possible at all. To make chances higher, Rayna takes in her tour, a young starlet Juliette Barnes, whose young sexy power is expected to be in some help to make Rayna's promotion more effective. There are no doubts that both singers are pursuing their own goals. If, the first one wants not to fade away from stardom, the second one wants to take her place in the stage. The next problem is that Rayna's father, Lamar Wyatt, who is powerful politician and a wealthy man of Nashville, seems to be disapproved in Ryana's abilities to regain her stardom glory. As a controlling patriarch he's betting on Rayna's husband, Teddy Conrad, who was living on Rayna's revenues, and now is trying to make a career as mayor of Nashville (thanks to help of a father-in-law). Such a twisted plot is accompanied by masterfully selected and combined ensemble cast: Ryana James is played by Connie Britton (a Vivien Harmon in American Horror Story and Diane Huxley in 24 television series), while the young teenage music star Juliette Barnes, is played by Hayden Panettiere (Kirby Reed in Scream franchise.)