For the People is an American legal drama series that premiered on ABC in 2018. It follows a group of young lawyers as they navigate their careers and personal lives in the United States District Court for the Southern District of New York. The show explores the challenges and complexities of working in the legal profession while juggling personal relationships and their own moral compass.

You can compare Army Wives the television show to soap operas. There are similarities just as there are in real life. Maybe more comparable with Desperate Housewives though because of all they experience in a typical day. One "wife" is an Army brat who is used to the vagabond lifestyle of the military. Another, a former police officer, hires herself out as a surrogate mom to make some extra cash. There is also a male version of the Army wife, himself a shrink whose wife has become the first African American lieutenant colonel. There is plenty of jealousy, sex, and out-ranking plus some poignant moments thanks to the stresses involved in military life. Starring Kim Delaney ( NYPD Blue, The O.C.), Brigid Branagh (Criminal Minds, 24), Sally Pressman (Criminal Minds, Shark), Sterling K Brown (Detroit 1-8-7, Harry's Law), and Catherine Bell (The Good Witch, JAG). Former soap queen from All My Children, Susan Lucci joins the cast as the wife of a retired Brigadier General.

"CSI" TV shows reveals the side of Las Vegas tourists seldom see... Gil Grissom, team leader of the Las Vegas Crime Scene Investigation unit, pioneered the intensity that has become the signature quality in all of Jerry Bruckheimer's heroes; but his flaws were closer to the surface and more genuinely tragic than Horatio Kane's or Mac Taylor's. William Peterson put a handsome face on dorkitude, but he seldom could conceal his passion for insects and his perverse fascination with the world of bondage and discipline. When Grissom bid adios to "CSI," Catherine Willows naturally stepped-up to take his place, dragging her single-mom issues and checkered past along with her. Blasting from relative obscurity to television uber-stardom, Marg Helgenberger has so thoroughly imprinted her own style on her character that fans expect her to sign "Catherine Willows" as her autograph. More old-fashioned gumshoe than techie whiz-kid, Willows nevertheless guides her hyper-dedicated team with skill, style, and love. No more sophisticated than any other television crime drama, "CSI" nevertheless has owned its time slot since its debut, because its characters combine street-savvy toughness with genuine likability. And who can resist all those cool shots of bullets blasting through brain matter? Trivia devotees will note that songstress Taylor Swift made her critically acclaimed acting debut on "CSI," playing the a dark, troubled, and ultimately dead "goth" girl in search of love and understanding"”in other words, the diametric opposite of her authentic self.

Lisa Jane Smith, author of a whole library-shelf full of Vampire Diaries for literate tweens, has every right to feel like a Shakespearean monarch whose throne is usurped in a tragedy's first act. She pioneered the genre, took a little sabbatical, and came back to find her world dominated by Harry Potter and all those "Twilight People." In 2008, The Vampire Diaries were reprinted in cool new covers and fonts, and L.J. Smith returned to writing full time. In the fall of 2009, "The Vampire Diaries TV Show" came to the CW, developed and produced by Kevin Williamson of "Dawson's Creek" fame. To his everlasting credit, Williamson expertly preserves the goodness and sweetness of Smith's characters and situations. Although the vampires naturally want to seduce the sensitive young heroines into their dark world, the pretty little women always bring the flesh-hungry bad boys back into the light. Of course, the show's production values allow lots of room for good music and teen-aged angst"”there is no shortage of fog, but it also has plenty of attitude. In addition to foretelling evil events, the show's prophet can predict fashion trends. The story turns on a tween's eternal dilemma: wistful good girl falls in love with the good vampire brother but is constantly tempted by bad-boy vampire other-brother. What is a girl to do?

What you'll get if you mix up together Melrose Place and How I Met Your Mother? Yes, the witty, funny and spontaneous The L.A. Complex, a TV show about vicissitudes of lives happening with group of buoyant young people living in the same apartment complex called The Luxe. Perfectly mixed scandal, drama and romance keep the audience intrigued as it should be expected taking in consideration the fact that The L.A. Complex was created by makers of the most realistic teenagers' television series of early "˜10s, Degrassi: The Next Generation. But the professional creators aren't the main cornerstone of The L.A. Complex success, the perfectly selected and combined cast is the crucial piece in TV show's popularity. Just imagine Jewel Staite (Supernatural, Warehouse 13) playing along with Cassie Steele (mentioned before Degrassi: The Next Generation and My Babysitter's a Vampire), Joe Dinicol (Scott Pilgrim vs. the World, Flashpoint, Haven) and sexy Chelan Simmons playing Alicia, a sweet , cute and innocent "¦ strip-dancer - certainly a necessary character to attract some share of male audience, which is undoubtedly kind of smart step taken by the series' plot creators.

One critic characterized "Breaking Bad's" dark humor as "Thelma and Louise as seen by Dostoyevsky" and that was one of the perkier, more optimistic descriptions. A seven-part AMC series, "Breaking Bad" TV show tells the story of Walt White, high school chemistry teacher turned methamphetamine cooker and dealer. Of course, as Glenn Frye crooned, "The lure of easy money has a very strong appeal," but "Breaking Bad" does not allow for even a split-second of sunshine through the abysmal darkness. In this corner of the universe, crime never-ever pays. Walt, expertly portrayed by Bryan Cranston of "Malcolm in the Middle" fame, is neck-deep in problems, complications, and flat-out ugliness from the minute he lights the Bunsen burner. Although the writers have woven-in some amazingly ironic lines, known in the trade as "comic relief," the characters deliberately deliver their quips in such a super-slow, slack-jawed drawl they seem more tragic than funny. Of course, "Breaking Bad" TV series make some pretense toward allegory of the American middle class struggling through the throes of deep recession, and it scores some hard hits. Most of all, though, "Breaking Bad" shows that even when fine writers, directors, and actors can find humor and pathos in displaced white-collar workers' undignified struggle for dignity, it still looks awfully damned dreary and ugly.