"Ghost" is a 1990 romantic fantasy movie that tells the story of Sam and Molly, a couple deeply in love. When Sam is killed by a mugger, he becomes a ghost and is unable to communicate with the living. As a ghost, Sam discovers a plot to harm Molly and must find a way to protect her from beyond the grave.

Edge of Tomorrow, perhaps known equally well by its tagline "Live, Die, Repeat" (featured on the DVD box) is a military-themed science fiction film starring Tom Cruise and Emily Blunt. An alien race has attacked, and an inexperienced combatant, Major William Cage (Cruise) is dumped into a suicide mission. He dies within minutes, but finds himself resurrected through a time loop which forces him to relive the battle again and again (intentionally in the manner of a video game, only in real life). Each time he dies, but each time, his skill in combat and his knowledge of the enemy also increases, and he and Sergeant Rita Vrataski (Blunt) move another step closer to defeating their seemingly unbeatable foes and saving the planet. The film was widely praised by critics and audience members alike, and was particularly recognized for its success in breaking out of traditional gender roles with Emily Blunt's character.

The Hunger Games Mockingjay – Part 1 is the first installment in the two-part finale to the Hunger Games trilogy film series adaptation, based on the final book in the series by Suzanne Collins. Jennifer Lawrence stars as Katniss Everdeen, who has twice survived the Hunger Games, and now finds herself in District 13. Her victory in the 74th Hunger Games has sparked a rebellion, and she now finds herself both a target and an inspiration. Reluctantly, she becomes the figurehead for the revolution, while also fighting to save Peeta Mellark (Josh Hutcherson). The actors in the film received critical acclaim for their performances. On its release, the film helped the series to set a record as being the only franchise to have three films earn more than $100 million in a weekend. For readers of Suzanne Collins' hit book series, this movie is a must-see continuation.

The Chronicles of Narnia: The Voyage of the Dawn Treader movie was released in 2010, the year of "Ironman 2," "Harry Potter 7", and "Tron: Legacy". So, the producers and director of "Chronicles of Narnia: Voyage of the Dawn Treader" clearly felt the pressure to deliver a visual masterpiece. Capitalizing on the special alchemy of 3D, they succeeded. "A painting engulfs Lucy and Edmund Pevensie and their cousin Eustace, taking them back to Narnia and stowing them away on sailing ship The Dawn Treader. The brave and somewhat precocious warriors battle a fierce collection of monsters and villains, resisting their own powerful temptations, as they join forces with Reepicheep, a warrior mouse, to save Narnia. The computer animators do so well with the Lion, the Mouse, and the fairy princess, viewers willingly suspend disbelief. Of course, a mouse can out-maneuver a chimera."The producers and director paid proper respect to C.S. Lewis, early twentieth century author and scholar, who penned the novel The Voyage of the Dawn Treader as one among his Chronicles of Narnia. Lewis, a leading authority on medieval quest romance, crafted his story according to the traditions and conventions of the hero's quest, and the movie wisely recreates his craftsmanship. The film-makers achieve an unlikely hybrid of medieval story and twenty-first century imagery. They left open the question, however: Would audiences overdosed on 3D graphics and epic adventures fill the seats for another one?

One of the major delights of the 2012 movie is an epic picture of the destruction of the solid earth, when thousands of people scattered in panic from the falling down of skyscrapers, where the oceans come from the coast, and lava avalanches sweep out the cities and countries. In 2012, the apocalypse comes at its best; Emmerich tried hard to give a picture of the destruction of the giant swing, and the fact he succeeded. The visual side of the movie is flawless. But the dramatic side sometimes fails in the illogic, strained and unnecessary confusion. Too complicated scenario building only distract from the excellent graphic component that unfolds in the 2012.

Star Trek is a devilishly vigorous, beautiful and sometimes even enchanting movie. The action runs so fast that it sometimes seems: there was some fiddling with the space-time continuum. The magnificent scenes like a desperate ram by Kelvin of the more powerful opponent, a trio landing near a penetrating the Planet energy borax, the emerges from a warp jump, blazing with all guns Enterprise will stick in the memory for a long time. Add to this the excellent casting, which, coupled with some rethinking of the character hits the bull's-eye thing.