Edward Scissorhands is a 1990 American romantic dark fantasy film directed by Tim Burton. The film stars Johnny Depp as Edward, a gentle and kind-hearted man with scissors for hands who is taken in by a suburban family after being discovered living alone in a Gothic castle. The film follows Edward as he attempts to adapt to his new surroundings and form relationships with the people around him.

Lucy is a 2014 action-thriller film directed by Luc Besson and starring Scarlett Johansson as the titular character. The film follows Lucy, a woman who accidentally ingests a drug that unlocks the full potential of her brain, allowing her to access extraordinary powers and knowledge. As she becomes increasingly powerful, Lucy becomes embroiled in a dangerous conflict with a gang of criminals who want to harness her abilities for their own gain.

Kong: Skull Island is a 2017 American monster film directed by Jordan Vogt-Roberts. The movie is a reboot of the King Kong franchise and stars an ensemble cast, including Tom Hiddleston, Samuel L. Jackson, Brie Larson, John C. Reilly, and John Goodman. The film follows a team of scientists and soldiers as they explore a mysterious island in the Pacific, where they encounter the legendary giant ape, Kong.

Transcendence is a serious science fiction film which explores questions of mortality, technological overreach, and responsibility. Johnny Depp plays Dr. Will Caster, a dying A.I. researcher, who transfers his emotions and personality to an A.I. interface with the help of his wife Evelyn (Rebecca Hall). This experiment bestows near-omnipotent power on The Will Caster A.I., but as one might expect with any person who has died and been resurrected, Dr. Caster is no longer quite the same man. As Dr. Caster's quest for knowledge morphs into a quest for power, it dawns on his fellow researchers that they may be helpless to stop him. While Transcendence received mixed reviews, the film's distinctive visuals were widely praised, as well as its willingness to confront major questions of our time.

After "The Dark Knight" Christopher Nolan had no right to fail the next film. And after the "Inception" movie this right also will not appear. If James Cameron, the creator of Avatar, has sent mankind in the new world, Nolan gave no less than fantastic immersion into the world inside your own head, which is capable to show you new movie in 3D every night . "Inception" do not hesitate platitudes based on genre foundation, grinding the context in which appear. There are "The Matrix", "James Bond", "The Game" and "Shutter Island" mixed together, allowing to speculate about the essence of cinema and its perception. Cold rationality of thinking about ways to bring the audience to ecstasy is another Nolan's oxymoron. Experience that he perceives and reproduces as the construction and the movie looks like the universe. No wonder that its main character is an architect.

The Chronicles of Narnia: The Voyage of the Dawn Treader movie was released in 2010, the year of "Ironman 2," "Harry Potter 7", and "Tron: Legacy". So, the producers and director of "Chronicles of Narnia: Voyage of the Dawn Treader" clearly felt the pressure to deliver a visual masterpiece. Capitalizing on the special alchemy of 3D, they succeeded. "A painting engulfs Lucy and Edmund Pevensie and their cousin Eustace, taking them back to Narnia and stowing them away on sailing ship The Dawn Treader. The brave and somewhat precocious warriors battle a fierce collection of monsters and villains, resisting their own powerful temptations, as they join forces with Reepicheep, a warrior mouse, to save Narnia. The computer animators do so well with the Lion, the Mouse, and the fairy princess, viewers willingly suspend disbelief. Of course, a mouse can out-maneuver a chimera."The producers and director paid proper respect to C.S. Lewis, early twentieth century author and scholar, who penned the novel The Voyage of the Dawn Treader as one among his Chronicles of Narnia. Lewis, a leading authority on medieval quest romance, crafted his story according to the traditions and conventions of the hero's quest, and the movie wisely recreates his craftsmanship. The film-makers achieve an unlikely hybrid of medieval story and twenty-first century imagery. They left open the question, however: Would audiences overdosed on 3D graphics and epic adventures fill the seats for another one?