Being idealistic and trying to exist in the world of high level politics simply do not play well together in the real world. Politicians tend to have their own agenda and become cynical in order to survive. Young staffers who come onboard a campaign with seasoned front runners will soon find out just what it takes to win. This is a modern day version of the way politics is conducted with all of its good and bad sides given equal time, and the timing could not be better. he candidate is Democratic Presidential contender Mike Morris, portrayed by George Clooney (The Perfect Storm, The Men Who Stare at Goats) who is also writer and director of The Ides of March. yan Gosling (Crazy Stupid Love, All Good Things) is Stephen Myers, young and ambitious mastermind of the Morris campaign. aul Giamatti (Cinderella Man, Sideways) is the rival competition campaign manager, Tom Duffy.scar winner Philip Seymour Hoffman is Paul Zara, mentor and campaign manager to Presidential contender Mike Morris.his film provides an interesting and mostly realistic portrayal of insider politics when the real thing is fast approaching us.

Room is a 2015 drama film directed by Lenny Abrahamson and starring Brie Larson and Jacob Tremblay. The film tells the story of a young woman named Joy and her son Jack, who have been held captive in a small shed for several years. The film explores their relationship as they attempt to escape and adjust to life outside of the shed.

"Slumdog Millionaire" is a 2008 British drama film directed by Danny Boyle, and tells the story of a young Indian boy named Jamal who grows up in the slums of Mumbai. The film follows his journey as he competes on the Indian version of "Who Wants to Be a Millionaire?", and reflects back on his life experiences that have helped him answer the show's questions.

Successfully debuted at The Dallas International Film Festival, Liberal Arts is an American romantic-drama film directed by talented Josh Radnor, who not only written a screenplay for the movie by performed the leading role of the Jesse, a lonesome mid-aged university admissions officer who visits his old college in order to honor his ex-mentor. At this pivotal moment of his live he meets a girl, a 19 years old Zibby (the role performed by lovely Elizabeth Olsen, whose sole presence in the film makes it worthy to watch). Zibby and Jesse relationships develop in the way typical for 36-years old mature man and romantic 19-tears old girl, who know nothing about what this world is like. The only thing that makes their relations seemingly not icky is the Jesse serious take of this moral dilemma, which sometimes crossing the border between serious and funny. Especially in the scene when he calculated the deeps of his lapse from virtue: "When I was 19, she was 3; when I was 16 she was 0….hmmm…when I'll be 86, she will be 70" the last equation makes him sort of more easy looking on this hefty age difference (but he, and everyone in the move; and even we understand the point well).

"Spotlight" is a 2015 drama film that tells the true story of the Boston Globe's investigative journalism team, known as "Spotlight," and their work to uncover the systemic child abuse by Catholic priests in Boston. Led by editor Walter Robinson, the team faces resistance and intimidation from the Catholic Church and the wider community as they delve deeper into the story. As they uncover more evidence and testimonies, they realize the extent of the cover-up and the complicity of the Church hierarchy.

Brothers is a film of halftones, notes on the margins, where the beauty is in the Details. But, like many other such intricate work, the film seemed not over: cut off in mid-sentence. The brothers conflict ends with the simple phrase. Sam's internal conflict, the break of conscience after capture in Afghanistan is just honesty. From this point of view Brothers are perceived only a demonstration of acting, the spectacular, of course, but still remaining essentially "the casting". Psychological observations, the reliability of the details and fine texture of the characters are the wonderful elements of the movie, but really outstanding masterpieces are crowned with the point, not the dots.