Niels Arden Oplev, who may be familiar to you by his movie The Girl With The Dragon Tattoo comes with his next keep-on-toes drama Dead Man Down. It's not a surprise, that his favorite Swedish actress Noomi Rapace, who played the leading role in The Girl With The Dragon Tattoo, as Lisbeth Salander took the same level role in Dead Man Down. In this movie she plays Beatrice, a desperate, yet prudent and coldblooded woman on the warpath to accomplish the revenge by killing Alphonse Hoyt (Terrence Howard), a mob boss of the New York. On her way she meets Alphonse's guard, Victor (Colin Farrell), who seems to share her thoughts about the boss. She tries to blackmail and use him, but later, the truth reveals, Victor claims that Alphonse is responsible for the death of his wife and daughter. The engrossing desire for revenge unites Beatrice and Victor. Meanwhile, it becomes clear that there are other strong feelings between them, the feelings that have grown in the shadow of vengeance.

The Roommate's premise seems simple enough, and in light of Virginia Tech and elsewhere, maybe even plausible. The studio says The Roommate is, ""A psychological thriller about a deranged college freshman who becomes obsessed with her new roommate." If the girls take Psych 101, they may learn "deranged" is not appropriate clinical vocabulary for a girl who systematically and deliberately murders all of her roommate's friends and loved ones. To their credit, Leighton Meister who plays Rebecca, first-year serial killer, and Minka Kelly, who plays Sara, unwilling object of obsession, rise above primitive writing and production values that fall far short of the balance between sex and fear, redeeming the movie as much as any two gifted girls might. The Roommate may be more valuable as a promotional piece for Los Angeles Loyola Marymount University; and, over time, the film may be far notable as a showcase for 2011 college fashions than for its riveting representations of paranoid schizophrenia. Will those nasty blood stains wash out of that adorable Abercrombie skirt?

The Rabbit Hole movie's pivotal event, the gut-wrenching and heart-numbing tragedy that sends Becca and Howie Cotbett down the rabbit hole, is over and done before the movie begins: Their four-year-old son has run out into the street, been hit by a teen-age driver, and died. Rabbit Hole movie deals with the more complicated, considerably more disturbing question, "Then what?" Adapted from a Pulitzer Prize winning play that enjoyed a long and distinguished run on Broadway, Rabbit Hole literally "speaks to" grown-up audiences willing to listen to the nuances in the dialogue—the language of psychotherapy laced with bitter sarcasm and fierce rage."Nicole Kidman does not merely star in Rabbit Hole movie; she makes it her personal tour de force, playing Becca with all the brittle delicacy of Wedgewood china and all the fevered intensity of a serial killer. The marquee proclaims Aaron Eckhart also stars, but he really is the fern and baby's breath to Kidman's flourishing rose bouquet. Howie cheats on his wife, and Becca stalks their baby's killer, and somehow they convince themselves and the audience that really they are just a couple of struggling suburbanites "trying to find their way back to a life that still holds the potential for beauty, laughter and happiness." Rabbit Hole movie director John Cameron Mitchell drains away the film's melodrama and pathos by rendering it in "drab, functional, TV-movie naturalism," making it beguiling and terrifying. Through Mitchell's lens, the horrific events and overwhelming emotions seem exceptionally familiar and perfectly ordinary. Rabbit Hole terrifies everyday Cineplex audiences, forcing them to recognize just how easily they might become Becca and Howie.

In the year of 1939, the King and Queen of United Kingdom, George VI and Elizabeth Bowes-Lyon are visiting New York to seek the help from America in a forthcoming War with Germany. The success of their voyage is totally dependent on negotiation with the President of the United States, Franklin Delano Roosevelt who has invited the Royals to his residence - Hyde Park on Hudson. Meanwhile, FDR himself is experiencing hard times with domestic policy and low ratings of trust. The situation is even getting worse when Margaret Suckley, a Roosevelt's mistress and distant cousin joins him alongside with his wife and children to ensure the pleasant stay of royal couple during the weekend. This crucial parley is going to turn out to be the fateful pivot point both of the world history and FDR and Margaret relationships. Few people know ins and outs of this historical meeting and Roger Michell's movie, Hyde Park on Hudson, unfolds the truth about it. It showcases lots of funny moments (just imagine facial expression of Royals, when Margaret announces hot dogs as main dish of the lunch), misapprehensions at the edge of fouls and lots of other objectionable situations FDR and Margaret masterly get out from. The right chemistry between the perfectly selected actors and actress make this movie definitely delicious and easy to watch. Franklin D. Roosevelt is portrayed by Bill Murray. Laura Linney plays Margaret Suckley while Olivia Williams plays Eleanor Roosevelt, FRD's wife. The Royal couple is played by Olivia Colman as Queen Elizabeth and Samuel West as King George VI.

"Fahrenheit 451" is a 2018 dystopian film directed by Ramin Bahrani, based on the novel of the same name by Ray Bradbury. The movie is set in a future society where books are banned and "firemen" are tasked with burning any that are discovered. The story follows a fireman named Guy Montag, who begins to question his role in this oppressive society and becomes involved in a rebellion against the government.

"Einstein and Eddington" is a historical drama movie released in 2008, directed by Philip Martin. The movie tells the story of the friendship between Albert Einstein and Arthur Eddington, two of the greatest scientists of the 20th century. The movie explores their collaboration and the impact of their work on the scientific community during World War I.