Disgrace is the movie based on the novel by John Coetzee, a Nobel Prize winner. It contains neither morals (what morality can be deduced from such a name?), nor appeals for tolerance, and something like a Hidden of Michael Haneke. There are gaps between blacks and whites which can be found in each episode. The movie does neither overwhelm by political correctness, nor features the newfound equal rights. The tragedy, as the philosopher said, not in collision of right and wrong sides. The tragedy is that both sides are right. Africa and Europe, black and white, villages and cities, children, and fathers: the conflict is known to be eternal, the only question is: does it stands at the level of mutual recriminations and petty mischief like a broken windshield, or grow into genocide or civil war.

The American is a contemplative movie, yet unhurried and relaxed. Anton Korbeyn, who previously filmed only music videos, directed the movie ideally for the Clooney manner of playing. And that he succeeded. "Perhaps the director's fascination with photography was reflected in the "The American". The film is filled with static plans, where the sound is not important. In terms of speech: it is composed of multicolored mosaic of Italian and English, and the latter felt quite out of place, as the killer himself is an American lost somewhere in Italy in a small quiet town. Minor characters are also transmitted perfectly. There are two faces: a prostitute fallen in a true love, and a priest with a dark spot in his heart, that's a circle of acquaintances of the person cannot make friends. "The only thing that stands out from the track is the ending. During the movie could be the same hope for happy ending, or wait for the sad ending, and the result is an incomprehensible jumble. "But "The American" is an excellent movie, which in case you want to look for a second time, did not enjoy the story, or tricks with the shooting, and a serene image with an already old Clooney as the central figure. And in general, it is recommended to all the fans of the actor, as well as connoisseurs of European cinema.

Ballet 422 is a 2015 documentary by cinematographer and documentarian Jody Lee Lipes, and offers viewers a rare look behind the curtain of the professional world of ballet. The film follows Justin Peck, the 25-year-old choreographer of the New York City Ballet as he strives to create the ballet company's 422nd original piece while also balancing other professional commitments in the ballet world. This film offers an intimate look at Peck's creative process, and has been well received by critics. Not only does the movie provide startling insight into the process that brings an idea from its inception into realization as a ballet show, but it also highlights the commonplace workaday atmosphere that pervades life behind-the-scenes in an industry which is usually enshrouded in glamour. This piece is a must-see for anyone who is thinking of becoming a professional in the ballet world, or for any passionate ballet enthusiast who wants to learn more about what goes on behind the curtain.

Jane Eyre a classic movie in every sense of the word… Based on the classic book by Charlotte Bronte, Jane Eyre the movie (2011) is a period romance that explores the characters life as defined by stages. Jane is first abused, both physically and emotionally, by cousins and aunts while residing at Gateshead. School days at Lowood find her acquiring friends although she misses out on a lot of her youth. Later Jane becomes a governess at Thornfield Hall where she falls in love with Edward Rochester, her employer.ane Eyre was written as a first person type story so is somewhat an autobiography with darkness and social criticism. It does make a good "read" however, as there is a strong sense of morality in this young woman in spite of all she's been through in her lifetime.

Room is a 2015 drama film directed by Lenny Abrahamson and starring Brie Larson and Jacob Tremblay. The film tells the story of a young woman named Joy and her son Jack, who have been held captive in a small shed for several years. The film explores their relationship as they attempt to escape and adjust to life outside of the shed.

Caroline and Jackie, directed by Adam Christian Clark showcases us a horrific scenario of one-evening dinner with unexpected quests. The movie centers on two sisters, Caroline and Jackie who seems to be the lovely siblings, but from the very first minute we are to understand that something is wrong with their relationships. First of all, Caroline unexpectedly visits Jackie at her home and invites sister and her friends to the restaurant party despite the fact that Jackie was cooking al the day to have a great dinner with her friends. As Jackie agrees to accept Caroline's invitation she learns that this improvised surprise party was arranged by Caroline to celebrate Jackie's birthday, which passed two months ago. A ridiculous dinner turns to totally boring nightmare as quests gradually immerse into sisters uneasy relations hearing Caroline jibes addressed to Jackie As everybody feels that dinner is broken they finish the dishes hastily and moves to Jackie's house. However, if you suppose that Caroline is the "bad guy" in among the siblings, it means that you dramatically underestimate Jackie's nature. And this is not the end, as the action unfolds it becomes absolutely clear that their friends, both Caroline's and Jackie's are complete ass-holes as well. It's hard to say why Adam Christian Clark so carefully and accurately filmed such a bunch of deranged characters, but nevertheless he made it masterfully.