A Streetcar Named Desire is a 1951 film adaptation of Tennessee Williams' play of the same name. Directed by Elia Kazan, the film stars Marlon Brando, Vivien Leigh, and Kim Hunter, who all reprised their roles from the Broadway production. The film tells the story of Blanche DuBois, a former schoolteacher who moves to New Orleans to live with her sister and brother-in-law. Blanche's fragile mental state and troubled past clash with the harsh realities of her sister's working-class life, ultimately leading to tragedy.

Brothers is a film of halftones, notes on the margins, where the beauty is in the Details. But, like many other such intricate work, the film seemed not over: cut off in mid-sentence. The brothers conflict ends with the simple phrase. Sam's internal conflict, the break of conscience after capture in Afghanistan is just honesty. From this point of view Brothers are perceived only a demonstration of acting, the spectacular, of course, but still remaining essentially "the casting". Psychological observations, the reliability of the details and fine texture of the characters are the wonderful elements of the movie, but really outstanding masterpieces are crowned with the point, not the dots.

"Spotlight" is a 2015 drama film that tells the true story of the Boston Globe's investigative journalism team, known as "Spotlight," and their work to uncover the systemic child abuse by Catholic priests in Boston. Led by editor Walter Robinson, the team faces resistance and intimidation from the Catholic Church and the wider community as they delve deeper into the story. As they uncover more evidence and testimonies, they realize the extent of the cover-up and the complicity of the Church hierarchy.

If you are very fan of such movies like The Illusionist and The Prestige, the 2013 year will delight you with some brilliant surprises. There are two movies worth your attention in 2013 The Incredible Burt Wonderstone and Now You See Me. And if the second one looks more like some mix with drama and crime genre, the first one is the "pure magic". Much like Nolan's The Prestige, Don Scardino's The Incredible Burt Wonderstone tells a story about two magicians Burt Wonderstone and Anton Marvelton whose performance gained them the first place in world rankings, but suddenly their fortune dried when Anton gets trauma during the performance. It was an accident, but Anton blames Burt for this and leaves the show. Burt has to overcome desperation, he tries to find something credible in his life to draw inspiration for the new magic shows. For worse, a previously unknown street-magician Steve Gray enters a big scene with a dangerous, but much acclaimed trick which builds him the whole show, makes it an enormously popular one. Burt understands that Gray's success means checkmate for him when his beautiful assistant, Jane turns against him and joins Gray. There only salvation for Burt, to convince Anton forgive him and reunite in some new glorious show to overshadow Gray. It's not an easy mission to accomplish, because Anton has moved to Far East and seems to be quite happy without Las Vegas turmoil. Don Scardino managed his best to gather such a brilliant cast in this 30 000 000 USD movie: Jane is played by Olivia Wilde (Relanxious, The Third Person, People Like Us, Deadfall, TRON: Legacy) while main antagonist Steve Gray is portrayed by Jim Carrey (Dumb and Dumber To, Loomis Fargo, Mr. Popper's Penguins). The main character Burt Wonderstone is played by Steve Carell (Frank or Francis, Hope Springs, Date Night) while his partner, Anton Marvelton is depicted by Steve Buscemi (On the Road, Rampart, Grown Ups). And if you are not impressed enough, David Copperfield stars in The Incredible Burt Wonderstone as illusionist David Copperfield, of course.

"Oliver Twist" is a British drama movie released in 1948, directed by David Lean. The movie is based on the classic novel by Charles Dickens and tells the story of a young orphan named Oliver Twist who falls in with a group of thieves and criminals in 19th century London. The movie explores themes of poverty, social injustice, and the struggle for survival in a harsh and unforgiving world.

Eat, Pray, Love movie is obviously made with the claim that the method of Gilbert will be the panacea for all forms of women's existential crisis. The formula is simple: please the body, harden the spirit and everything flashy will reunite with the spiritual. Well, as any guide to practical psychology, this film is interesting only to those who need to stop worrying and start living. Remaining one hundred thirty-three minutes of screen time will be given easy. Hooked on the book, the filmmakers did not bother to spice up your creation more apparent irony, rather than one that reduces to a truly remarkable scene of the first conversation with God, Liz, and questionable character jokes about overweight, gained in Rome. There is some lack of a lightness of romantic comedies or the depths of serious cinema in this drama with elements of road movie…