Making it into somewhat of a Hatfields vs the McCoys story told Albanian style is The Forgiveness of Blood. Territorial rights along with family honor are long traditions of many nations and in this film we find that conflicts over land owned by families for generations never seem to become resolved, resulting in violence and a blood feud may be the result. Joshua Marston and Albanian Andamion Murataj weave a tale that is absorbing and honest, comparing old fashioned laws and rules against the younger generation's more modern approach to those age old traditions.ark, played by Refet Abazi (The Berlin Project) is a bread delivery man who uses a horse and cart on his daily route. When he is killed because he trespasses on land as he travels his daily route, the daughter Rudina, played by newcomer Sindi Lacej, must set aside her high school life and take over the route which is the family livelihood. An age old tale of property dispute and family traditions, The Forgiveness of Blood is an absorbing story of old verses new ways of life in Albania.

In the year of 1939, the King and Queen of United Kingdom, George VI and Elizabeth Bowes-Lyon are visiting New York to seek the help from America in a forthcoming War with Germany. The success of their voyage is totally dependent on negotiation with the President of the United States, Franklin Delano Roosevelt who has invited the Royals to his residence - Hyde Park on Hudson. Meanwhile, FDR himself is experiencing hard times with domestic policy and low ratings of trust. The situation is even getting worse when Margaret Suckley, a Roosevelt's mistress and distant cousin joins him alongside with his wife and children to ensure the pleasant stay of royal couple during the weekend. This crucial parley is going to turn out to be the fateful pivot point both of the world history and FDR and Margaret relationships. Few people know ins and outs of this historical meeting and Roger Michell's movie, Hyde Park on Hudson, unfolds the truth about it. It showcases lots of funny moments (just imagine facial expression of Royals, when Margaret announces hot dogs as main dish of the lunch), misapprehensions at the edge of fouls and lots of other objectionable situations FDR and Margaret masterly get out from. The right chemistry between the perfectly selected actors and actress make this movie definitely delicious and easy to watch. Franklin D. Roosevelt is portrayed by Bill Murray. Laura Linney plays Margaret Suckley while Olivia Williams plays Eleanor Roosevelt, FRD's wife. The Royal couple is played by Olivia Colman as Queen Elizabeth and Samuel West as King George VI.

Brothers is a film of halftones, notes on the margins, where the beauty is in the Details. But, like many other such intricate work, the film seemed not over: cut off in mid-sentence. The brothers conflict ends with the simple phrase. Sam's internal conflict, the break of conscience after capture in Afghanistan is just honesty. From this point of view Brothers are perceived only a demonstration of acting, the spectacular, of course, but still remaining essentially "the casting". Psychological observations, the reliability of the details and fine texture of the characters are the wonderful elements of the movie, but really outstanding masterpieces are crowned with the point, not the dots.

The Call (2013) is scheduled to hit the theatres in March 15, and this movie will be the eighth in row for Brad Anderson a moderate productive film director, just after his Vanishing on 7th Street, Transsiberian, The Machinist, Session 9, Happy Accidents, Next Stop Wonderland and The Darien Gap – those makes 7 films in 17 years. Nevertheless, it's a first time when Brad Anderson manages to gather such a brilliant cast in his movie. The lead role was secured by Halle Berry – and this only actress is able to "make the film" as she repeatedly did in Cloud Atlas, Dark Tide and Catwoman. Her character, Jordan, a 911 operator is trying to help troubled young girl and save her from murderer. Things got worse when teenagers real troubles reveals Jordan's old fears and psychological traumas. The influence of these revived fears have causes ambiguous effect on their dialog and consequences it leads to. Troubled teenager girl, Casey is played by Abigail Breslin,who may be familiar to you by her prominent roles in Little Miss Sunshine, where she were nominated in 10 prestigious awards, My Sister's Keeper (as Anna Fitzgerald) and Definitely, Maybe (Maya Hayes).

Darren Aronofsky took an almost perfect movie about art, madness and how it is sometimes difficult to distinguish from one another. The most stupid thing you can do with this film - is to try to accuse him of vulgarity or secondary. Black Swan is a movie that with equal success can be compared with the classic Red Shoes of 1948 and Red Shoe Diaries in Saturday's TV - and both will be true. Aronofsky, who after all the applauses has nothing to proof, managed to do something very important in the Black Swan: to return the immediacy for the art-cinema. You can watch Black Swan as an exciting thriller about madness and as a melodrama about hot dancers.

Todd Robinson's Phantom is an action thriller about a fictional chain of extremely dangerous events supposedly taken place in the midst of Cold War. The movie's plot revolving around the haunted Captain of Soviet Submarine heading to the center of military exercises of US Army with the dangerous crew members and nuclear missiles on the board. Those dangerous crew members are the KGB agents with the secret mission to launch deadly missiles. The target is the US Navy ships and submarines concentrated in the center of training operation. This will destroy the major part of US Navy and provide an advantage for USSR Army. And, for sure, this will ignite the Third World War resulting with all the devastating nuclear consequences. The Captain of Soviet Submarine, Dmitri Zubov (Ed Harris) stands between an uneasy choice: to herd with hellish KGB Officer (David Duchovny) dreaming to unleash nuclear war, or to turn against his country and save the world.