Dinner for Schmucks movie follows the common office "rat" Tim (Paul Rudd), who gives his boss promising business idea in timely manner. Boss, commending the zeal offers a guy to go to the big league managerial, but first Tim has to pass a little test and to invite some eccentric nerd to the private corporate dinner. It is a challenge: whose idiot would be the most ridiculous, that one gets the encouragement and recognition. Tim was lucky, by his Porsche he knocked Steve Carell, which is not that just looks like an idiot almost in every way, but enjoys taxidermy and collecting of dead mice dioramas compounding with them some sentimental scenes. As a result, mental stupidity, of course, wins managerial cynicism that is predictable. Dinner for Schmucks movie in some amarican manner landed and vulgarized comedy of 1998, filmed by one of the best French comedians of Francis Veber ("Toy", "Daddy", "Unlucky")…

Friday is a 1995 American stoner comedy film directed by F. Gary Gray and written by Ice Cube and DJ Pooh. The film follows Craig Jones (Ice Cube) and Smokey (Chris Tucker), two friends who spend their day smoking weed on a porch in South Central Los Angeles. The film also stars Nia Long, Regina King, Anna Maria Horsford, and John Witherspoon.

Evan Almighty is a 2007 American comedy film and sequel to Bruce Almighty (2003), directed by Tom Shadyac, and starring Steve Carell, reprising his role as Evan Baxter, with Morgan Freeman also reprising his role as God. The film follows Evan, now a newly elected congressman, as he is tasked by God to build an ark in preparation for a flood.

Previously known as Tyler Perry Presents Peeples, this movie represents best practice of the genre. The product of Tyler Perry's genius combined with fresh look of debuting director Tina Gordon Chism worth two hours of your attention for sure. It's not exactly Medea's-like comedy with Tyler Perry dressed as big and monstrous Afro-American woman, Peeples (2013) is more like Our Family Wedding filmed a year ago in 2012. It's funny, spontaneous, lively yet ironic. The action of Peeples revolves around the events at the reunion. A wealthy big family gathers in small town to enjoy each other company. The situation is heating up when Wade Walker, a young infamous "looser", decides to ask a hand of Peeples' lovely daughter Grace' at the pivotal point this rejoicing . This out of the blue surprise causes the effect of chain reaction, which ignites an extraordinary comic turmoil in Hamptons. Nevertheless, Wade Walker has to learn that there are different kinds of Peeples and even the "worst" of them could not be a serious obstacle for true love. Although, Peeples is a directorial debut of Tina Gordon Chism, who was previously known mostly as writer (ATL, Drumline), she managed to gather some brilliant cast: Kerry Washington (Olivia Pope from Scandal, Broomhilda von Schaft from Django Unchained) plays as Grace Peeples, while Craig Robinson (Hot Tub Time Machine, Eastbound & Down) plays as Wade Walker.

All three layers of Tooth Fairy movie closely intertwined with each other, creating a film attractive for family watching, for the sentimental female audience, for teens who love killer comedy, and the audience that wants to watch every product of a moral code or a philosophical conclusion. Moral of the Tooth Fairy comes down to a favorite American idea: one must believe in the dream, do not lose heart, to dare, to fight, and then success will inevitably be reached. After sporting the tooth fairy, Derek is responsible for the the Cinderella story: the athlete-loser, lonely, desperate, purging the dreams of children in the end finds his family and achieves the professional success. Tooth Fairy with all its constituents is a fairy tale about faith. The protagonist opens the forgotten dreams and helping relatives gain confidence, claiming the optimistic slogan of this kind of movies: do not despair and everything comes true.

A Serious Man is probably the best Coen brothers' movie. It is a hilarious parable disguised as anti-Jewish satire. The being Jewish, for authors, is not so much the subject as an occasion for much more interesting and witty conversation. The object of their ridicule is certainly neither the American Tzadik not the Jewish community as a whole, and certainly not God-seeking, but in itself painful mistrust inherent Semites. In general, it seems that anyone with the words "Bar Mitzvah" and "Dibbuk" aches nostalgic parts of the brain, "A Serious Man" will become perhaps the most hilarious film of the year, and this is the important detail in the case with Cohen's. In essence, "A Serious Man," this is "The Simpsons Movie" translated into the universal language of cinema as an everyday way of perceiving the infinite series of pleasant wonders.