You might remember the first of The Last Exorcism and its cam-shaking found-footage style. Thanks god, The Last Exorcism Part 2 is made in normal way without boring "real-footage" effects. Like in th previous one, Ashley Bell stars in this movie too as Nell Sweetzer, a terrified girl found lurking in the woods and latter rehabilitating after the previous exorcism which turns out be just an act of clearing the way for greater evil eager to settle in Nell's tiny body. Further, unlike the first movie directed by Daniel Stamm (The Darkness, Angry Little God, A Necessary Death), the second "Last Exorcism" is directed by the less known Ed Gass-Donnelly (Small Town Murder Songs, This Beautiful City) which may lead to some underestimating of the horrifying power of this movie, but watching the trailer will left you reassured. The filming is great, the horror scenes are powerful, and the evil is realistic. Thanks to the writer Damien Chazelle (Grand Piano, Guy and Madeline on a Park Bench) the movie plot looks solid and scenario twists are plausible.

It seems like laurels of Paranormal Activity trilogy haunted minds and souls of Hollywood producers. That's why they decided to film something alike, but with much higher budget and respectively more stellar cast. The story revolves around the couple Ben and Kelly. Accidentally, they have awakened the strange apparition during the mysterious ritual performed in university as experiment. Ben is portrayed by Sebastian Stan (James Buchanan 'Bucky' Barnes in The First Avenger) while Ashley Greene plays Kelly. She may be familiar to you with her roles Alice Cullen in The Twilight Saga: Breaking Dawn or Ashley in Summer. Classmates. Love. The plot follows Ben and Kelly in their struggle with something the words cann't describe. The Apparition terrorizes them while feeding with their fears and it seems like nothing could help Ben and Kelly besides Patrick (Tom Felton), a professional expert in science of supernatural. However, everything looks like it's too late.

The" found footage" genre was used almost to death in the period of 2005-2012. However, Scott Derrickson's Sinister is something bigger than regular "found footage scary movie". In Sinister, where Derrickson's talent is multiplied on Ethan Hawke's play, the old fashion draggy movie blossoms with new fruitful flowers conceiving the new levels of horror film's quality. The story begins, when the main protagonist, Ellison finds a footage which was made a long time ago by the previous inhabitants of his new house. As it follows from the footage, four members of the family were hanged on the nearest trees, while fifth one; a little girl has disappeared somewhere and hasn't been found since. As the professional writer, specializing on the scandalous crime stories, he begins his own investigation with the help of local deputy sheriff (James Ransone, who may be familiar to you as Officer Thomas Prudenti in The Son of No One). As they excavate new facts and stories about this mysterious murder they find similar cases where entire families was killed besides the little girls which are still missing. Step by step Ellison immerses deep into the horror of these mysterious deaths becoming increasingly unsettled mentally, as the rest of his family show the sings of serious emotional distress. His wife Tracy (Juliet Rylance, who played in Adam Shaw) and 12-year-old Trevor (Michael Hall D'Addario who played in People Like Us) hear strange frightening voices that are coming out from the attic where the scary footage was found.

While the beauty of Ontario Canada has been used for much of the footage of Dream House, it is an American film of the horror genre and set in a quaint but fictitious town in New England. Publisher Will Atenton (played by Daniel Craig of Casino Royale, Quantum of Solace) along with wife Libby (Rachel Weisz from The Lovely Bones, The Brothers Bloom) find their perfect Dream House was the scene of a horrific murder of a mother and children supposedly at the hands of the husband/father. Naomi Watts (21 Grams, Mulholland Dr.) also stars as Ann Patterson, a neighbor who may be able to provide clues to the deaths.riters, cast, and crew seem to love taking a peaceful community setting and making it the unsettling scene for murder and mayhem just to keep us, the audience, on the edge of our seats for two hours or so. It sells plenty of tickets and it works!"

For those conspiracy theorists and urban legend enthusiasts perplexed by the question, "Why has the United States never returned to the moon?" Apollo 18 now offers a frighteningly realistic lost-footage answer. [insert dramatic, suspenseful movie music here]."According to "official" space history, moon missions ended with Apollo 17; and, although an eighteenth mission was scheduled, NASA maintains it scrubbed the launch. Apollo 18 alleges the mission actually went off as planned, and the crew of the ill-fated moon-landing encountered alien life among the craters. Supposedly, investigators recently stumbled upon never-before-released NASA video proving the existence of alien life. Shot by the moonwalkers, the "secret" video documents their encounter with the aliens, and you safely may assume the two parties did not exchange recipes for fish tacos. The very well-crafted trailer for Apollo 18 ostensibly shows you the "lost" footage."Produced by Timur Bekmambetov and directed by Gonzalo Lopez-Gallego, Apollo 18 is frequently reminiscent of Ridley Scott's original Alien, but in a good, allusive way, building suspense and genuine terror from intense realism. The voice-over for the trailer says ominously, "What you are about to see is the actual footage which the astronauts captured on that mission. While NASA denies its authenticity, others say it's the real reason we've never gone back to the moon."When you have seen the footage, you too may become a conspiracy theorist or fan of urban legends."

The most fun of The Wolfman is to watch the play of three great actors: Benicio Del Toro, Hugo Weaving Anthony Hopkins, who does not appear on the big screen for the long time. The absence of a distinct conflict in the plot of the film leads to interesting effects in the masters' play: if Del Toro is still trying to reveal the nature of Lawrence somehow, suffering in the role and scope of the scenario, the Hopkins returns Hannibal Lecter to the screen and Weaving gives as the Agent Smith. By the end they both almost cease to hold themselves and The Wolfman turns into a feast of film fans from computer horror game. On-screen agent Smith converges with Hannibal Lecter in the fight of talents and minds. Such a cross-over of The Matrix and The Silence of the Lambs you have never dreamed of!