Saturday Night

Enter the Void movie features an awesome special cinematographic experiment. From the start of the film we are looking at the world through the eyes of its protagonist Oscar (Nathaniel Brown). When he blinks, the picture disappears. His thoughts, we hear his voice-overs. The story begins in a small, cramped Tokyo apartment. The balcony shows us a view at the busy street. A bright sign «ENTER» is on the other side of the road. Oscar calls Linda (his sister) and pointing to a flying airplane in the sky, said that he would like to see Tokyo from a height. She replied that she would be scared. He asks her: "What are you afraid?". She says: "Death, I suppose. Falling into the void. " Then the hero picks up a book and we see the Tibetan Book of the Dead closeup. He says he gave it to honor his friend Alex. His sister is skeptical, calling him "upright". Then she says goodbye and leaves. Left alone, Oscar takes a dose of DMT. The next five minutes we are enjoying special effects, revealing the visions of the hero. Of the trip he takes a phone call. His friend Victor calls. He wants Oscar to bring him his stuff and says that awaits him at the Void title bar. Oscar hardly wakes up and there suddenly comes Alex. The meantime, he asked about the Book of the Dead, to which Oscar replied that he reads it and likes. Alex in the conversation makes it clear that he likes the sister of Oscar. They leave the apartment and sent into the Void. On the way Alex tells Oscar his own version of the Tibetan Book of the Dead story. Then he advises Oscar to stop selling drugs and get a job. When they are reached the Void title sign, Alex refuses to enter there and promises to wait for an Oscar in the street. The attempt to sell the drugs to Victor ends with Oscar's death, but we are still looking thru his eyes… and there movie begins.

Ari Aster's divisive neo-Western black comedy sends sheriff Joaquin Phoenix and mayor Pedro Pascal to war in a pandemic-era New Mexico town. Streaming on HBO Max.

Emma Morley portrayed by award winner Anne Hathaway (Love and Other Drugs, Valentine's Day) and Dexter Mayhew (British actor Jim Sturgess from Heartless, The Way Back) meet and become close friends who will find their lives intertwined for the rest of their lives. Dexter is wealthy and quite the charmer who is certain the world is his playground and Emma is the typical working class gal who is more reality bound but dreams of making the world around her a better place in which to live.ver the decades they find their lives have much in common and relationships each are involved in result in many missed opportunities. July the 15th is an important time for both and they compare notes regarding their private lives but eventually realize that what they need is right there in front of them. Love and life take some unexpected twists and turns for each of us and this movie exemplifies that what we want in life may be easy to attain if we only look in the right places.

"Million Dollar Baby" is a 2004 sports drama film directed by Clint Eastwood. The movie tells the story of Maggie Fitzgerald, a determined young woman who aspires to become a professional boxer. She seeks the guidance of hardened boxing trainer Frankie Dunn, who initially dismisses her, but eventually agrees to train her.

It doesn't even matter if you've ever read the novel written by the greatest Russian novelist Leo Tolstoy, or, maybe, you doesn't even heard about Anna Karenina (what is unlikely.) Anyway, this awesome story deserves to be laid on film tape more and more times. And for those, who plans to get an Oscar in this year there are no better way to do it than to make a movie using the unparalleled Tolstoy's masterpiece. The whole plot of the novel has been left intact: the action unfolds in the 19th century Russia, where the social elite have its own rules and traditions, and where adultery is counting as the worst sin ever. In those classy times, the story follows a young woman Anna (Keira Knightley), who is happily married to top-echelon officer Alexei Karenin (Jude Law). She unexpectedly meets the man of her dreams, Count Vronsky (Aaron Johnson) and falls in love with him. Their mutual romantic relationship leads the cinematic adaptation's plot to the predictable dramatic end, where a train plays a crucial and a final role.

Mike Flanagan adapts Stephen King's novella into a reverse-chronology epic about one ordinary man's life — anchored by Tom Hiddleston and a starry ensemble — and emerges as one of the year's most moving films.