The Call (2013) is scheduled to hit the theatres in March 15, and this movie will be the eighth in row for Brad Anderson a moderate productive film director, just after his Vanishing on 7th Street, Transsiberian, The Machinist, Session 9, Happy Accidents, Next Stop Wonderland and The Darien Gap – those makes 7 films in 17 years. Nevertheless, it's a first time when Brad Anderson manages to gather such a brilliant cast in his movie. The lead role was secured by Halle Berry – and this only actress is able to "make the film" as she repeatedly did in Cloud Atlas, Dark Tide and Catwoman. Her character, Jordan, a 911 operator is trying to help troubled young girl and save her from murderer. Things got worse when teenagers real troubles reveals Jordan's old fears and psychological traumas. The influence of these revived fears have causes ambiguous effect on their dialog and consequences it leads to. Troubled teenager girl, Casey is played by Abigail Breslin,who may be familiar to you by her prominent roles in Little Miss Sunshine, where she were nominated in 10 prestigious awards, My Sister's Keeper (as Anna Fitzgerald) and Definitely, Maybe (Maya Hayes).

Hachi: A Dog's Story looks very respectable thanks to beautifully grown old Richard Gere. But all this is the perfect atmosphere generates the feeling that all this neat, distilled and smoothed microcosm of the American province was specially built just for the beautiful story design. Something here is not real in the movie. However, when your eyes filled with tears, you will not be able to consider.

"Oliver Twist" is a British drama movie released in 1948, directed by David Lean. The movie is based on the classic novel by Charles Dickens and tells the story of a young orphan named Oliver Twist who falls in with a group of thieves and criminals in 19th century London. The movie explores themes of poverty, social injustice, and the struggle for survival in a harsh and unforgiving world.

Disgrace is the movie based on the novel by John Coetzee, a Nobel Prize winner. It contains neither morals (what morality can be deduced from such a name?), nor appeals for tolerance, and something like a Hidden of Michael Haneke. There are gaps between blacks and whites which can be found in each episode. The movie does neither overwhelm by political correctness, nor features the newfound equal rights. The tragedy, as the philosopher said, not in collision of right and wrong sides. The tragedy is that both sides are right. Africa and Europe, black and white, villages and cities, children, and fathers: the conflict is known to be eternal, the only question is: does it stands at the level of mutual recriminations and petty mischief like a broken windshield, or grow into genocide or civil war.

In the year of 2012 the vampiremania occupies the minds of earthlings. Even Johnny Depp could not escape of being vampire in this Tim Burton's remake of TV show which was popular in sixties. he story of Dark Shadows begins in 1752 where the preamble of the movie takes place. Joshua and Naomi Collins their son Barnabas travels from Liverpool to America in the pursuit to find a new better life, but the family curse overtakes them even on the boat. After the twenty years Barnabas becomes reach and famous in the small city of Collinsport and the master of Collinwood Manor. Acting like some sort of local Casanova he breaks the heart of one witch, Angelique Bouchard. There were two issues with this case: the first, she was the real witch and, and the second, it was a fatal mistake of Barnabas. Her reaction was lightning fast and literally inescapable: she turns him in the vampire and buries him for greater certainty. But after 200 years due to some accident he frees from the grave and tries to return to a normal life. But a normal life does not exist in 1972, anymore. Barnabas realizes it after visiting the ruins of former Collinwood Manor, now occupied by his dysfunctional descendants. There the story of Dark Shadows begins.

Interlocking worlds is the main advantage of The Lovely Bones movie. Peter Jackson has managed to build two universes, two micro-cosmoses. One is the real America of the 70th, a provincial town in which this thriller takes place. The second is a world of fantasies and illusions of Susie, the movie protagonist. It is the space of inexpressible beauty, with the number of perfect landscapes, oases of the dreams. It's so exciting, that will not immediately come to mind at least some analogues, this magical fantasy world in which dwells Susie, do not even comparable with something else. And Jackson so subtly approached the issue that has managed through unprecedented visual beauty and conveys the inner meaning of which he endowed with a beautiful image of the protagonist.