Iron Man is bound to multiple returns, while Robert Downey Jr. plays a major role, and Jon Favreau is the director. And as long as until the protagonist is not exhausted stocks of radioactive charisma, and the chief director allows the actresses enthusiastically clobber themselves in the frame, we will be back for another serving. It is not excluded that many may seem, the "Iron Man 2" had not went long away from the first part. That is very nice and noisily shuffled his feet in one place. So let it be. After all, the movie can afford it, and there is no need in more compelling reasons besides the classic selfishness of the Stark.

It has been scary enough to hear of UFO sightings around the globe. Places like China, Germany, France, and even Buenos Aires have all reported evidence that some form of unidentified objects have been seen flying about. In Battle: Los Angeles we find some of these sightings have been documented by trustworthy and qualified people while others are merely random visions offered by "questionable" sources. However now they are beginning to be reported in the U.S. and particularly in the Los Angeles area. This becomes terrifying when the Earth is attacked by forces that are unknown and often unseen. In 2011 the fictional fantasy plays against reality and when LA becomes mankind's last chance to take a stand against alien forces we see a Marine sergeant (played by Aaron Eckhart) leading a platoon and taking on an enemy more powerful and threatening than they have ever been forced to encounter. As large cities fall to the enemy around the world how can a small band of U.S. Marines prevail? Battle: Los Angeles the movie gives UFO sightings an entirely new slant.

Starting as a psychological thriller half-baked in the early Shyamalan style, closer to the second hour "The Box" quietly and gradually reaches some incredible degree of psychedelic action that much similar to Kelly - Lynch and Kubrick. Absolutely not sparing the audience (even forgetting it), Richard Kelly continues to swing the flywheel of action, reeling him more and more new characters, then explaining that by entering into contradiction with itself, and at the last minute just shot at close plan. Plot of The Box, placed in the chaos of the decade. It is so layered, that it is absolutely pointless to discuss the ranking of importance raised by the director of the movie. However, merged into one crazy idea of science fiction of 70's, dozens of conspiracy theories, including human psychology and even his own biography, Richard Kelly still rules.

With intentions of this one being a launching pad for an entirely new series of films on the "great apes taking over the planet" theory, director Rupert Wyatt along with producer and screen writer Rick Jaffa hope to see fans follow along to make this concept as big a hit.Sci-fi films with an unusual theme such as this can usually count on plenty of audience enthusiasm and as this one deals with attempting a cure for Alzheimer's it is current and relevant to what's going on around us. James Franco (Pineapple Express, 127 Hours) plays a scientist who uses apes to attempt finding a cure for Alzheimer's disease and when problems arise with one of his apes called Caesar, he simply takes the ape home with him to keep the evil lab doctors from interfering. Seems as if Caesar (played by Andy Serkis from the Lord of the Rings trilogy) has begun mutating quite rapidly and that's never a good sign as he'll soon begin leading a revolt of the apes."Also starring John Lithgow (of the Shrek series and Harry and the Hendersons), Chelah Horsdal (Marley & Me), Freida Pinto (Slumdog Millionaire) and David Hewlett (The whistleblower, Stargate: Atlantis)."

A tremendously successful book Cloud Atlas, which was written by British author David Mitchell in 2004, is laid in the basement of next brothers Wachowsky's movie Cloud Atlas. Of course, no one has expected that Matrix's creators will film something small, but it seems like Cloud Atlas outperformed any possible expectation. The film is so advanced in the meaning of CGI graphics and complicity of the twisted plot that it's undoubtedly destined to become another milestone in cinema industry alongside with The Matrix and Avatar. The movie consists of six stories nailed on each other in some weird way. All of the showcased stories are suddenly interrupting at some point except the last one. The first story begins in 1850 on a frigate sailing across the Pacific Ocean; this story is read by the character of the next story as a diary in 1931 which story is read in letters by Luisa Rey a journalist California, 1975 who writes a manuscript for the novel which is read by Timothy Cavendish, in 21th century UK which story was laid in the center of documentary movie which is watched by Sonmi~451, a genetically-engineered clone in not so distant future who rises a rebellion against totalitarian regime which is lead to "The Fall", an apocalypses which destroys a civilization and forms a tribal societies on Earth. One of the tribesman watches a Sonmi~451's story as holographic movie on his "Orison" device. All the six stories which are nested in the film look like seamlessly connected with each other in the way we did not realize until the movie reaches its turning point, and then we travel back in time from story to story completing them in reverse order and realizing that "Everything is connected".

Ex Machina is a 2014 science fiction film directed by Alex Garland and starring Domhnall Gleeson, Alicia Vikander, and Oscar Isaac. The film tells the story of a young programmer named Caleb who is invited to the remote home of a billionaire CEO named Nathan to administer a Turing test on an AI named Ava. As Caleb spends more time with Ava, he begins to question Nathan's motives and his own place in the experiment.