Life on the forth planet from the sun, known as Mars, is adventurous to say the least. John Carter is an epic hero from novels written by Edgar Rice Burroughs, one of the most beloved and prolific writers of the 20th Century. This movie version has John Carter being transported to what is called Barsoom or Mars and entering conflicts between the planet's nations. There he encounters leaders Tars Tarkas as well as Princess Dejah Thoris as he attempts to save the people of Barsoom. Based on the novel titled A Princess of Mars, John Carter was first published as a serial in magazines back in 1912 before becoming a novel. The lead character, Carter, is a veteran of the Civil War in America and while on Mars he encounters huge green barbarians who are twelve feet tall with six limbs and long dangerous tusks. It is a world that is difficult to survive in and Carter must fight his way back home again if he can.aylor Kitsch of the TV series Friday Night Lights stars as John Carter, Willem Dafoe (Daybreakers, Spider-Man 3) is Tars Tarkas, and Princess Dejah Thoris is played by Lynn Collins (True Blood, Haunted).

Kong: Skull Island is a 2017 American monster film directed by Jordan Vogt-Roberts. The movie is a reboot of the King Kong franchise and stars an ensemble cast, including Tom Hiddleston, Samuel L. Jackson, Brie Larson, John C. Reilly, and John Goodman. The film follows a team of scientists and soldiers as they explore a mysterious island in the Pacific, where they encounter the legendary giant ape, Kong.

Ex Machina is a 2014 science fiction film directed by Alex Garland and starring Domhnall Gleeson, Alicia Vikander, and Oscar Isaac. The film tells the story of a young programmer named Caleb who is invited to the remote home of a billionaire CEO named Nathan to administer a Turing test on an AI named Ava. As Caleb spends more time with Ava, he begins to question Nathan's motives and his own place in the experiment.

"Westworld" is a 1973 science fiction film written and directed by Michael Crichton. The movie takes place in a futuristic theme park where visitors can indulge in their wildest fantasies through lifelike robots. The film follows two guests who become trapped in the park as the robots begin to malfunction and turn against the guests.

A tremendously successful book Cloud Atlas, which was written by British author David Mitchell in 2004, is laid in the basement of next brothers Wachowsky's movie Cloud Atlas. Of course, no one has expected that Matrix's creators will film something small, but it seems like Cloud Atlas outperformed any possible expectation. The film is so advanced in the meaning of CGI graphics and complicity of the twisted plot that it's undoubtedly destined to become another milestone in cinema industry alongside with The Matrix and Avatar. The movie consists of six stories nailed on each other in some weird way. All of the showcased stories are suddenly interrupting at some point except the last one. The first story begins in 1850 on a frigate sailing across the Pacific Ocean; this story is read by the character of the next story as a diary in 1931 which story is read in letters by Luisa Rey a journalist California, 1975 who writes a manuscript for the novel which is read by Timothy Cavendish, in 21th century UK which story was laid in the center of documentary movie which is watched by Sonmi~451, a genetically-engineered clone in not so distant future who rises a rebellion against totalitarian regime which is lead to "The Fall", an apocalypses which destroys a civilization and forms a tribal societies on Earth. One of the tribesman watches a Sonmi~451's story as holographic movie on his "Orison" device. All the six stories which are nested in the film look like seamlessly connected with each other in the way we did not realize until the movie reaches its turning point, and then we travel back in time from story to story completing them in reverse order and realizing that "Everything is connected".

One of the major delights of the 2012 movie is an epic picture of the destruction of the solid earth, when thousands of people scattered in panic from the falling down of skyscrapers, where the oceans come from the coast, and lava avalanches sweep out the cities and countries. In 2012, the apocalypse comes at its best; Emmerich tried hard to give a picture of the destruction of the giant swing, and the fact he succeeded. The visual side of the movie is flawless. But the dramatic side sometimes fails in the illogic, strained and unnecessary confusion. Too complicated scenario building only distract from the excellent graphic component that unfolds in the 2012.