Hangover immediately knocks down by the hurricane humor. Is not always this sense of humor is bontone, but almost always successful. Hangover is a movie with a very clever composition and structure: there are amazing flash backing vocals, and the action that evolves backwards-ahead, there are a lot of plot quirks that did not tangle, but for sure amaze you. From the standpoint of the movie formal construction of the picture it's just brilliant. There is a very clear role differentiation: each character is an expression of a prejudice, a walking stereotype, which manifests itself in different situations so predictable and therefore all the film looks like parody.

Young Frankenstein is a 1974 American comedy horror film directed by Mel Brooks and written by Brooks and Gene Wilder. The story is a parody of classic horror films, particularly the various film adaptations of Mary Shelley's novel Frankenstein produced by Universal Pictures in the 1930s. The cast includes Wilder, Peter Boyle, Marty Feldman, Cloris Leachman, Teri Garr, Kenneth Mars, and Gene Hackman.

Mermaids is a 1990 American comedy-drama film directed by Richard Benjamin. The film stars Cher as Rachel Flax, a single mother who moves with her two daughters, played by Winona Ryder and Christina Ricci, to a new town in Massachusetts in the early 1960s. The film follows the family as they navigate the challenges of growing up and coming of age.

"My Dinner with Andre" is a 1981 drama film that depicts a conversation between two old friends, Andre and Wally, over a long dinner at a restaurant in New York City. The movie is essentially a single conversation that covers a wide range of topics, from the meaning of life to the role of the artist in society.

Think of Prom as High School Musical with heavy doses of teen-aged angst. Summarizing Prom in frighteningly reductive terms, Disney says, "A group of teenagers get ready for their high school prom," and the producers list it simultaneously as "comedy" and "drama." If you read only that description, you easily could conclude Prom dramatizes debutantes' struggles with mascara and up-dos. To her everlasting credit, Aimee Teegarden, veteran of heavy high school drama in "Friday Night Lights," goes a long way toward redeeming Prom from its awkward identity crisis. With a properly delicate and ironic touch, Ms. Teegarden effectively captures every sophisticated senior's inchoate recognition that "valedictory" means farewell and "commencement" is a synonym for "see ya." "Nova, Ms. Teegarden's allegorically named character, recognizes her pet antagonist probably is the ideal prom date, heavy on the fun factor and devoted to keeping rented tuxedos and poofy dresses in perspective. The unlikely pair contrasts sharply with Mei and Tyler, swept-away sweethearts, who wrestle with conscience and logistics as they work to wring every last micro-gram of meaning and romance from "the biggest night of their lives.""Set for release the last weekend of April, 2011, Prom may or may not set the tone for the Class of 2011's dining and dancing extravaganzas, but it surely will provide invaluable fashion and etiquette tips.

Led by Natalie Portman, who recently complained to Vogue, "Women…are generally not allowed to be beautiful and funny, and certainly not vulgar," makers of films for women and women film-makers have launched an intensely iconoclastic initiative toward genuinely funny feminine films. Bridesmaids has potential to become a landmark in that initiative, primarily because it is genuinely funny—as in genuinely, authentically, undeniably, unequivocally, unashamedly, and unabashedly laugh-out-loud funny."Led by Kristen Wiig of "SNL" fame and featuring "a veritable herd of hilarious women," Bridesmaids bravely ventures into an admittedly over-worked premise, marking the latest reprise of the whole high-end wedding and frustrated bridesmaid fiasco; but it comes out with something genuinely fresh. Instead of thinking Bridemaids is a little weak on plot, think of it as "episodic" and focused on its principal theme—shenanigans. With co-conspirators Ellie Kemper, Maya Rudolph, Melissa McCarthy, and Rose Byrne fuelling the funny, the movie-makers refuse to go sappy rom-com. Instead, Bridemaids delivers all the guy-stuff staples redone for girls, including an unruly bunch of puppies, a car chase, a tennis ball to a delicate body-spot, and a party-planning summit gone terribly wrong.