American Horror Story: 13 marks the thirteenth season of Ryan Murphy and Brad Falchuk's landmark FX horror anthology, and the creators have leaned hard into the ominous significance of the number itself. Built around superstition, bad luck, and the show's own mythology, the season is conceived as a celebratory, crossover-style event that gathers threads from across the franchise's long history.
The season reunites an extraordinary roster of returning American Horror Story veterans, with Sarah Paulson, Jessica Lange, Evan Peters, Emma Roberts, Angela Bassett, Kathy Bates, Billie Lourd, and Gabourey Sidibe among those revisiting the franchise, several of them playing multiple roles. New additions to the ensemble include Cara Delevingne, Charlie Carver, and Tig Notaro, as the season revisits and interweaves elements fans have followed for more than a decade.
Premiering on FX on September 24, 2026, and streaming the next day on Hulu, the thirteenth season runs a full slate of episodes released in weekly pairs and trios through late October. A milestone entry for one of television's most durable horror brands, it is designed as both a reward for longtime viewers and a showcase for the anthology's deep bench of stars. American Horror Story: 13 is streaming on Hulu.
Overcompensating is a semi-autobiographical coming-of-age comedy created by and starring Benito Skinner, the comedian and internet personality known for his viral character sketches. Produced by A24 for Prime Video, the series follows Benny, a former high-school football star and homecoming king who arrives at college harboring a secret he has spent his life burying: he is gay. To keep up appearances, Benny throws himself into an exhausting performance of heterosexual masculinity, even as he forms an intense, complicated friendship with a fellow student who is hiding insecurities of her own.
Skinner mines his own experiences for a story that is at once raucously funny and unexpectedly tender, capturing the specific anxiety of a young person terrified that the elaborate identity they have constructed might collapse. Wally Baram co-stars as Carmen, the friend whose bond with Benny anchors the series, alongside Mary Beth Barone and Adam DiMarco. The show is threaded with pop-culture references and a scene-stealing cameo from Charli XCX, giving it a hyper-current, extremely-online sensibility.
Debuting on Prime Video in 2025, Overcompensating earned warm reviews for its blend of broad comedy and genuine emotional honesty, marking a confident scripted breakout for Skinner beyond his short-form internet fame. Funny, heartfelt, and sharply observed, it streams on Prime Video.
Ballard is a Prime Video crime procedural that expands Michael Connelly's popular Bosch television universe, spinning off the character of Detective Renee Ballard into her own series. Maggie Q stars as Ballard, a tenacious LAPD detective who is placed in charge of the department's under-resourced and understaffed cold case unit, tasked with reopening old murders that the rest of the force has forgotten. The series continues the grounded, procedural realism that made Bosch and its successor Bosch: Legacy long-running favorites.
Working out of a cramped basement with a team of volunteers and reserve officers, Ballard pursues a sprawling web of cold cases even as she navigates institutional resistance and a dangerous conspiracy inside the department itself. Maggie Q brings physical credibility and steely determination to the role, and the series folds in a connection to the wider Bosch world, including an appearance by Titus Welliver's Harry Bosch, rewarding longtime fans while standing on its own.
Premiering on Prime Video in July 2025, Ballard drew a strong audience and was quickly renewed for a second season, extending one of streaming's most durable crime franchises. Anchored by Maggie Q's commanding lead performance and Connelly's meticulous plotting, it streams on Prime Video.
Running Point is a breezy, joke-packed Netflix sports comedy created by Mindy Kaling, Ike Barinholtz, and David Stassen, loosely inspired by the life of Los Angeles Lakers executive Jeanie Buss. Kate Hudson stars as Isla Gordon, the overlooked sister in a basketball dynasty who is unexpectedly named president of the fictional Los Angeles Waves after her brother steps down, forcing a woman long dismissed as the family's party girl to prove she can run a struggling professional franchise.
Surrounded by skeptical brothers, a demanding roster, and a league that never quite takes her seriously, Isla sets out to turn the team around while wrangling her chaotic family. Hudson, in her first major television lead, brings her signature warmth and comic timing to a role that lets her be both glamorous and self-deprecating. The ensemble, including Brenda Song, Drew Tarver, Scott MacArthur, and Chet Hanks, gives the show a rapid-fire, workplace-comedy rhythm familiar from Kaling's other series.
Premiering in February 2025, Running Point became an immediate streaming hit and was renewed by Netflix for a second season within weeks, buoyed by Hudson's star turn and the reliable appeal of an underdog sports comedy. Light on its feet and unabashedly crowd-pleasing, it streams on Netflix.
Win or Lose holds a landmark place in Pixar's history as the studio's first-ever original long-form series, an animated comedy that brings Pixar's feature-quality craft and emotional depth to episodic television. Created by Carrie Hobson and Michael Yates, the eight-episode series follows a co-ed middle-school softball team, the Pickles, over the course of the week leading up to their big championship game, examining the anxieties, hopes, and inner lives of the kids, coaches, and parents in their orbit.
The show's clever structural conceit is that each episode retells the same week from a different character's point of view, revealing how the same events look wildly different depending on whose eyes you see them through. A nervous young pitcher, an overwhelmed coach, a kid navigating family stress, each perspective is rendered with its own visual flourishes that externalize that character's emotional state, a technique that lets the series explore empathy and subjectivity in a way tailor-made for Pixar's storytelling strengths.
Debuting on Disney+ in early 2025, Win or Lose drew attention both for its inventive format and for a pre-release controversy when Disney removed a storyline involving a transgender character, a decision that generated significant discussion. Reviews praised the animation and the show's tender understanding of adolescent anxiety. It streams on Disney+.
Duster is a high-octane 1970s crime thriller from J.J. Abrams and co-creator LaToya Morgan, marking Abrams' return to creating a television series. Set in the sun-baked American Southwest in 1972, the show follows Jim Ellis (Josh Holloway), a charismatic getaway driver for a growing crime syndicate whose life takes a sharp turn when it collides with a determined federal agent's investigation. The series revels in the muscle cars, desert vistas, and outlaw cool of its era, built around Holloway's roguish, movie-star charm.
Rachel Hilson co-stars as Nina Hayes, one of the first Black female agents in the FBI, who recruits Jim as an informant in her crusade to bring down the syndicate's ruthless boss, played by Keith David. The uneasy alliance between the fast-talking wheelman and the principled, underestimated agent forms the spine of the show, which mixes propulsive car chases and heist mechanics with a period-accurate portrait of a country in transition. Its bright, kinetic style signals that the series is out to entertain first and foremost.
Premiering on HBO Max in May 2025, Duster earned solid reviews for its retro energy, its charismatic lead performances, and its throwback commitment to practical car stunts. It reunited Abrams with the kind of character-driven genre fun that made his name, and gave Holloway one of his most enjoyable roles since Lost. It streams on HBO Max.
Pulse holds the distinction of being Netflix's first original English-language medical drama, a fast-paced ensemble series set in the high-pressure trauma center of Miami's Maguire Medical Center. Created by Zoe Robyn and developed with veteran showrunner Carlton Cuse, the series follows a team of emergency-medicine residents whose personal and professional lives collide as they treat a relentless stream of patients, all under the added strain of a looming hurricane bearing down on South Florida.
Willa Fitzgerald stars as Dr. Danny Simms, a third-year resident who is unexpectedly promoted to interim chief resident just as she files a complaint against her supervisor and former romantic partner, Dr. Xander Phillips (Colin Woodell). The series unfolds across two timelines, gradually revealing what happened between them while its ensemble contends with the day-to-day intensity of emergency medicine. The result blends the workplace-romance intrigue and rapid-fire medical cases that have long made the genre a staple, updated for a streaming binge model.
Premiering in April 2025, Pulse drew a large audience hungry for a new medical drama and quickly became one of Netflix's most-watched titles of its season, even as critics offered mixed reviews. Its central storyline, which foregrounds a workplace power imbalance and a harassment complaint, gave the familiar genre a contemporary edge. It streams on Netflix.
Good American Family is a Hulu limited drama series inspired by the real and deeply contested Natalia Grace case, which had already fueled tabloid headlines and documentaries. Premiering in March 2025, the show dramatizes the story from deliberately shifting perspectives, refusing to hand viewers a single tidy version of the truth.
Ellen Pompeo and Mark Duplass star as an American couple who adopt a Ukrainian-born girl with a form of dwarfism, played by newcomer Imogen Faith Reid, only to come to believe she is actually an adult posing as a child. The series moves between the adoptive parents' account and Natalia's own, forcing the audience to weigh competing, often irreconcilable claims about what really happened inside the home.
The project drew significant attention as Pompeo's first major series lead since her long run on Grey's Anatomy, with the actress also serving as an executive producer. Reviews were mixed, but the sensational real-life subject and its ambiguous storytelling made it one of Hulu's most talked-about dramas of the year. Good American Family streams on Hulu.
The Paper is a Peacock mockumentary comedy set in the universe of The Office, created by Greg Daniels, who adapted the original American series, together with Michael Koman. Premiering in September 2025, it revives the beloved documentary-crew conceit by sending the same filmmakers who once chronicled Dunder Mifflin off to find a brand-new subject.
This time the cameras follow the Toledo Truth Teller, a struggling Midwestern newspaper, and the earnest new editor (Domhnall Gleeson) trying to resurrect it with a ragtag crew of volunteer reporters. Sabrina Impacciatore and Chelsea Frei co-star, while Oscar Nuñez returns as accountant Oscar Martinez, the lone original Office character folded into the new ensemble.
Reviews were generally warm, praising the show for finding its own rhythm while honoring the spirit of its predecessor, and Peacock renewed it for a second season. By centering a dying local newspaper, the series gives its workplace comedy a timely, bittersweet backdrop. The Paper streams on Peacock.
Wayward is a Netflix limited thriller series created by and starring comedian Mae Martin, released in September 2025. A sharp departure from Martin's stand-up and their comedy series Feel Good, it trades laughs for dread, building a slow-burn mystery around a seemingly idyllic small town and the secretive institution at its heart.
Martin plays a police officer who becomes entangled with Tall Pines, an academy for troubled teenagers run by the charismatic and unnerving Evelyn Wade, played by Toni Collette. As two students try to escape the program, the show peels back the community's wholesome facade to expose the coercive machinery of the so-called troubled-teen industry, drawing on real-world reporting about such facilities.
The series debuted at number one on Netflix and amassed well over a billion streaming minutes within weeks, even as critics were sharply divided over its tone and ambitions. Collette's performance drew particular attention and helped make the show one of the most-discussed Netflix titles of the fall. Wayward streams on Netflix.
Gen V is a Prime Video superhero series set in the universe of the hit show The Boys, trading that show's jaded adults for the ambitious, unstable young supes of Godolkin University, a Vought-funded college where students compete for ranking and fame. After debuting in 2023, the series returned for a darker, eventful second season in September 2025.
The ensemble is led by Jaz Sinclair as Marie Moreau, alongside Lizze Broadway, Maddie Phillips, London Thor, Derek Luh, and Asa Germann, as the students uncover sinister secrets beneath their school's glossy surface. Season 2 raises the stakes with a new threat at Godolkin and storylines that feed directly into the events of The Boys' fifth and final season, making it essential viewing for fans of the wider franchise.
Season 2 also carried real-world weight: it paid tribute to cast member Chance Perdomo, who died in 2024, honoring him rather than recasting his role. The season drew strong reviews and reinforced Gen V's place as a vital corner of The Boys universe. Gen V streams on Prime Video.
