El Señor de los Cielos is a popular television series produced in Mexico that centers around a character named Aurelio Casillas, who is a powerful and wealthy drug lord. The show explores the drug trade and the violence that comes with it. It has been successful both in Mexico and internationally, with several seasons and spin-offs produced.

Sr. Ávila is a Mexican television series that tells the story of a middle-aged insurance salesman who leads a double life as a hitman for a criminal organization. The series, which aired from 2013 to 2018, was praised for its intricate plot, well-developed characters, and dark humor.

Think of "The Mentalist" as USA Network's "Psych" with prettier people, more money, slightly more upscale locations, and shorter sentences. Working as a consultant to the California Bureau of Investigation, Patrick Jane"”expertly played with appropriate style and savoir faire by Simon Baker"”uses his exceptionally well-honed powers of observation to solve big-time homicides. As the "The Mentalist" series unfolds, we learn more about Jane's con-man past: he once made a spectacular living as a television psychic, who used his command of "tells" or nuances of expression, body language, and intonation to put willing patsies in touch with dead relatives and future lovers. Of course, a life-changing tragedy inspired him to use his (almost) super-powers for good. Summing-up his new-found crime-fighter philosophy, Jane flatly declares, "There's no such thing as real psychics. Anyone who claims to have a sixth sense is either deluded or dishonest." Like all of television's elite criminalists, "The Mentalist" shows that refined powers of observation are at least as rare and valuable as ESP. Best of all, "The Mentalist" always looks wonderfully fashionable as he nabs the bad guy.

Big Sky is an American television series that premiered on ABC in November 2020. The show is based on the novel "The Highway" by C.J. Box and is set in Montana. It follows private detectives Cassie Dewell and Cody Hoyt as they investigate the disappearance of two sisters on a remote highway. The investigation leads them to a sinister kidnapping ring operating in the area, and the detectives must race against time to rescue the victims and bring the perpetrators to justice.

"Sharp Objects" is a limited television series that first aired in 2018. It is based on a novel of the same name by author Gillian Flynn. The show follows Camille Preaker, a troubled journalist who returns to her hometown to cover a story about two murdered girls. As she investigates, Camille is forced to confront her own demons and unravel the secrets of her past.

"The Chicago Code" has nothing to do with deep-dish pizzas or the cruelly cursed Cubbies. "The Chicago Code" openly, unabashedly, plain and simple, is all about good versus evil. The good guys following "The Chicago Code" are very very good, and the bad guys breaking the code are very very bad. The windy city itself, definitely a critical element in the drama's development, lives somewhere in-between. Chicago may be "the second city," but it stands out as America's number one oxymoron. "Hog-butcher to the world," Chicago also brought us Hemingway and Frank Lloyd Wright. Home to Picasso's breathtaking artistic monument, Chicago also has been home to some monumental con artists: Rod Blagojevich comes immediately to mind. "Blaggo" is to Chicago scams as the Picasso is to the city's art and architecture. More to the point of "The Chicago Code," in just over thirty years, thirty-one second city aldermen have been convicted of violent crimes or corruption. In Chicago, graft greases the wheels and gets your streets ploughed. Although corruption may be common as camel-hair coats on the Magnificent Mile, Chicago cops still want to collar the bad guys. "The Chicago Code" attempts to dramatize how and why they do it, and it packs a pretty good punch for a network production. Critics and home-grown Chicago viewers strongly suspect "The Chicago Code" would achieve its completely gritty potential on cable, but it's hard to complain about Jennifer Beals, still fit and fabulous all these years after Flashdance, going balls-to-the-wall against the bad guys in Monday night primetime.