All Rise is a legal drama television series that premiered in 2019. The show follows the professional and personal lives of judges, prosecutors, and public defenders in Los Angeles as they navigate the justice system. The main character is Lola Carmichael, a newly appointed judge who is determined to bring change to the system.

"Body of Proof" will bring at least one more strong female lead to network television, bringing the sum total to approximately two. Too bad they will compete head-to-head in the same time-slot; good thing we have DVRs. "We need to have more smart women characters on television," says Dana Delany as she prepares to play medical examiner Megan Hunt in ABC's new drama, "Body of Evidence." As plots unfold on the new show, Dr. Megan Hunt's brilliance never will become an issue"”if anything she sometimes is too smart for her own good; but her compassion and human kindness frequently will be in doubt. Dr. Hunt brings a few issues to the autopsy room: Five years ago, she lost everything in the wake of a serious car accident"”her marriage, custody of her daughter,; and, most importantly, her extremely successful practice as a neurosurgeon. Promos for "Body of Evidence" are slick, stylish, sexy, and sassy. Ms. Delany looks seductively into the camera, promising, "Don't believe everything you've heard. The truth is much worse." Adding even more spice and power, Jeri Ryan ends her peripatetic travels across the dial, settling down to play Dr. Kate Murphy, the medical examiner. Set for debut on March 29, 2011, "Body of Evidence" promises to become a Tuesday ten o'clock favourite.

"Wu-Tang: An American Saga" is a television drama series that premiered on Hulu in 2019. The show is based on the true story of the formation of the Wu-Tang Clan, a group of rappers who rose to fame in the 1990s. It explores the lives of the nine members of the group and how they came together to create a new sound in hip-hop.

A fictional British Royal finds he is in succession for the throne after his father King James III has died. The twenty four year old Richard IV who is played by Rupert Evans (Paradise Heights, Emma) finds himself being resented by his older sister, the Princess Eleanor (played by Sophie Winkleman from Red Dwarf, Love Live Long) because she has evidently been passed over in favor of her brother and she desperately wants that throne for herself. Princess Eleanor and Major Simon Brooks, played by David Harewood (Blood Diamond) who is her private secretary have devised a way to plot together in an attempt to discredit now King Richard and bad family blood may be shed before she gets her way. Richard's own secretary, Abigail Thomas (Zoe Telford) has plans on writing a "tell all" book about the goings on in the Royal Palace. Politics and corruption within the royalty of Britain is always interesting viewing and The Palace brings plenty of interesting half truths and while a dramatization it still provides some insight into how royalty live their lives.

One critic characterized "Breaking Bad's" dark humor as "Thelma and Louise as seen by Dostoyevsky" and that was one of the perkier, more optimistic descriptions. A seven-part AMC series, "Breaking Bad" TV show tells the story of Walt White, high school chemistry teacher turned methamphetamine cooker and dealer. Of course, as Glenn Frye crooned, "The lure of easy money has a very strong appeal," but "Breaking Bad" does not allow for even a split-second of sunshine through the abysmal darkness. In this corner of the universe, crime never-ever pays. Walt, expertly portrayed by Bryan Cranston of "Malcolm in the Middle" fame, is neck-deep in problems, complications, and flat-out ugliness from the minute he lights the Bunsen burner. Although the writers have woven-in some amazingly ironic lines, known in the trade as "comic relief," the characters deliberately deliver their quips in such a super-slow, slack-jawed drawl they seem more tragic than funny. Of course, "Breaking Bad" TV series make some pretense toward allegory of the American middle class struggling through the throes of deep recession, and it scores some hard hits. Most of all, though, "Breaking Bad" shows that even when fine writers, directors, and actors can find humor and pathos in displaced white-collar workers' undignified struggle for dignity, it still looks awfully damned dreary and ugly.

One of two intense medical dramas NBC introduced in the fall of 2009, "Mercy" had all the advantages its one-named rival "Trauma" did not. First, it had talent behind the scenes. Liz Heldens from "Friday Night Lights" created the show and led the writers, proving once again that the best way to dramatize the real world is to show it realistically"”ugliness and all. Second, it had attitude and guts to stay true to its revolutionary premise, the well-informed notion "that nurses remain [not only] more generous caregivers, but that they are more intuitively apt, smarter, more committed and as technically able as their [physician] superiors, with none of the accompanying arrogance." In a winner-take-all ER smackdown, you always would go all-in with the Mercy Hospital nurses. The main character, nurse Veronica Flanagan Callahan, has just returned from a tour in Iraq, where she clearly learned more in each day than the pompous, presumptuous doctors learned in all five years of medical school. Of course, Veronica gets neither the respect nor the reward she deserves, but "Mercy" dangles the possibility of true love as just recompense for Veronica's skill and compassion. Taylor Schilling plays Veronica with exactly the right balance of toughness and vulnerability, skillfully juxtaposing her consummate skill as a nurse with her intrepid ingenuousness in matters of the heart. If only "Mercy" had survived into a second season, all the tangled threads in the story might have come to their proper denouement. If only.