If you liked Thelma & Louise, Mad Money and Divine Secrets of the Ya-Ya Sisterhood, then you are probably a fan of award-winning screenwriter Callie Khouri. Her talented writing had secured ABC's new television series Nashville positions as a huge hit of 2012-2013 seasons. The TV show depicts life and struggle of country music star Rayna James to get back on the big stage. Her last chance is her next promo tour, which she has no chances to fail, just because if she fails, her future career as country music star will be very questionable if possible at all. To make chances higher, Rayna takes in her tour, a young starlet Juliette Barnes, whose young sexy power is expected to be in some help to make Rayna's promotion more effective. There are no doubts that both singers are pursuing their own goals. If, the first one wants not to fade away from stardom, the second one wants to take her place in the stage. The next problem is that Rayna's father, Lamar Wyatt, who is powerful politician and a wealthy man of Nashville, seems to be disapproved in Ryana's abilities to regain her stardom glory. As a controlling patriarch he's betting on Rayna's husband, Teddy Conrad, who was living on Rayna's revenues, and now is trying to make a career as mayor of Nashville (thanks to help of a father-in-law). Such a twisted plot is accompanied by masterfully selected and combined ensemble cast: Ryana James is played by Connie Britton (a Vivien Harmon in American Horror Story and Diane Huxley in 24 television series), while the young teenage music star Juliette Barnes, is played by Hayden Panettiere (Kirby Reed in Scream franchise.)

"The Great" is a satirical historical comedy-drama television series that premiered on Hulu in 2020. It tells a fictionalized story of Catherine the Great, the Empress of Russia, during her early years of marriage to Emperor Peter III. The series is created by Tony McNamara, who also wrote the screenplay for the critically acclaimed film "The Favourite."

With the plethora of "reality" programming seen everywhere today it is refreshing to see a show like The L Word which deals with a group of people involved with being lesbian, transgender, or who are bisexual. All the ongoing stress and controversy that must be dealt with on a daily basis plays out in and around West Hollywood, in sunny Los Angeles, California. Some powerful writing is provided by Guinevere Turner (American Psycho) and Rose Troche (Six Feet Under) and others. Starring in the L Word are some well known names such as Jennifer Beals (as Betty Porter), Pam Grier (as Kate Porter), and Laurel Holloman (as Tina Kennard). The coded language for lesbian has long been "the L Word" but today simply calling oneself a lesbian is more preferred and common for these women have "come out" proudly. This controversial show deals with same sex marriage and the desire to have a baby. Alcohol and drugs effect lives and ongoing relationships are often threatened by affairs and sexual transgender issues.

It was good while it lasted. Launched with much fanfare and intense audience interest, "FlashForward" brilliantly recreated the mysterious, fascinating, are-they-prophetic? two minutes and seventeen seconds on October 6, 2009, when almost everyone on Earth lost consciousness of their ordinary surroundings and caught glimpses of their lives on April 29, 2010. An ambitious attempt at transposing Robert J. Sawyer's "high-concept" novel from the printed page to the small screen, "FlashForward" focused on the team of FBI investigators charged with determining what had happened. One of the FBI agents enjoyed the special privilege of seeing his team crack the case in his vision of the future; all he has to do is recreate the six months of investigative work that yield the break-through. Meanwhile, the principal characters attempt to cope with the consequences of their visions for their lives in the present, because they have seen broken marriages, lives lost, and great portrayals on their horizons. Most viewers and critics sadly agreed "FlashForward" unfortunately juxtaposed a brilliant high-tech crime drama on some pathetically ordinary people and lives.

Two half brothers (same father) begin their relationship by hating each other but bond and become best friends through teamwork and learning the truth about their father. Lucas Scott is played by Chad Michael Murray (House of Wax, Home of the Brave) who is recruited onto the basketball team by Coach Durham (played by Barry Corbin from Urban Cowboy & Monte Walsh). Lucas proves to be a talented player and starts out as a rival of his own half brother, Nathan Scott (James Lafferty from A Season on the Brink & Get Real). But soon the brothers learn to care for and respect each other while finding out their father Dan Scott (Paul Johansson from The Drew Carey Show & The District) is the natural father of Lucas yet he never claimed to be. As in real life, the characters on One Tree Hill have their ups and downs relationship wise and when they make mistakes they must pay for them somehow. Each season brings up more interesting reflections on family and life in high school, college, and ultimately after they have become adults proving we all need time to reflect on what we want in our lives.

"The Drop" is a story about a young married couple, Lex and Mani, who are trying to have a baby while living in Los Angeles. They attend a destination wedding in Mexico with Lex's old college friends, but an accident during their stay causes the couple to question their relationship and their potential parenthood. However, the story is weakened by an ensemble of absurdist friends who take focus away from the main conflict and lead to a fractured and uneven exploration of love. The story starts off with an exciting premise, but ultimately falls short in its execution. The Drop is a comedy film that centers around characters talking endlessly, over-analyzing and presuming rather than making progress. The main incident that drives the story is when one of the characters drops a baby, and the characters spend the rest of the film discussing the incident and its implications. The movie is in the style of Seinfeld episodes, and movies by the Duplass brothers, where the humor comes from the characters' conversations rather than the plot. The movie also deals with the theme of privilege, and how well-off people with too much free time tend to believe in nonsense, while thinking they've discovered the truth.