It's one thing to be a member of a large traditional "cop" family but when one joins up with the Internal Affairs division of their Chicago Police Department things can become a bit unstable. Rachael Carpani (seen on TV's The Glades & True Blue) is Abby Kowalski, who moved over to IAD when a job offer to move upward in the department came about. She has designs on eventually becoming a detective. Her father is Don Kowalski (Treat Williams from 127 Hours, A Little Bit of Heaven) a sergeant with CPD who absolutely hates the idea of his little girl joining the IAD. Kathy Baker (Last Chance Harvey, Boston Public) is Sheila Kowalski, wife of Don and mother to Abby, Richie, Steve, and Donnie Kowalski. Abby Kowalski and her family squabble over the fact she has joined the IAD, seeing her as a spy and turncoat. This makes family gatherings difficult and the usual football games become a battlefield in their yard. But Abby is a dedicated police officer and still chooses to solve crimes whenever possible. This show is fast paced and has some good writing to keep it moving each week.

Days of Our Lives TV Show is a daytime soap opera that centers on to main families; the Brady's and the Horton's. It is set in a midsized make believe Midwest town called Salem that proves to be full of surprises. These families get tangled in everything from being held captive on a secret island to long lost relatives showing up. The characters lives are forever changing and not the way they always want it to. Days of Our Lives TV Show definitely delivers everything from drama to mystery with a strong foundation of characters and history that keeps it going after over forty years of episodes.

Fiercely reminiscent of Lord of the Rings and at least as complicated, HBO's "Game of Thrones'" chronicles the genuinely epic story of seven noble families' struggles over control of Westeros, their mythical homeland. Observing all the properly epic conventions, and developing truly epic heroes and villains, "The Game of Thrones" was adapted for television from George Martin's fantasy novel, Song of Ice and Fire. The ten-episode series weaves together seventeen major characters' political and sexual schemes, mixing-in plenty of knightly sword-play and lots of nightly trysts. Mark Addy, Peter Dinklage, Iain Glen, Jennifer Ehle, Lena Headey, and Sean Bean lead a powerful cast. Shot entirely on location in Ireland, "Game of the Thrones" is as beautiful as it is complex and treacherous, and the landscape lends itself to The Game's mystic and horrible undertones. While the Lannister and Stark families challenge the Baratheon family's rule, "an ancient evil awakes," and only a band of renegade knights errant stands between Westeros and "the horrors beyond the realms of men." Somehow, in "Game of Thrones'" far away medieval realm, civil war and imminent apocalypse look a lot more noble, sexy, and glamorous than they appear in the post-modern world.

"Body of Proof" will bring at least one more strong female lead to network television, bringing the sum total to approximately two. Too bad they will compete head-to-head in the same time-slot; good thing we have DVRs. "We need to have more smart women characters on television," says Dana Delany as she prepares to play medical examiner Megan Hunt in ABC's new drama, "Body of Evidence." As plots unfold on the new show, Dr. Megan Hunt's brilliance never will become an issue"”if anything she sometimes is too smart for her own good; but her compassion and human kindness frequently will be in doubt. Dr. Hunt brings a few issues to the autopsy room: Five years ago, she lost everything in the wake of a serious car accident"”her marriage, custody of her daughter,; and, most importantly, her extremely successful practice as a neurosurgeon. Promos for "Body of Evidence" are slick, stylish, sexy, and sassy. Ms. Delany looks seductively into the camera, promising, "Don't believe everything you've heard. The truth is much worse." Adding even more spice and power, Jeri Ryan ends her peripatetic travels across the dial, settling down to play Dr. Kate Murphy, the medical examiner. Set for debut on March 29, 2011, "Body of Evidence" promises to become a Tuesday ten o'clock favourite.

"There are eight million stories in the city that never sleeps," Gary Sinise's unmistakable tenor voices-over the opening skyline shots for "CSI: New York." Apparently, New York's dedicated crime scene investigators also suffer sleep-deprivation, working tirelessly"”some would say obsessively"”to demystify eight million different ways to die in the Big Apple. Sinise plays Detective Mac Taylor, suitably intense CSI:NY unit leader, complemented well by workaholic assistant Stella Bonasera, expertly portrayed by Melina Kankaredes. Together, the lead detectives manage an appropriately colorful team of streetwise geeks and nerds determined always to make their cases well beyond reasonable doubts. Like the others in Jerry Bruckheimer's crime-drama franchise, "CSI: New York" devotes more attention to sophisticated computer work and uber-cool lab procedures than to the old-fashioned business of talking to people. Mac Taylor quickly reminds, though, "We follow the evidence, because the evidence never lies."

Television currently suffers a serious adolescent crush on New Jersey, happily showcasing its housewives, manicurists, unemployed party animals, and now its history of slick, sophisticated organized crime. "Boardwalk Empire," adapted from the bestseller with the same name, shows Atlantic City's colorful jazz age history, paying fierce attention to realistic details and historical accuracy. "Boardwalk Empire" takes the Sunday night timeslot usually reserved for "True Blood" while the vampires go on hiatus, and with skilled assistance from Martin Scorsese, it so completely rivets its audience that they cannot remember what they used to watch after "60 Minutes." Like a complicated, sophisticated Victorian novel, "Boardwalk Empire" takes two episodes to set the stage and establish its historical context; but once the bootleggers, gangsters, and corrupt politicians get their machinery greased-up and going, eager audiences stay tuned. The New York Times effectively summarizes, "'Boardwalk Empire' is a well conceived, beautifully made series that has every reason to be great. Who doesn't want to watch rum runners and gangsters on HBO?" Mtv and E! will break-up with Jersey, and they will not "still be just friends" when new seasons roll around; but viewers can look forward to HBO's going steady with "Boardwalk Empire" until the vampires come home.