If you watched "The Real Housewives of New Jersey" before you watched "The Sopranos," you would get the uneasy sensation art was imitating life just a little too closely. They are two versions of the same story: Wiseguys attempt to balance the strange demands of life in the suburbs with the everyday business of running a criminal empire. The problem with posing as a respectable businessman is that you sometimes must actually be respectable. It's almost funny in a painfully awkward sort of way, but nothing good could come from laughing out loud. "Ayy, fahget abowt it," Tony Soprano and his New Jersey mobsters would say. Are you genuinely surprised to discover that prom dresses and cement overcoats do not easily reconcile? Are you genuinely surprised to learn "The Sopranos" is cable television's greatest financial success? "The Sopranos," in fact, was the foundation of a major cultural phenomenon and marketing franchise, which supported books, videogames, soundtrack CDs, and more than a few critical blogs. Of course, the producers and cast had to hijack a semi-trailer to cart home all of their Emmys and Golden Globes.
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Undoubtfully, cinematography has been my passion since a very young age. Even now, watching a new movie or series always prompts me to ask a lot of questions to the author. Thus, every little essay about a title is definitely not a spoiler, but rather an attempt to explore the idea.
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