"Wedding Agreement: The Series" is a popular Indonesian TV series available on the streaming platform Hulu. It tells the story of two people who enter into a marriage of convenience to appease their families. Tari, a young woman, is pressured into marrying the wealthy and successful businessman, Bian. Though they start off as strangers, they gradually learn to tolerate each other and eventually develop feelings for each other.

Take a set of twin sisters who've been at odds for many years. Add in the fact that one of them suddenly disappears. And then show that one of them is full of mystery and intrigue, and on the run from some mysterious mob. Here we have Siobhan and Bridget. Two sisters who have been living apart and out of touch for the past eight years, with one taking a road that winds up leading her onto a path that is unsafe and definitely different from the norm that her twin has followed. When the two sisters take a boat trip Siobhan suddenly disappears overboard. Now Siobhan discovers her twin Bridgit has been leading a double life and hers will never again be the same. Siobhan is attacked by some evil men who evidently are part of the mob when she stays in her sister, Bridgit's house. So did one of the twins really die or simply disappear to avoid the mob? Sarah Michelle Geller (Buffy the Vampire Slayer, Scooby-Doo) stars as both twins and she has her hands full when she discovers her twin was leading a life full of mystery and fear. Nestor Carbonell (Smokin' Aces, The Dark Knight) is FBI agent Victor Machado who finds his job of keeping Bridget safe a dangerous one. Action packed with top quality writing and actors.

"Mad Men TV show" delivers its drama in the same slick and glossy packaging the Madison Avenue ad-men serve-up to their clients, making it just as stylized, trendy, and gotta-have-it cool as anything as a two-page spread for Chryslers and Chesterfields in the centerfold Life. Central character Don Draper, a pitch-man with a secret and sordid past, ruthlessly and relentlessly courts clients and seduces women, attempting to feed his insatiable ego. In other words, he personifies the archetype of the ad-man. Draper races full speed to stay one step ahead of changing times, cut-throat competitors, and revelation of his secrets: Born the son of a prostitute who died in childbirth, he stole a Korean war buddy's identity to put on a patina of respectability. Propriety and respectability figure prominently in the drama, which accurately represents steamy seductions and corner-office conniving hiding behind the Norman Rockwell wholesomeness of 1960s family values. Brilliantly written, beautifully photographed, and consummately well acted, "Mad Men TV show" has collected a boatload of awards, including three Golden Globes and back-to-back Emmys.

One critic characterized "Breaking Bad's" dark humor as "Thelma and Louise as seen by Dostoyevsky" and that was one of the perkier, more optimistic descriptions. A seven-part AMC series, "Breaking Bad" TV show tells the story of Walt White, high school chemistry teacher turned methamphetamine cooker and dealer. Of course, as Glenn Frye crooned, "The lure of easy money has a very strong appeal," but "Breaking Bad" does not allow for even a split-second of sunshine through the abysmal darkness. In this corner of the universe, crime never-ever pays. Walt, expertly portrayed by Bryan Cranston of "Malcolm in the Middle" fame, is neck-deep in problems, complications, and flat-out ugliness from the minute he lights the Bunsen burner. Although the writers have woven-in some amazingly ironic lines, known in the trade as "comic relief," the characters deliberately deliver their quips in such a super-slow, slack-jawed drawl they seem more tragic than funny. Of course, "Breaking Bad" TV series make some pretense toward allegory of the American middle class struggling through the throes of deep recession, and it scores some hard hits. Most of all, though, "Breaking Bad" shows that even when fine writers, directors, and actors can find humor and pathos in displaced white-collar workers' undignified struggle for dignity, it still looks awfully damned dreary and ugly.

Those familiar with Law & Order will appreciate the concept of approaching legal cases from more than one perspective. In The Whole Truth we see each case from both the prosecution and the defense angles so have an opportunity to decide whether a defendant is guilty or innocent judging by the evidence presented to us and to a judge and jury. One memorable episode includes the addition of Judd Hirsch (Taxi) to the cast as a beloved judge who has been charged in a murder. Seems he approved a wiretap on a dangerous drug lord before it turned into a far larger problem involving federal charges. Rob Morrow (Numb3rs, Northern Exposure) portrays Jimmy Brogan is the prosecuting attorney for the state of New York (actually the filming was done in Los Angeles, California) and Maura Tierney (ER) is Kathryn Peale a strong advocate of personal and legal rights for her clients. The two attorneys are on opposite sides of the courtroom in each episode and we must decide who we think has the upper edge or who puts on the best case for their clients, then we see the results in the finale.

Describing "Harry's Law," one summary says flatly, "A former patent lawyer brings together a group of misfit associates to form an unconventional law practice." How did the producers ever pitch that concept to the network? Oh, wait. It was NBC. Still, a patent lawyer? Misfit associates? Real exciting, right? Do not judge too quickly, because Kathy Bates applies her quirky charisma to her portrayal of Harriet "Harry" Korn, and she works some small screen magic. A mid-season replacement for one of NBC's cavalcade of epic failures, "Harry's Law" actually looks a lot like a real television drama"”real characters, real actors, real plots, and dialogue peppered with genuinely witty repartee. The premise and some of the best writing come from David E. Kelley, television's answer to John Grisham"”prolific and provocative. As The New York Times observes, "A hallmark of Mr. Kelley's shows is often the thinnest application of logic or reason in depictions of a world dedicated to logic and reason." The settings and courtroom dramas seldom resemble anything in real life, but they tend to recreate the audience's imagination of the legal system and "crusading" criminal attorneys. Close enough. In eight episodes, "Harry's Law" has established a loyal following in a timeslot long dominated by ABC's "Castle." Vegas betting parlours probably will give you odds on "Harry's Law" returning in the fall, and it might be worth risking a dollar or so.