Olivia Pope has dedicated her life to keeping public figures scandal free but that's a difficult task when some of them have another agenda. Kerry Washington from The Last King of Scotland and Ray, plays Olivia Pope, a woman on a mission with plenty to work on as she is a crisis management expert with recurring crisis situations going on around her continually. Loosely based on Judy Smith who was President George H.W. Bush's administrative press aide, this TV series attempts to show how chaotic life in the political arena can be. Also starring in Scandal are Henry Ian Cusick (After The Rain, Lost) as Stephen Finch, a womanizer attempting to "turn over a new leaf". Tony Goldwyn (Without A Trace, The Mechanic) plays President Fitzgerald Grant, and Harrison Jones who is played by Columbus Short from Cadillac Records, Stomp the Yard). Created by Shonda Rhimes who is behind Grey's Anatomy and Private Practice, Scandal gives an interesting peek into backroom politics.

Describing "Harry's Law," one summary says flatly, "A former patent lawyer brings together a group of misfit associates to form an unconventional law practice." How did the producers ever pitch that concept to the network? Oh, wait. It was NBC. Still, a patent lawyer? Misfit associates? Real exciting, right? Do not judge too quickly, because Kathy Bates applies her quirky charisma to her portrayal of Harriet "Harry" Korn, and she works some small screen magic. A mid-season replacement for one of NBC's cavalcade of epic failures, "Harry's Law" actually looks a lot like a real television drama"”real characters, real actors, real plots, and dialogue peppered with genuinely witty repartee. The premise and some of the best writing come from David E. Kelley, television's answer to John Grisham"”prolific and provocative. As The New York Times observes, "A hallmark of Mr. Kelley's shows is often the thinnest application of logic or reason in depictions of a world dedicated to logic and reason." The settings and courtroom dramas seldom resemble anything in real life, but they tend to recreate the audience's imagination of the legal system and "crusading" criminal attorneys. Close enough. In eight episodes, "Harry's Law" has established a loyal following in a timeslot long dominated by ABC's "Castle." Vegas betting parlours probably will give you odds on "Harry's Law" returning in the fall, and it might be worth risking a dollar or so.

Sometimes "Bravo" serves-up high-quality instruction at least as powerfully as "The Learning Channel" and "National Geographic." Case in point: "Kell on Earth" reveals the ecology of New York's fashion industry, vividly illustrating the perilous lives of smaller fish on the couture food chain, and charting the symbiosis between design houses and the fashion press. The "Kell" in "Kell on Earth" refers to hyper-manic high-powered fashion publicist Kelly Cutrone, diva-dominatrix of public relations firm "People's Revolution." Although eponymous Kell gets the most air-time, "Kell on Earth" is not automatically all about her; instead, it shows the harried lives of second-tier stylists, public relations interns, and personal trainers who dwell near the bottom of New York's tumultuous, tempest-tossed fashion fishbowl. Observant viewers will note striking similarity between People's Revolution and Lauren Conrad's workplace on "The Hills" and "The City," which brought Cutrone into the public eye. Those same insightful viewers will see, however, that real-reality show "Kell on Earth" proves Cutrone's "little people" frequently sweat, swear, and stress, really working for their paychecks.

It's a long-long way from flying nun to matriarch of a powerhouse television family. Sally Field has landed in a very good place, anchoring a powerful cast on ABC's award-winning "Brothers and Sisters." The "Brothers and Sisters" plot undoubtedly fits together for viewers who have remained faithful from the very first episode, in which William Walker, pater familiae and founder of Ojai Foods, drops dead. Kitty, his wife, mourns properly and just as properly takes charge as her grown children and their families gather around her. Mourning grows complicated as William Walker's deep-dark secrets come to life, and family life heats up as different family members cope with different secrets in different ways. From five family members come forty possible combinations and recombinations, and from those possibilities spring infinite plots"”even before writers and producers add significant others and children. "Brothers and Sisters" can hold its exalted Sunday night place indefinitely. Unlike some riveting family dramas, "Brothers and Sisters" does not show bitter, fierce, destructive sibling rivalry. For the most part, these big kids like one another, and their mother loves them all. Of course, one is an Afghan war veteran with a drug problem, and another is a gay lawyer, the favourite son and heir has both financial and marital difficulties, but the real odd-ball is the daughter who breaks the family's liberal tradition and takes-up with the likes of Ann Coulter and Mike Huckabee. Did we mention that "Brothers and Sisters" has the stuff to go on indefinitely?

Those familiar with Law & Order will appreciate the concept of approaching legal cases from more than one perspective. In The Whole Truth we see each case from both the prosecution and the defense angles so have an opportunity to decide whether a defendant is guilty or innocent judging by the evidence presented to us and to a judge and jury. One memorable episode includes the addition of Judd Hirsch (Taxi) to the cast as a beloved judge who has been charged in a murder. Seems he approved a wiretap on a dangerous drug lord before it turned into a far larger problem involving federal charges. Rob Morrow (Numb3rs, Northern Exposure) portrays Jimmy Brogan is the prosecuting attorney for the state of New York (actually the filming was done in Los Angeles, California) and Maura Tierney (ER) is Kathryn Peale a strong advocate of personal and legal rights for her clients. The two attorneys are on opposite sides of the courtroom in each episode and we must decide who we think has the upper edge or who puts on the best case for their clients, then we see the results in the finale.

Very self absorbed, as are many surgeons, Dr. Michael Holt begins to question just what his purpose in life actually is when he starts "seeing" his wife again. The problem is that she is deceased. The degree of self confidence found in Holt and many other surgeons is a necessary part of the talent they must possess but the good doctor now doubts his sanity when the spirit of his ex-wife, who recently died in a car accident, begins appearing to him. Anna returns to convince Dr. Holt to keep a free clinic running. She had been the director of that clinic and was involved with many poverty level patients. Michael Holt however, is not so sure he can deal with the poorer patients as he's not used to that type of people. But there is no room for snobbishness in the medical field and the spirit of his diseased wife is there to see he learns that. Anna's sister Christina is a believer in supernatural events and is happy that her sister is back in Holt's life because she feels the doctor was a better person when his dead was with him. Patrick Wilson (The A-Team, Insidious) plays Dr. Michael Holt, Jennifer Ehle (Contagion, The King's Speech) is Anna Holt, and Christina is played by Julie Benz (Saw V, Punisher: War Zone).