The Larry Sanders Show is an American television sitcom that aired on HBO from 1992 to 1998. The show was created by Garry Shandling and Dennis Klein and is a satirical take on late-night talk shows. It starred Garry Shandling as Larry Sanders, the host of a fictional late-night talk show.

"And Just Like That..." is a TV series that follows the lives of three women in their 50s living in New York City. It is a spin-off of the popular show "Sex and the City", which aired from 1998 to 2004. The show focuses on the challenges and changes the characters face as they navigate through midlife.

"Not Dead Yet" is a British comedy television series that was created by Ben Elton and aired on ITV in 2017. The show follows the life of Richard Wilson, a retired actor who is trying to stay relevant in the entertainment industry. Richard is determined to prove that he is still capable of performing despite his advancing age and declining health.

As he championed "the new journalism" in the late sixties, Tom Wolfe suggested no one ever would write anything truly compelling"”fact or fiction"”about the suburbs; he asserted, "There is no life there." During the New Depression, however, the suburbs have gone ghetto, suddenly teeming with life and depravity; and television writers are producing all kinds of compelling stuff about what they have discovered beyond the white picket fences. Witness Showtime's smash-hit "Weeds," the life and times of a "proper" suburban widow keeping-up appearances while she deals more dope than a six-pack of Mexican cartels. As in "The Office," the basic premise for "Weeds" is an import from Great Britain, adapted from the British film Saving Grace which showed a widow and her gardener conspiring to maintain the widow's lifestyle by supplying the locals with their favorite herbal refreshment. Critics frequently compare "Weeds" with American Beauty for its exploitation of the idea "Normal is the face we wear to cover how f***ed-up we are." By contrast with "Desperate Housewives," Nancy Botwin, our entrepreneurial heroine, has far more good reason for desperation than her difficulty achieving orgasm; she has a house, a mortgage, two sons, and a reputation. Since Bonfire of the Vanities tanked and "Weeds" flourished, Tom Wolfe may have to consider the distinct possibility that there is no life in Manhattan.

Previewing "Breaking In" for the press, star Brett Harrison suggested, "If you like "The A-Team", you'll like "Breaking In". If you like "The Office",'you'll like "Breaking In". And if you like breaking-in, you will like "Breaking In!". Harrison's observation proved strangely prophetic in at least two ways: First, the new Fox comedy does combine comic elements from "The Office" with "The A-Team's" dark, sarcastic point of view. Office humor"”there's just no such thing as too much. Second, the weak attempt at humor in Harrison's last line is sadly characteristic of the writing for "Breaking-In." Apparently, the B&E crowd lobbied for its own version of appointment viewing. Who knew? Although it's becoming this season's standard"”bad guys gone good, the premise nevertheless has promise. Five exceptionally skilled and highly specialized burglars team-up to operate Contra Security, a consulting firm that tests companies' security systems by breaking into them. Borrowing liberally from "Leverage" and "Breakout Kings," this wickedly bland team includes a hacker, a bad girl who can pick any lock, a semi-skilled con man, and a mysterious boss. First episode ratings may prophecy the sitcom's fate. Scheduled right after a big-big episode of "American Idol", "Breaking In" carried approximately 19 million viewers into its time-slot; by the end of its half-hour, 12 million of them had tuned-in elsewhere.

Called an American documentary, the TV program is hosted by comedians/magicians Penn & Teller, best known for their show in Las Vegas. Not quite a program about politics and almost akin to the exploitation of paranormal events and pseudoscientific ideas, the "BS" show has captured a large audience since first airing in 2003. The application of some critical thought into various misconceptions, in other words "critical thinking" added into the concept of "BS" which is all around us constantly, attempts to clarify some of the confusion. Such subject matter as animal rights, environmentalism, gun control, organic food, and even the war on drugs are explored and debunked by (self proclaimed) experts on a wide variety of subjects in each episode. Penn & Teller: Bullshit is popular around the globe and viewed in Ireland, New Zealand, Mexico, Denmark, Iceland, Columbia, Canada, Brazil, and Australian each week. The hosts bring up subjects not merely to "expose the truth" but show some to be misleading, overemphasized, or even unnecessary interruptions in life.