When it comes to work Travis and Wes are the best cops you've ever seen in the real life. But their relationship with each other looks like a nightmare. No, they don't hate each other and if it would be necessary they likely took a bullet for one another. The problem is, they just can't get along. That's why Captain Sutton their boss sends them to couple therapy to Dr. Ryan with whom he had positive experience in some similar case. At the same time Wes and Travis are attempting to solve the murder mystery that somehow connected with all the stuff revolving around their group therapy making the series's plot more twisted and complicated. The chemistry between two actors adds more spiciness to overall TV show's performance. Travis Marks is portrayed by Michael Ealy who played in Think Like a Man as Dominic and Detective Sebastian in vampire-themed movie Underworld: Awakening. You've probably noticed him in Californication series as Ben. Another cop, Wes Mitchell, is Warren Kole, a quite demanded actor in Hollywood television series industry. His portfolio includes: The Chicago Code, Rizzoli & Isles, Mental (as Rylan Moore) and 24 (Brian Gedge). He also has been seen as Carrier BridgeTechs in action-packed movie The Avengers. Another noticeable person in Common Law is Captain Mike Sutton played by Jack McGee who was acting in Ruben Fleischer's Gangster Squad which was filmed at the same time. Before Common Law, Jack McGee also remarkably played in numerous TV shows and movies like Rescue Me, Brotherhood, Criminal Minds, Players, New Year's Eve, etc. Dr. Elise Ryan (who is trying to help Travis and Wes find a peace with each other) is portrayed by Sonya Walger, cute Hollywood TV series superstar with a long listed filmography: FlashForward, In Treatment, Lost and Terminator: The Sarah Connor Chronicles.

If your family drama cannot be "Modern Family" or "Brothers and Sisters," then what can it be? It almost inevitably will be NBC's "Parenthood," a mid-season, post-Olympic experiment boldly launched in February, 2010. The "Parenthood" experiment tests the hypothesis that good writers and actors can find the middle ground between "Modern Family's" understated but outrageous satire and "Brothers and Sisters'" intensity. Producers Ron Howard and Brian Grazer are re-working the basic premise of Parenthood, the 1989 movie starring Steve Martin as a frazzled father trying with all his might to do the right thing for everyone he loves. The New York Times accurately observes, "'Parenthood,' with its polished scripts and beautifully shot exteriors, seems like a last gasp of television past," big-big production values and a cast of small-screen all-stars including Craig T. Nelson, Bonnie Bedelia, and Lauren Graham. "Parenthood's" plots and dialogue exploit the irony in everyday family life, winning empathetic laughs and wry smiles where other teams might push too hard for punchlines. Some of the dialogue has the same brilliant serrated edge that distinguished "Gilmore Girls," but, as Lauren Graham points out, "I do not have to talk so fast." Like all good comedy, the teasing and quirkiness are fundamentally good-natured, and every episode features at least one weep-worthy segment. Because "Parenthood" is not "Modern Family" or "Brothers and Sisters," it has become the rarest of rare productions at NBC"”a hit.

Take a pair of long time friends who've become attorneys then put them to work in a stuffy law firm, and you have a new hit television series called Franklin & Bash. Breckin Meyer (Garfield: The Movie & Ghosts of Girlfriends Past) is Jared Franklin, overly self confident son of a well known trial lawyer who still loves to party, even while on the job. Mark-Paul Gosselaar (John from Cincinnati, Raising the Bar) plays Peter Bash who has been a close friend of Jared's for years and is much more mature than his zany pal "crash" a law firm by use of some rather unconventional techniques that amaze senior partner Stanton Infeld (Malcolm McDowell (A Clockwork Orange) enough that he hires them to work in the firm. Once they move to the new prestigious firm even get their own enormous partners office. Franklin & Bash realize they've hit the jackpot with their new jobs and won't let their stuffed shirt new bosses tell them how to practice law. All is not well, of course, and they learn that compromise is important to succeed in their line of work and still have fun doing their jobs.

Malibu Country is an American television sitcom that aired on ABC from 2012 to 2013. The show stars Reba McEntire as a divorced country singer who moves her family from Nashville, Tennessee to Malibu, California, after her husband cheats on her with her best friend. The series follows the family's adjustment to their new life in California, as they navigate the challenges of living in a wealthy, celebrity-filled community.

If you love animals more than people around you, then, Animal Practice is the best TV show to watch in 2012 in your case. Why? Just because every character in Animal Practice prefers to deal with dogs, monkeys, birds, whatever, than with humans. However, they (characters) are not some homogeneous substance: some of them are "inappropriate ones", some "crazy ones", some "vulgar ones" and even some "nervous ones". This entire bestiary" is headed by Dr. George Coleman, who is, probably, most colorful representative of all these "kinds". He can easily make an analogy between a dog's behavior and values of average woman's life. Initially, it seems like he is wrong, but finally all of his predictions and analogies turn to be ultimately right. The animals in Animal Practice are "inappropriate" too: a monkey who rides a mini-ambulance all the season-long (this monkey earns 12,000USD for each episode, by the way), a suicidal cat, who tries to kill itself as his owner forces it to watch he Wendy Williams Show. And of course, Dr. Coleman has his own version of events and analogies with cat owner's intimate life, which he easily explains to her, sometimes playing it unsafe.

"The Bold Type" is an American television series that follows the lives of three young women who work for a women's magazine called "Scarlet". The show explores the challenges they face in their personal and professional lives as they navigate their way through the fast-paced world of journalism and fashion.