Based on the Italian fifteenth century Borgia dynasty, the made for the Showtime network series titled The Borgias follows Rodrigo Borgia (Jeremy Irons) rise to power and the Papacy. Called the original crime family, the Borgias amassed great wealth, influence, and power as family patriarch Rodrigo committed nearly every sin imaginable as he gained power and vast wealth. Such successors as The Godfather (Mario Puzo) and The Prince (Niccolò Machiavelli) were inspired by the original "bad family" the Borgias and made for entertaining viewing. But the originals were greedy evil people who had no morals. It is at the height of the Renaissance period that we find the Borgia family intriguing to watch and perhaps learn from. Besides Jeremy Irons there are many fine actors in the cast including Francois Arnaud as Cesare Borgia, Holliday Grainger as Lucrezia Borgia, David Oakes as Juan Borgia, and Derek Jacobi portraying Cardinal Orsini. Look for this entertaining television series and see the original "Godfathers of crime".

Describing "Harry's Law," one summary says flatly, "A former patent lawyer brings together a group of misfit associates to form an unconventional law practice." How did the producers ever pitch that concept to the network? Oh, wait. It was NBC. Still, a patent lawyer? Misfit associates? Real exciting, right? Do not judge too quickly, because Kathy Bates applies her quirky charisma to her portrayal of Harriet "Harry" Korn, and she works some small screen magic. A mid-season replacement for one of NBC's cavalcade of epic failures, "Harry's Law" actually looks a lot like a real television drama"”real characters, real actors, real plots, and dialogue peppered with genuinely witty repartee. The premise and some of the best writing come from David E. Kelley, television's answer to John Grisham"”prolific and provocative. As The New York Times observes, "A hallmark of Mr. Kelley's shows is often the thinnest application of logic or reason in depictions of a world dedicated to logic and reason." The settings and courtroom dramas seldom resemble anything in real life, but they tend to recreate the audience's imagination of the legal system and "crusading" criminal attorneys. Close enough. In eight episodes, "Harry's Law" has established a loyal following in a timeslot long dominated by ABC's "Castle." Vegas betting parlours probably will give you odds on "Harry's Law" returning in the fall, and it might be worth risking a dollar or so.

If you liked Thelma & Louise, Mad Money and Divine Secrets of the Ya-Ya Sisterhood, then you are probably a fan of award-winning screenwriter Callie Khouri. Her talented writing had secured ABC's new television series Nashville positions as a huge hit of 2012-2013 seasons. The TV show depicts life and struggle of country music star Rayna James to get back on the big stage. Her last chance is her next promo tour, which she has no chances to fail, just because if she fails, her future career as country music star will be very questionable if possible at all. To make chances higher, Rayna takes in her tour, a young starlet Juliette Barnes, whose young sexy power is expected to be in some help to make Rayna's promotion more effective. There are no doubts that both singers are pursuing their own goals. If, the first one wants not to fade away from stardom, the second one wants to take her place in the stage. The next problem is that Rayna's father, Lamar Wyatt, who is powerful politician and a wealthy man of Nashville, seems to be disapproved in Ryana's abilities to regain her stardom glory. As a controlling patriarch he's betting on Rayna's husband, Teddy Conrad, who was living on Rayna's revenues, and now is trying to make a career as mayor of Nashville (thanks to help of a father-in-law). Such a twisted plot is accompanied by masterfully selected and combined ensemble cast: Ryana James is played by Connie Britton (a Vivien Harmon in American Horror Story and Diane Huxley in 24 television series), while the young teenage music star Juliette Barnes, is played by Hayden Panettiere (Kirby Reed in Scream franchise.)

It's a long-long way from flying nun to matriarch of a powerhouse television family. Sally Field has landed in a very good place, anchoring a powerful cast on ABC's award-winning "Brothers and Sisters." The "Brothers and Sisters" plot undoubtedly fits together for viewers who have remained faithful from the very first episode, in which William Walker, pater familiae and founder of Ojai Foods, drops dead. Kitty, his wife, mourns properly and just as properly takes charge as her grown children and their families gather around her. Mourning grows complicated as William Walker's deep-dark secrets come to life, and family life heats up as different family members cope with different secrets in different ways. From five family members come forty possible combinations and recombinations, and from those possibilities spring infinite plots"”even before writers and producers add significant others and children. "Brothers and Sisters" can hold its exalted Sunday night place indefinitely. Unlike some riveting family dramas, "Brothers and Sisters" does not show bitter, fierce, destructive sibling rivalry. For the most part, these big kids like one another, and their mother loves them all. Of course, one is an Afghan war veteran with a drug problem, and another is a gay lawyer, the favourite son and heir has both financial and marital difficulties, but the real odd-ball is the daughter who breaks the family's liberal tradition and takes-up with the likes of Ann Coulter and Mike Huckabee. Did we mention that "Brothers and Sisters" has the stuff to go on indefinitely?

Oh Hell is a TV series that follows the story of Helene, a 24-year-old woman who is going through a quarter-life crisis. Helene, who is also known as "Hell," is struggling to figure out who she is and what she wants in life.

You could think of "Pretty Little Liars" TV show as "Gossip Girl" goes to the suburbs, except that the vapid world of Park Avenue apartments is, frankly, really boring compared to Rosewood, Pennsylvania. Based on a series of young adult novels by the same name, "Pretty Little Liars" shows the genuinely dramatic, morally-challenged lives of four teen-age girls, a cliquish little group"”Hannah, Aria, Emily, and Spencer. They could be renegades from the American Girls doll collection, except that they are frighteningly rich and more-than-tragically flawed. Hannah, for example, shoplifts, inviting her mother to complain, "I buy you everything you need to be popular," and leaving everyone to assume that's the last word on the subject. Conscience lives somewhere well beyond the city limits, exacting big penalties from those who transgress. As the show opens, Ali, leader and style-setter of the group, disappears a la "Blair Witch." The real action begins, though, three years after Ali's mysterious disappearance, when the "Pretty Little Liars" begin receiving text messages that very strongly suggest someone is watching them"”especially in their most compromising moments. Adding piquancy and spice to the digital displays, the sender signs them cryptically "A."