Intensely cerebral, narrated more or less in the style of a Latin American magic-realist novel which shows the conclusion before the story begins, "Damages" TV show strangely fulfills the immanent promise in cable television programming, appealing very strongly to what the poet Milton called "fit audience though few." "Damages" series'unmistakable style, sophistication, and subtle sizzle are spellbinding, and the writers have crafted heroes you love to love and villains you love to hate with a team of attorneys working both sides of the continental divide between good and evil. Unabashedly stealing its premise from the Bernie Madoff case, "Damages" asks and answers, "What if you were Madoff's antagonist?" Glenn Close plays Patty Hewes, the high-powered and equally high-priced attorney determined to bring down ponzi-schemer Louis Tobin, portrayed by Len Cariou. The word "perfect" appears in most critics' discussions of their performances. A New York Times reviewer aptly summarized, "It's impossible to overestimate how delicious Ms. Close is as this fiercely driven, mercurial and manipulative woman. " In a stroke of casting genius, the producers chose Lily Tomlin to quicken the character of Mrs. Tobin, long-suffering wife of the arch-villain; the audience remains in suspense about her true colors and motives, suspecting she may be "Damages'" answer to Lady Macbeth. Martin Short also stars as Tobin's family attorney.

Based on the Italian fifteenth century Borgia dynasty, the made for the Showtime network series titled The Borgias follows Rodrigo Borgia (Jeremy Irons) rise to power and the Papacy. Called the original crime family, the Borgias amassed great wealth, influence, and power as family patriarch Rodrigo committed nearly every sin imaginable as he gained power and vast wealth. Such successors as The Godfather (Mario Puzo) and The Prince (Niccolò Machiavelli) were inspired by the original "bad family" the Borgias and made for entertaining viewing. But the originals were greedy evil people who had no morals. It is at the height of the Renaissance period that we find the Borgia family intriguing to watch and perhaps learn from. Besides Jeremy Irons there are many fine actors in the cast including Francois Arnaud as Cesare Borgia, Holliday Grainger as Lucrezia Borgia, David Oakes as Juan Borgia, and Derek Jacobi portraying Cardinal Orsini. Look for this entertaining television series and see the original "Godfathers of crime".

"The Fosters" is an American television series that premiered on June 3, 2013, on the Freeform network. The show follows the story of a multi-ethnic family, consisting of two lesbian moms, their adopted twins, and a newly fostered pair of siblings. The series explores various social issues such as race, sexuality, gender, and foster care.

Using state-of-the-art technology and amazing skill with make-up and costuming, Chance, the main character, becomes literally a human target. In each episode of "Human Target," Chance assumes the identity and everyday life of a prominent person in danger. Describing himself as an "extreme bodyguard," Chance uses his wits, skills, and wise-cracking bravado to turn serious danger into a trap for the villains. The sinister evil-doers plot kidnapping, blackmail, extortion, and especially death; the "human target" plots capture. Not the kind of thing for which an ordinary guy usually would volunteer. "Human Target" TV show was praised by the critics and audiences for the quality of the acting"”especially the performances by Earl Haley, Jr., which make a somewhat implausible premise absolutely believable and compelling. Because "Human Target," a decidedly out-of-the-box crime drama, is loosely based on the DC comic series of the same name, the creators have no shortage of bad guys, nor do they struggle to find quirky characters for Chance to impersonate. Critics and audiences agree that the actors playing the three main characters go a long way toward redeeming the show's average, sometimes genuinely awkward writing. They wonder, though, will the actors be able to hold the viewers' attention and loyalty long enough for the writing to fulfill the promise in the premise?

What you'll get if you mix up together Melrose Place and How I Met Your Mother? Yes, the witty, funny and spontaneous The L.A. Complex, a TV show about vicissitudes of lives happening with group of buoyant young people living in the same apartment complex called The Luxe. Perfectly mixed scandal, drama and romance keep the audience intrigued as it should be expected taking in consideration the fact that The L.A. Complex was created by makers of the most realistic teenagers' television series of early "˜10s, Degrassi: The Next Generation. But the professional creators aren't the main cornerstone of The L.A. Complex success, the perfectly selected and combined cast is the crucial piece in TV show's popularity. Just imagine Jewel Staite (Supernatural, Warehouse 13) playing along with Cassie Steele (mentioned before Degrassi: The Next Generation and My Babysitter's a Vampire), Joe Dinicol (Scott Pilgrim vs. the World, Flashpoint, Haven) and sexy Chelan Simmons playing Alicia, a sweet , cute and innocent "¦ strip-dancer - certainly a necessary character to attract some share of male audience, which is undoubtedly kind of smart step taken by the series' plot creators.

"Spartacus: Gods of the Arena" - different gladiator, same sex and violence. Starz' deliciously decadent"”salacious, violent, often flat-out brutal"”"Spartacus: Blood and Sand" recently went on extended hiatus, leaving its legions of loyal fans "jonesing" for their weekly doses of decapitation and bare breasts. The Spartacus team satisfied fans' craving with "Spartacus: Gods of the Arena," a six-episode prequel to the continuing saga of Batiatus and Associates. Starting with a flashback montage of "Blood and Sand's" greatest hits, more precisely Batiatus's life flashing before his eyes in the moment before his death, "Spartacus: Gods of the Arena" shows Batiatus's rise to prominence and power with the assistance and support of his all-pro gladiator Gannicus. Because these stories represent "a more ruthless time"¦where honor was just finding its way into the arena," the writers and producers feel free to elaborate and experiment with their already-established characters, and they feel similar artistic license with super-slow-motion gore and fun-fantasy sex. They clearly are perfecting their craft. One particularly insightful viewer concluded his review of "Spartacus: Gods of the Arena" with a sage observation: "I think that's one of the smart decisions putting it on a Friday night since it's an ideal end of the work week thing to watch."