Steven Universe is a popular American animated television series that first aired on Cartoon Network in 2013. It is a show about a young boy named Steven who is half-human and half-gem. The gems are a race of aliens with special powers that can change the world around them. Steven's mother was a gem, and he inherited her powers, which he uses to help protect the world with his friends, the Crystal Gems.

By the Grace of the Gods is a Japanese light novel series written by Roy and illustrated by Ririnra. The series follows a 39-year-old man named Ryoma Takebayashi who dies and is reincarnated into a fantasy world filled with magic and mythical creatures. After being taken in by a duke and given a home, Ryoma decides to live a simple life in the forest, where he uses his skills from his past life to create potions and tame slimes.

Batwheels is an upcoming American animated series created by Michael G. Stern, produced by Warner Bros. Animation and DC Entertainment. The series follows a team of sentient vehicles in Gotham City who work alongside Batman and his allies to fight crime. The show is aimed at a younger audience and will feature lighter themes and comedic elements.

Aqua Teen Hunger Force is an American animated television show that aired on Adult Swim from 2000 to 2015. The show follows the adventures of three anthropomorphic fast food items - Master Shake, Frylock, and Meatwad - who live together as roommates in New Jersey. They often find themselves in strange and surreal situations, and their antics are a source of humor throughout the show.

The Marvelous Misadventures of Flapjack is an American animated television series created by Thurop Van Orman. The show follows the adventures of Flapjack, a young boy with a love for adventure, and his best friend, Captain K'nuckles, a washed-up pirate with a taste for candy. Together, they explore the high seas and encounter strange and wacky creatures.

Either the CIA is just not that cool and relevant anymore, or Seth Macfarlane and associates are still mining the mother lode of 1970s humour as they develop episodes of "American Dad!" for Sunday nights on Fox. Television historians claim animated series have replaced sit-coms as television's principal source of informed social commentary; and "The Simpsons" have replaced "All in the Family" as the nation's premier satire, the weekly litmus test of American values and expectations. "American Dad!" shows little sign of aspiring to that lofty standing. Most episodes set the standard simply at "amusing." CIA agent and uber-patriot Stan Smith, the "American Dad!" anchors a predictably diverse, dysfunctional just-beyond-the-beltway family. Francine, his wife, appears to atone for her wild youth by remaining vacant, mostly boring in contemporary life. Hayley, Stan's college-aged radical daughter, naturally acts-out all the standard forms of late adolescent rebellion and family insurgency. And Steve, not surprisingly, enters puberty eager to live-up to Dad's expectations but congenitally incapable of coming even close. Holding its own in Fox's Sunday night animated line-up, "American Dad!" has improved in its several seasons on the air. Translation: "American Dad!" has evolved from "mediocre" to "not bad" as it has outgrown its abject dependence on cliches and stereotypes, freshened its subject matter and treatment, and drawn sharper edges on its characters. Still, the premises for "American Dad!" showed promise in 1973; in the new millennium, they seem a little tired.