"There are eight million stories in the city that never sleeps," Gary Sinise's unmistakable tenor voices-over the opening skyline shots for "CSI: New York." Apparently, New York's dedicated crime scene investigators also suffer sleep-deprivation, working tirelessly"”some would say obsessively"”to demystify eight million different ways to die in the Big Apple. Sinise plays Detective Mac Taylor, suitably intense CSI:NY unit leader, complemented well by workaholic assistant Stella Bonasera, expertly portrayed by Melina Kankaredes. Together, the lead detectives manage an appropriately colorful team of streetwise geeks and nerds determined always to make their cases well beyond reasonable doubts. Like the others in Jerry Bruckheimer's crime-drama franchise, "CSI: New York" devotes more attention to sophisticated computer work and uber-cool lab procedures than to the old-fashioned business of talking to people. Mac Taylor quickly reminds, though, "We follow the evidence, because the evidence never lies."

Alaska Daily was a daily newspaper published in Anchorage, Alaska, USA. It was first published in 1946 as the Anchorage Daily News, and it served as a major source of news and information for Alaskans until its merger with the Alaska Dispatch in 2014.

Describing "Harry's Law," one summary says flatly, "A former patent lawyer brings together a group of misfit associates to form an unconventional law practice." How did the producers ever pitch that concept to the network? Oh, wait. It was NBC. Still, a patent lawyer? Misfit associates? Real exciting, right? Do not judge too quickly, because Kathy Bates applies her quirky charisma to her portrayal of Harriet "Harry" Korn, and she works some small screen magic. A mid-season replacement for one of NBC's cavalcade of epic failures, "Harry's Law" actually looks a lot like a real television drama"”real characters, real actors, real plots, and dialogue peppered with genuinely witty repartee. The premise and some of the best writing come from David E. Kelley, television's answer to John Grisham"”prolific and provocative. As The New York Times observes, "A hallmark of Mr. Kelley's shows is often the thinnest application of logic or reason in depictions of a world dedicated to logic and reason." The settings and courtroom dramas seldom resemble anything in real life, but they tend to recreate the audience's imagination of the legal system and "crusading" criminal attorneys. Close enough. In eight episodes, "Harry's Law" has established a loyal following in a timeslot long dominated by ABC's "Castle." Vegas betting parlours probably will give you odds on "Harry's Law" returning in the fall, and it might be worth risking a dollar or so.

Christina Hawthorne is the Chief Nursing Officer at a hospital in Richmond, Virginia who is a constant advocate for her staff as well as her patients, even when it may threaten her job. When the hospital (Richmond Trinity) closes its doors the staff moves on to James River Hospital, where the working atmosphere seems brighter. Hawthorne finds she also faces extra stress due to her changing relationship with Chief of Surgery Dr. Tom Wakefield (Michael Vartan from Alias, Monster-In-Law). Seems he wants a commitment from her but she may not be ready. Nurse Hawthorne is ably played by Jada Pinkett Smith (A Different World, The Nutty Professor) who also is executive producer of the show. Pinkett had sworn off doing any more television but found this one a perfect fit and an interesting challenge. Also starring in Hawthorne are David Julian Hirsh (Lovebites, CSI: NY) as Ray Stein, RN and also Suleka Mathew from Men in Trees, The West Wing as Nurse Bobbie Jackson who is Chief Nursing Officer at James River Hospital, and Christina Moore (90210, Burn Notice) portrays Nurse Candy Sullivan.

Slackers serving Satan as his bounty hunters? At a bare minimum, "The Reaper" does offer conclusive proof that colluding with the devil is considerably more exciting than a job at the Work Bench, a fictional Seattle home improvement store. Imagine Sam Oliver's surprise when he learns on his twenty-first birthday his parents negotiated a long-ago deal with the captain of the underworld: Save daddy's life, and they will give Satan their first-born child. Of course, mom and dad used every form of contraception imaginable until Satan released their doctor from his gambling debts in exchange for Doc's telling mom and dad they could not conceive. Sam ensues. Satan himself shows-up at the big twenty-first gala to detail "The Reaper's" new job description. Sam, who once complained that college "made him sleepy," naturally balks at the devil's deal; but the devil is at least as persuasive with Sam as he was with Eve. Satan tells Sam, should he decline, his mother forfeits her soul. Sam grudgingly accepts new super-powers and goes to work hunting down wayward sinners who have contrived to escape Hell. Television drama ensues. "The Reaper" earned an extremely devoted"”albeit somewhat cultish"”following. A representative review explained the attraction: "This show is so refreshing - great premise, great characters, and they don't take themselves too seriously. The Devil is a hunk, and just couldn't be played better than Ray Wise."

Using state-of-the-art technology and amazing skill with make-up and costuming, Chance, the main character, becomes literally a human target. In each episode of "Human Target," Chance assumes the identity and everyday life of a prominent person in danger. Describing himself as an "extreme bodyguard," Chance uses his wits, skills, and wise-cracking bravado to turn serious danger into a trap for the villains. The sinister evil-doers plot kidnapping, blackmail, extortion, and especially death; the "human target" plots capture. Not the kind of thing for which an ordinary guy usually would volunteer. "Human Target" TV show was praised by the critics and audiences for the quality of the acting"”especially the performances by Earl Haley, Jr., which make a somewhat implausible premise absolutely believable and compelling. Because "Human Target," a decidedly out-of-the-box crime drama, is loosely based on the DC comic series of the same name, the creators have no shortage of bad guys, nor do they struggle to find quirky characters for Chance to impersonate. Critics and audiences agree that the actors playing the three main characters go a long way toward redeeming the show's average, sometimes genuinely awkward writing. They wonder, though, will the actors be able to hold the viewers' attention and loyalty long enough for the writing to fulfill the promise in the premise?