A stylistic and narrative departure from the other titles in the "CSI" franchise, the CSI: Miami edition strives to recreate the neon-drenched allure of South Beach. Veteran television viewers may recognize the show's natural affinity with the eighties hit "Miami Vice"; apparently, in Miami, the light always shines through colored filters and everyday events always have awesome soundtracks. As in all the "CSI" shows, a dedicated squad of forensics experts solves otherwise unsolvable crimes with the benefit of their daunting intellects and their dazzling technology. Plots follow Jerry Bruckheimer's tried-and-proven formula for "following the evidence" wherever it leads. The "pretty" one among the CSI brands, "CSI: Miami TV Show" features at least as much scientific could-be as it depends on forensic facts. Naturally, the characters are as pretty as their surroundings. David Caruso stars as Horatio Cane, the unit leader with a special gift for slowly and deliberately taking off his sunglasses and delivering pithy one-liners as if they were lines from Shakespeare. Emily Procter charms as ballistics expert Calleigh Duquesne, and the juxtaposition of petite southern belle with major firearms is not wasted on the show's primarily male audience. Adam Rodriguez plays the sometimes tormented "Delko," and Rodriguez tops fan polls as the show's most personable actor. Jonathan Togo and Eva LaRue round-out the show's collection of pretty people.

Sometimes "Bravo" serves-up high-quality instruction at least as powerfully as "The Learning Channel" and "National Geographic." Case in point: "Kell on Earth" reveals the ecology of New York's fashion industry, vividly illustrating the perilous lives of smaller fish on the couture food chain, and charting the symbiosis between design houses and the fashion press. The "Kell" in "Kell on Earth" refers to hyper-manic high-powered fashion publicist Kelly Cutrone, diva-dominatrix of public relations firm "People's Revolution." Although eponymous Kell gets the most air-time, "Kell on Earth" is not automatically all about her; instead, it shows the harried lives of second-tier stylists, public relations interns, and personal trainers who dwell near the bottom of New York's tumultuous, tempest-tossed fashion fishbowl. Observant viewers will note striking similarity between People's Revolution and Lauren Conrad's workplace on "The Hills" and "The City," which brought Cutrone into the public eye. Those same insightful viewers will see, however, that real-reality show "Kell on Earth" proves Cutrone's "little people" frequently sweat, swear, and stress, really working for their paychecks.

From 1927 until 1991 Pan American Airlines was the largest international air transporter in the U.S. When the financial collapse came in 1991 it was only one of many major airlines to either cease business or be sold to another. The stewardess' role was always to accommodate passengers and insure they had a safe and enjoyable flight. Today they are called flight attendants and many are males but back in 1963, the setting for TV series Pan Am, becoming a stewardess with a major airlines was considered the dream job for many young women! In this one hour dramatic program we follow the lives of several "stews" and see how complicated some lives can be even while living the American Dream. When new hire Laura Cameron's photograph graces the cover of LIFE Magazine's latest issue it brings the occupation of stewardess into the spotlight and makes Cameron an instant celebrity even though she's only finished her training three weeks ago. Cameron is played by Margot Robbie (I.C.U., City Homicide), Maggie Ryan is under suspension for not wearing her girdle to work and is played by Christina Ricci (Saving Grace, Grey's Anatomy), and experienced stewardess Kate Cameron (Laura Cameron's older sister) has been approached by a CIA type with a special request, is played by Kelli Garner (Going The Distance, My Generation).

Snowfall is a TV series set in the 1980s during the crack epidemic in Los Angeles. The story follows the rise of Franklin Saint, a young street entrepreneur, as he navigates the dangerous and violent world of drug trafficking. Alongside Franklin, the show explores the lives of other characters, including a CIA agent, a Mexican wrestler, and a reporter, all of whom are affected by the growing drug problem in the city.

Arguably the best medical drama in television history, House thrives on genius writing and equally brilliant acting. Set in a teaching hospital at Princeton University, the show builds its plots around complicated, complex, elusive, credulity-straining diseases and a team of diagnosticians willing to move heaven and earth to find their causes and treatments. Long-time House fans eventually demystify the show’s dramatic formula, which devotes the first third to diagnosis and discovery, the middle third to trial and which seem to lead to a cure, and then the climactic ending which undoes all the drama of the first two thirds, curing the disease by revealing The Truth. Hugh Laurie plays Dr. Gregory House to perfection, sustaining the tension and contradiction between House’s arrogance and his irresistible compulsion to save people from their illnesses and often from themselves. One Los Angeles television writer sums-up, “A vicodin-popping, wise-cracking, gimp-guy who walks with his cane on the wrong side while he demystifies illnesses so bizarre they almost defy imagining—what’s not to like?”

Just how much reality can we really stand? After being involved in a serious car accident with his wife and son Michael Britten, a police detective, must face the reality of one or the other of his loved ones having been killed in that wreck. He experiences "realities" involving each scenario and as we witness, his mind wraps around the existence of that reality being true. Scary as that may sound the detective does manage to perform his duties as a police detective and solve crimes. His captain (Laura Innes from ER, The Event) and his partner "Bird" Freeman (Steve Harris from Homicide: Life on the Streets, Law & Order) worry about Britten's sanity as he moves between two reality scenarios that are equally terrifying. Jason Isaacs (Harry Potter films, The Patriot) is detective Britten, a man who is Awake through his sorrow and visions. He wears colored rubber bands, each one different for the reality he sees. Red reflects his wife being alive and green for his son remaining alive. We, the viewing audience, can tell by color of those bands how much he pines for his missing loved ones.