"Reboot" is a television series that premiered in 2022 and is a science-fiction action-adventure show. It is a reboot of the 1994 series of the same name. The show follows the story of four teenagers who become trapped in a virtual world created by an evil entity known as The Sorcerer. The group must work together to find a way to escape and defeat The Sorcerer before he can take over the real world.

"How To with John Wilson" is a television series created by John Wilson that first aired on HBO in 2020. The show follows Wilson as he wanders around New York City and films his encounters with various people, places, and situations. Each episode has a different theme, and Wilson offers his unique observations and insights on the subject at hand.

"Doom Patrol" is a TV series that premiered on DC Universe in February 2019. It was later picked up by HBO Max for its second and third seasons. The show is based on the DC Comics superhero team of the same name and follows a group of misfits who have been transformed by tragic events and given unique abilities.

"Everybody Hates Chris" is an American television sitcom that aired from 2005 to 2009. The show is based on the life of comedian Chris Rock, who serves as the show's narrator. The series follows a young Chris as he navigates his way through adolescence in Brooklyn during the 1980s.

Home Economics is a comedy TV series that premiered on ABC on April 7, 2021. The show follows the lives of three adult siblings who come from different financial backgrounds: Tom, Sarah, and Connor. Tom is a struggling writer, Sarah is a successful therapist, and Connor is a wealthy and famous former professional athlete. They all face different financial challenges and have different lifestyles, but they all have one thing in common - their family. The series explores their relationships, struggles, and humorous situations they find themselves in.

As he championed "the new journalism" in the late sixties, Tom Wolfe suggested no one ever would write anything truly compelling"”fact or fiction"”about the suburbs; he asserted, "There is no life there." During the New Depression, however, the suburbs have gone ghetto, suddenly teeming with life and depravity; and television writers are producing all kinds of compelling stuff about what they have discovered beyond the white picket fences. Witness Showtime's smash-hit "Weeds," the life and times of a "proper" suburban widow keeping-up appearances while she deals more dope than a six-pack of Mexican cartels. As in "The Office," the basic premise for "Weeds" is an import from Great Britain, adapted from the British film Saving Grace which showed a widow and her gardener conspiring to maintain the widow's lifestyle by supplying the locals with their favorite herbal refreshment. Critics frequently compare "Weeds" with American Beauty for its exploitation of the idea "Normal is the face we wear to cover how f***ed-up we are." By contrast with "Desperate Housewives," Nancy Botwin, our entrepreneurial heroine, has far more good reason for desperation than her difficulty achieving orgasm; she has a house, a mortgage, two sons, and a reputation. Since Bonfire of the Vanities tanked and "Weeds" flourished, Tom Wolfe may have to consider the distinct possibility that there is no life in Manhattan.