"Pushing Daisies" is an American television series created by Bryan Fuller. It aired on ABC from 2007 to 2009 and tells the story of a pie-maker named Ned who has the ability to bring dead things back to life with a touch.

Hollywood Arts is the location for Tori Vega (played by Victoria Justice) as she aspires to be a singer even as she gets herself into a continuous string of screwball or downright silly situations. Tori takes her sister Trina's place in a big showcase put on by the high school called Hollywood Arts because it's a performing arts school. Her talents will be showcased as she learns acting, singing, and even dancing on the stage. Star of the show Victoria Justice is known for her rolls in several recent Nickelodeon features including The Boy Who Cried Werewolf and Zoey 101. Leon Thomas III (Rising Stars, Freak the Freak Out) plays Andre Harris who is a musician singer and songwriter and also is Tori's best friend. Robbie Shapiro is played by Matt Bennett (Michael & Michael Have Issues, iCarly) who is plagued by his own shyness and awkward nerdy ways but is determined to become a master ventriloquist. He often uses that talent to express himself. The youthful cast demonstrates how difficult it can be to fulfill their dreams of becoming successful in whatever type of "the fine arts" they have chosen to follow.

The Wonder Years is a television show that aired in the late 1980s and early 1990s. The show follows a young boy named Kevin Arnold as he navigates the ups and downs of adolescence in the late 1960s and early 1970s. Through Kevin's eyes, viewers get a glimpse into the social and political issues of the time, as well as the challenges of growing up.

If bad guys forced you to choose only two programs for viewing during a long captivity, you wisely and happily might choose USA's new series "Fairly Legal." Engaging, engrossing, elegant, and electric, "Fairly Legal" is one of those shows you wish would go on and on and on. If only USA had made more than eight episodes. Sparkly, sassy, stylish, and seductive, Sarah Shahi plays Kate Reed, a once-upon-a-time lawyer who officially has resigned from the professional ranks to become a full-time mediator"”hence the two elements in the title, "legal" and "fair." Kate's goal: avoid costly and ugly litigation by finding settlements that meet everybody's needs. Kate's favourite phrase: "Win-Win." Of course, the show has sexual t4ension between Kate and her ex-husband, a district attorney; it has family tension between Kate and her newly widowed young step-mother; and it has just enough ongoing mystery and suspense in the sub-plot to sustain it from episode to episode. Having San Francisco as the setting doesn't hurt either. No one at "Law and Order" need feel threatened, though, because "Fairly Legal" is far too flirty and fun to harbour any criminal intent.

Adventure of the Ring is a story that follows the lives of several couples whose lives are connected by a lost engagement ring. The adventure starts when Yi-Zhi, a baseball-loving actuary, loses the ring on the day he plans to propose to his girlfriend, Lisa, who works as a flight attendant and is a free spirit.

If your family drama cannot be "Modern Family" or "Brothers and Sisters," then what can it be? It almost inevitably will be NBC's "Parenthood," a mid-season, post-Olympic experiment boldly launched in February, 2010. The "Parenthood" experiment tests the hypothesis that good writers and actors can find the middle ground between "Modern Family's" understated but outrageous satire and "Brothers and Sisters'" intensity. Producers Ron Howard and Brian Grazer are re-working the basic premise of Parenthood, the 1989 movie starring Steve Martin as a frazzled father trying with all his might to do the right thing for everyone he loves. The New York Times accurately observes, "'Parenthood,' with its polished scripts and beautifully shot exteriors, seems like a last gasp of television past," big-big production values and a cast of small-screen all-stars including Craig T. Nelson, Bonnie Bedelia, and Lauren Graham. "Parenthood's" plots and dialogue exploit the irony in everyday family life, winning empathetic laughs and wry smiles where other teams might push too hard for punchlines. Some of the dialogue has the same brilliant serrated edge that distinguished "Gilmore Girls," but, as Lauren Graham points out, "I do not have to talk so fast." Like all good comedy, the teasing and quirkiness are fundamentally good-natured, and every episode features at least one weep-worthy segment. Because "Parenthood" is not "Modern Family" or "Brothers and Sisters," it has become the rarest of rare productions at NBC"”a hit.