Married at First Sight is an American reality TV show where singles who have never met before are matched by relationship experts and married in a legally binding ceremony. The show follows the couples' journey as they live together for several weeks and decide whether or not they want to stay married or get a divorce.

"Catfish: The TV Show" is an American reality TV series that premiered on MTV in 2012. The show is based on the 2010 documentary "Catfish," which follows filmmaker Nev Schulman as he discovers that the woman he's been talking to online is not who she claims to be. The TV show follows a similar format, as people who suspect that their online love interests may not be who they say they are seek Nev and his co-host's help to uncover the truth.

"Alone" is a reality television series that follows participants as they are dropped off in a remote wilderness location, with only minimal gear, and are tasked with surviving for as long as they can. The show premiered on the History Channel in 2015 and has since aired multiple seasons.

Impractical Jokers: Inside Jokes is a TV show that reveals behind-the-scenes secrets and extra facts about the popular hidden camera prank show, Impractical Jokers. The show is hosted by Joey Fatone, who guides viewers through each episode of Impractical Jokers and provides fun facts and trivia about the pranks, challenges, and the show's production. The show features interviews with the four members of the Impractical Jokers team, as well as behind-the-scenes footage and deleted scenes that fans won't find anywhere else.

Impractical Jokers is a TV show that premiered in 2011 on TruTV. It features four comedians: Joe Gatto, James "Murr" Murray, Brian "Q" Quinn, and Sal Vulcano. The show follows the friends as they challenge each other to do ridiculous and embarrassing dares in public while being recorded on hidden cameras. The objective of the show is to make the other guys laugh, while trying to maintain a straight face themselves.

Arguably television's first monster hit in the reality genre, another British import that found its proper home in America, a cultural phenomenon in its first two years, "Survivor" may have evolved into a cruel double entendre: After a decade on the air, "Survivor" describes not only the cast's situation but also the show's stubborn capacity for hanging on to its place in the CBS line-up by the slimmest of slim threads. "Survivor" is the MySpace of its niche: Do people still go there? Dropped into exotic wilderness settings"”places where their handhelds get absolutely no bars"”contestants vie for cash and prizes. The last survivor goes home with a cool million American dollars. As the physical, psychological, emotional, and intellectual trials and tests develop, contestants vote one another out of the competition. For the first half of each season, would-be survivors compete in teams; in the second half, they go solo in a full-on destruction derby. Observant viewers discern "Survivor" depends more on workplace treachery than anything anyone might have learned in Boy Scouts or Campfire Girls. Tribes, challenges, alliances, and immunities prove the wilderness differs very little from everyday life in major American corporations"”except the dress code encourages fashionable swimwear.