When you have not gotten enough of your favorite movie star, comedian, or rock star and their shows, you can always find out more than you might care to learn on the television program The Soup. Originally called Talk Soup, this daily half hour hosted by Joel McHale brings us clips from TV shows and movies along with tidbits and gossip regarding all those "beautiful" people we love to watch on the big or small screen or perhaps listen to their music. There is something very intriguing about what goes on behind the scenes of our favorite programs and how the celebrities spend their days that most of us love to follow and learn more about them. Even the infamous likes of O J Simpson and the latest to win her case, Casey Anthony, make for interesting following if only to see what they'll do next. Who marries whom and who gets divorced are among the attractions on The Soup and we get to learn it all while watching this sometimes interesting and often entertaining program.

M*A*S*H was a TV show that ran from 1972 to 1983, set during the Korean War. It followed the lives of the staff working at a mobile army surgical hospital (M*A*S*H) unit. The show was both a comedy and a drama, dealing with serious topics such as the struggles and horrors of war, while also providing some lighthearted moments.

The Wonder Years is a television show that aired in the late 1980s and early 1990s. The show follows a young boy named Kevin Arnold as he navigates the ups and downs of adolescence in the late 1960s and early 1970s. Through Kevin's eyes, viewers get a glimpse into the social and political issues of the time, as well as the challenges of growing up.

For all the right reasons, "Community" has become one of the mainstays in NBC's comedy line-up. During its first season, "Community" focused on attorney Jeff Winger, disbarred after the accreditation committee discovered his undergraduate degree was from Colombia the country, not the university. Determined to win reinstatement in his old profession, Winger enrolls in community college, forming a Spanish-class study group which includes, among others, a cynical divorcee and a mid-life millionaire who made his money in moist towelettes. "Community" bravely exploits the ethnic and economic diversity in the study group, showing its gifts as an equal opportunity satirizer. The writers also have courage to wring big laughs from realistic representation of life and attitudes in "junior college." During the second season, "Community" had large and loyal enough following to encourage writers' development of plots centered on characters other than Winger, and they developed some of their best material by focusing on the dynamics of the group itself. Every member of "Community's" all-star ensemble cast has impeccable comedy or small-screen credentials: Chevy Chase's resume, of course, reads simply "legend." Joel McHale, Gillian Jacobs, Yvette Nicole Brown, and the rest of the cast bring a combined gazillion years of small-screen experience into the mix, and they have imprinted their distinctive styles on their roles. Similarly, all the partners in the production team boast high-powered Hollywood pedigrees and trophy cases full of Emmys. If "Community" had gone dark after the first thirteen episodes, television sets all over North America would have gone straight to test-patterns, because NBC writers and producers would have abandoned all hope for traditional sit-coms' futures.

"White Collar" delivers the requisite Feds and felons, but you do it a serious dis-service if you describe it as a "crime drama." No one on "White Collar" would insist "just the facts, ma'am; just the facts," because complex characters and complicated motives drive the plots and magnetize viewers. As The New York Times wisely remarks, "White Collar" complies with USA Network's higher standards for cops and robbers; it "creates a fantasy version of law enforcement in which bureaucracies don't scuttle justice, reason prevails, and brilliance ensures the best possible outcome. At one point Burke asks his office how many went to Harvard, more than half raise their hands." Matt Bomer plays Neil Caffrey, "White Collar's" resident lovable bad-guy-turned-good-guy. Caffrey, whose style and savoir faire give him legitimate claim to membership in the Rat Pack, has struck a deal with his long-time nemesis, FBI agent Peter Burke, played to perfection by Tim DeKay. Burke will release Caffrey from Federal prison long before the end of his sentence if Caffrey agrees to lend his criminal genius to the Bureau's efforts to seek-out and imprison sophisticated evil-doers. Who could resist a deal like that?

Called an American documentary, the TV program is hosted by comedians/magicians Penn & Teller, best known for their show in Las Vegas. Not quite a program about politics and almost akin to the exploitation of paranormal events and pseudoscientific ideas, the "BS" show has captured a large audience since first airing in 2003. The application of some critical thought into various misconceptions, in other words "critical thinking" added into the concept of "BS" which is all around us constantly, attempts to clarify some of the confusion. Such subject matter as animal rights, environmentalism, gun control, organic food, and even the war on drugs are explored and debunked by (self proclaimed) experts on a wide variety of subjects in each episode. Penn & Teller: Bullshit is popular around the globe and viewed in Ireland, New Zealand, Mexico, Denmark, Iceland, Columbia, Canada, Brazil, and Australian each week. The hosts bring up subjects not merely to "expose the truth" but show some to be misleading, overemphasized, or even unnecessary interruptions in life.