Who says symbiosis cannot be funny? Co-dependency typically is tragic; reciprocity generally is wistful and romantic. "Peep Show" affords viewers a rare and privileged glimpse into perfect coincidence and complement. "Peep Show" pairs the proper and respectable, reasonably successful but socially inept Mark Corrigan with Jeremy Lisbourne, an unemployed musician who makes-up in narcissism and self-confidence what he lacks in musical talent. Of course, Jeremy's irrepressible optimism complements Mark's relentless pessimism. Of course, Mark's cynicism and lassitude provoke Jeremy's vaguely manic enthusiasm. Of course, women terrify Mark, encouraging Jeremy to tutor him in the subtle arts of grace and seduction. One could not survive without the other; and in this intricately inter-dependent environment, "Peep Show's" comedy flourishes. Early in 2011, "Peep Show" earned the title "longest-running sit-com on British Television's Channel 4." To the best of our knowledge, they award no nifty statuette for that, but it represents a considerable honour"”at least as big as the show's BAFTA awards. "Peep Show's" style showcases its writers' talents, because it features point of view shots with Mark and Jeremy's thoughts revealed in voice-overs.

When a British couple find success with Lyman's Boys, a sitcom they have written for the BBC, they are encouraged to take it to Hollywood in the US. When they remake the show to suit an American audience they run into problems leading them to hire Matt LeBlanc as a cast member. But LeBlanc ends up damaging the show and the Lincoln's reputation as well. With their marriage on the line Beverly and Sean Lincoln need to make some change not only in their scripts but in their lives as well. Matt LeBlanc is brought in to replace the lead and he brings along a laundry list of wants few actors would dare request. Further problems are seen when Merc Lapidus (Hollywood network big shot) decides to make some changes to the hit show Episodes. Conflicts and cultural differences are displayed in a humorous way and even though the Lincolns are worried that their success will end in the US they struggle to keep creative control. Wonderful acting and a delightful chemistry between each make this show one to look for every week.

Letterkenny is a Canadian television sitcom that was first released in 2016. The show revolves around the small fictional town of Letterkenny in Ontario and its inhabitants, who are divided into various groups, including the farmers, the hockey players, and the "skids." The characters often engage in witty banter and wordplay as they navigate their everyday lives and interact with one another.

Television snobs maintain the American version of "The Office" TV series pales by comparison with its British forerunner. Their sneers, however, have done nothing to diminish "The Office's" standing as America's premier sitcom. Audiences and critics wholeheartedly agree the Dunder Mufflin office follies restored NBC as network television's pre-eminent purveyor of great half-hour comedies. Filmed as a "mockumentary," the American "Office" TV show remains faithful to the British example of perfectly deadpan delivery, and the producers wisely add neither laugh-tracks nor musical cues. Of course, brilliant one-liners punctuate the show, but they are subtle and ironic rather than snappy. For example, in characteristically clueless style, Scranton office manager Michael Scott tells his staff, "As Abe Lincoln once said: If you are a racist, we will attack you from the North." Steve Carrell leads a well-chosen ensemble cast who portray a sales force the New York Times aptly characterized as "uniformly unattractive, wan and dull" characteristics which, of course, make them deliciously funny.

Imagine having millions, and being a charitable type, decide to spread your wealth around a bit. How can you go about giving some of your wealth away without appearing like a phony? Do it through a network television program designed to help people on both sides of the "street". ABC takes viewers along as true life millionaires enter poverty stricken areas to live among the local citizens and upon getting to know them, donate part of their millions to one or more deserving folks or projects in the area. It's a fascinating concept and most of us wish we could be on the receiving end of that concept. Some of us actually belong to the giving, generous portion of the population and love the idea of giving to those in need. But, determining who is actually needing and deserving can get complicated because greed makes many of us deceptive. That's why these secret millionaires infiltrate the poor community and try to make good decisions based on how they perceive the needs and those who deserve. Don't miss this inspiring television program that has been produced in the UK, Australia, and the U.S.

One of the funniest talk shows released in 2012, Comedy Bang! Bang! owes its success a long history of weekly comedy audio podcast, which began in 2009 and was originated from Comedy Death-Ray stage talk show performed at the Upright Citizens Brigade Theater in Hollywood. The person which is standing behind this success is an American writer and comedian Scott Aukerman, who started in 1990s in HBO's sketch comedy Mr. Show with Bob and David. Apperently, te seeds of great headway were laid in the fertile ground in these fabulous times and now we have one of the must-watched comedy shows on IFC which gone far away in success from its pursuer Bunk, which seems to be much less entertaining though has lots similar of similarities with Comedy Bang! Bang! Nevertheless Scott Aukerman continues to amuse the audience with uncommon tricks like strange persons falling out from the blue and talking to host and his guest before going nowhere. Aukerman's guests deserves some special attention: at the first look they are common Hollywood celebrities, like Amy Poehler or Zach Galifianakis but something in the way the host introduces them and is talking to them makes whole performance incredibly ludicrous. That's maybe a secret of a true master comedian.