Full House

What is an athletic coach who has lost much of his life's treasures to do? He is divorced and financially strapped, and living in suburban Detroit, Michigan. When his childhood home (in which he still resides) burns down he has little to keep him motivated until a friend helps create a successful business. The business is about making money and the way he determines best to do that is by exploiting his own "sex organ". Having been endowed with a unusually large penis, Ray Drecker puts it to good use by becoming a male prostitute, not exactly the choice of many men but he sees it as a way to make piles of cash, quickly. There are so many ways this can go wrong, especially with children of his own to consider! But the Happiness Consultants is determined to become a legitimate business of sorts and they go about learning the tools of the trade (so to speak). Ray Drecker is played by Thomas Jane (The Mist, The Punisher), partner Tanya Skagle is played by Jane Adams (In Plain Sight, Restless), and Ann Heche (Six Days Seven Nights, Donnie Brasco) is Ray's ex-wife Jessica Haxon. A popular HBO television series.

Former Daily Show with Jon Stewart correspondent Stephen Colbert is a political humorist and that means he has a license to poke fun at politicians and just about anybody else that gets in his creative path. It's a stretch but Stephen Colbert plays fictional anchorman Stephen Colbert, or in other words, he portrays himself in a spoof and political pundit filled show that has earned a slew of award nominations. If it's a serious news event you can bet it will show up on the Colbert Report, often with a unique twist. Some stories don't need to be embellished upon because they play out humorous no matter what and that's life. Some times the show has cultural influence as in the case of a bridge being named after Colbert by the Hungarian Ambassador, who presented Colbert with a declaration certificate when a vote declared him the winner. As it turned out Hungary does not name their bridges after living people so it never happened but he did win the vote. It just goes to prove how powerful having a television show with your own name on it can be in the U.S.

"My Name Is Earl" is an American sitcom that aired on NBC from 2005 to 2009. The show is centered around the life of Earl Hickey, a petty criminal who realizes he needs to make amends for all the wrongs he's done in his life. Earl creates a list of all the people he has wronged and begins to make up for his past mistakes one by one. Along the way, he is joined by his dim-witted brother, Randy, and his ex-wife, Joy.

On HBO's critically acclaimed "Entourage," Jeremy Piven plays Ari Gold so convincingly that real Hollywood agents feel their skin crawl, experiencing the odd sensation the show is dramatizing their biographies. The sultans of Sunset Boulevard insist "Entourage" gives the most frighteningly real representation of high-powered talent agents since Tom Cruise revealed all the nooks and crannies in Jerry McGuire's character. "Entourage" producer Doug Ellin recently explained, "We always try to write the show starting with 'What's real?' not 'What's funny?,' " but the two questions may be opposite sides of the same coin, because uninitiated audiences find it belly-laugh-out-loud hilarious. "When you're on the inside like we are, good water-cooler television is hard to find," said Jay Sures, a partner at the United Talent Agency. "Entourage" compels the real Hollywood "ten-percenters" to engage in spirited discussions of the show's characters and situations, treating the fictions as if they were real colleagues and clients, because the work-a-day professionals willingly have suspended disbelief and taken Ari Gold into the fold. For the average cable subscriber, then, "Entourage" is the entre to life as a Hollywood insider.

Back for another season due to an explosion of popularity, Tosh.0 will now be seen with 25 episodes although they may be split up over the year. Tosh.0 was recently called the top cable program watched by adults from 18 to 49 years of age with some 2.4 million watching. That's quite a feat indeed for a self created show. Daniel Tosh himself is responsible for creation, production, writing scripts, and presenting the program that basically throws humorous barbs at videos seen on the internet. Episodes begin with a clip of a video seen on the internet then Tosh makes fun of the various sequences in the video followed by him posting his comments about it as others might do on sites like YouTube. He keeps on making posts until he runs out of jokes or 20 seconds, whichever comes first. Redemption is an option when Daniel Tosh invites those who's video clips he has emphasized onto the show. He also brings on musical artists he likes in what is called a web remix and invites them to perform. A wide variety of material keeps this entertaining show a must see!

Previewing "Breaking In" for the press, star Brett Harrison suggested, "If you like "The A-Team", you'll like "Breaking In". If you like "The Office",'you'll like "Breaking In". And if you like breaking-in, you will like "Breaking In!". Harrison's observation proved strangely prophetic in at least two ways: First, the new Fox comedy does combine comic elements from "The Office" with "The A-Team's" dark, sarcastic point of view. Office humor"”there's just no such thing as too much. Second, the weak attempt at humor in Harrison's last line is sadly characteristic of the writing for "Breaking-In." Apparently, the B&E crowd lobbied for its own version of appointment viewing. Who knew? Although it's becoming this season's standard"”bad guys gone good, the premise nevertheless has promise. Five exceptionally skilled and highly specialized burglars team-up to operate Contra Security, a consulting firm that tests companies' security systems by breaking into them. Borrowing liberally from "Leverage" and "Breakout Kings," this wickedly bland team includes a hacker, a bad girl who can pick any lock, a semi-skilled con man, and a mysterious boss. First episode ratings may prophecy the sitcom's fate. Scheduled right after a big-big episode of "American Idol", "Breaking In" carried approximately 19 million viewers into its time-slot; by the end of its half-hour, 12 million of them had tuned-in elsewhere.