If you liked Thelma & Louise, Mad Money and Divine Secrets of the Ya-Ya Sisterhood, then you are probably a fan of award-winning screenwriter Callie Khouri. Her talented writing had secured ABC's new television series Nashville positions as a huge hit of 2012-2013 seasons. The TV show depicts life and struggle of country music star Rayna James to get back on the big stage. Her last chance is her next promo tour, which she has no chances to fail, just because if she fails, her future career as country music star will be very questionable if possible at all. To make chances higher, Rayna takes in her tour, a young starlet Juliette Barnes, whose young sexy power is expected to be in some help to make Rayna's promotion more effective. There are no doubts that both singers are pursuing their own goals. If, the first one wants not to fade away from stardom, the second one wants to take her place in the stage. The next problem is that Rayna's father, Lamar Wyatt, who is powerful politician and a wealthy man of Nashville, seems to be disapproved in Ryana's abilities to regain her stardom glory. As a controlling patriarch he's betting on Rayna's husband, Teddy Conrad, who was living on Rayna's revenues, and now is trying to make a career as mayor of Nashville (thanks to help of a father-in-law). Such a twisted plot is accompanied by masterfully selected and combined ensemble cast: Ryana James is played by Connie Britton (a Vivien Harmon in American Horror Story and Diane Huxley in 24 television series), while the young teenage music star Juliette Barnes, is played by Hayden Panettiere (Kirby Reed in Scream franchise.)

The hot new drama produced by John Eisendrath, Outlaw TV show takes "˜representing the little guy' to a whole new level. Jimmy Smits stars as Cyrus Garza; a well respected, straight shooting Supreme Court justice who is also known as a gambler and playboy. However, after abruptly resigning from his high level position many refer to him as an outlaw as he returns to private practice to "˜represent the little guy'. Garza uses his inside knowledge of the system to battle some very powerful people and take on the today's biggest cases to make sure the law does what he believes it is suppose to.

"CSI" TV shows reveals the side of Las Vegas tourists seldom see... Gil Grissom, team leader of the Las Vegas Crime Scene Investigation unit, pioneered the intensity that has become the signature quality in all of Jerry Bruckheimer's heroes; but his flaws were closer to the surface and more genuinely tragic than Horatio Kane's or Mac Taylor's. William Peterson put a handsome face on dorkitude, but he seldom could conceal his passion for insects and his perverse fascination with the world of bondage and discipline. When Grissom bid adios to "CSI," Catherine Willows naturally stepped-up to take his place, dragging her single-mom issues and checkered past along with her. Blasting from relative obscurity to television uber-stardom, Marg Helgenberger has so thoroughly imprinted her own style on her character that fans expect her to sign "Catherine Willows" as her autograph. More old-fashioned gumshoe than techie whiz-kid, Willows nevertheless guides her hyper-dedicated team with skill, style, and love. No more sophisticated than any other television crime drama, "CSI" nevertheless has owned its time slot since its debut, because its characters combine street-savvy toughness with genuine likability. And who can resist all those cool shots of bullets blasting through brain matter? Trivia devotees will note that songstress Taylor Swift made her critically acclaimed acting debut on "CSI," playing the a dark, troubled, and ultimately dead "goth" girl in search of love and understanding"”in other words, the diametric opposite of her authentic self.

One of two intense medical dramas NBC introduced in the fall of 2009, "Mercy" had all the advantages its one-named rival "Trauma" did not. First, it had talent behind the scenes. Liz Heldens from "Friday Night Lights" created the show and led the writers, proving once again that the best way to dramatize the real world is to show it realistically"”ugliness and all. Second, it had attitude and guts to stay true to its revolutionary premise, the well-informed notion "that nurses remain [not only] more generous caregivers, but that they are more intuitively apt, smarter, more committed and as technically able as their [physician] superiors, with none of the accompanying arrogance." In a winner-take-all ER smackdown, you always would go all-in with the Mercy Hospital nurses. The main character, nurse Veronica Flanagan Callahan, has just returned from a tour in Iraq, where she clearly learned more in each day than the pompous, presumptuous doctors learned in all five years of medical school. Of course, Veronica gets neither the respect nor the reward she deserves, but "Mercy" dangles the possibility of true love as just recompense for Veronica's skill and compassion. Taylor Schilling plays Veronica with exactly the right balance of toughness and vulnerability, skillfully juxtaposing her consummate skill as a nurse with her intrepid ingenuousness in matters of the heart. If only "Mercy" had survived into a second season, all the tangled threads in the story might have come to their proper denouement. If only.

Television currently suffers a serious adolescent crush on New Jersey, happily showcasing its housewives, manicurists, unemployed party animals, and now its history of slick, sophisticated organized crime. "Boardwalk Empire," adapted from the bestseller with the same name, shows Atlantic City's colorful jazz age history, paying fierce attention to realistic details and historical accuracy. "Boardwalk Empire" takes the Sunday night timeslot usually reserved for "True Blood" while the vampires go on hiatus, and with skilled assistance from Martin Scorsese, it so completely rivets its audience that they cannot remember what they used to watch after "60 Minutes." Like a complicated, sophisticated Victorian novel, "Boardwalk Empire" takes two episodes to set the stage and establish its historical context; but once the bootleggers, gangsters, and corrupt politicians get their machinery greased-up and going, eager audiences stay tuned. The New York Times effectively summarizes, "'Boardwalk Empire' is a well conceived, beautifully made series that has every reason to be great. Who doesn't want to watch rum runners and gangsters on HBO?" Mtv and E! will break-up with Jersey, and they will not "still be just friends" when new seasons roll around; but viewers can look forward to HBO's going steady with "Boardwalk Empire" until the vampires come home.

When "The Good Wife" premiered in the fall of 2009, insiders whispered that Alicia Florrick, the good wife, was modeled after Silda Spitzer, the remarkably resilient former spouse of Elliott Spitzer, former New York prosecutor who ended-up himself prosecuted on charges of using public funds to support his prostitute habit. In the first few episodes, Alicia stood mute and shell-shocked as her politician husband admitted to "indiscretions," was tried and sent to jail. With only mild irony, the good wife emerges as the amazing woman as soon as hubby gets fitted for his orange jumpsuit. Played with tremendous grace, style, and power by Julianna Marguiles, Alicia Florrick, a la Silda Spitzer, returns to her old law practice. A little out of practice after thirteen years as wife and mother, she wobbles before she restores her professional standing. As "The Good Wife" evolved, it outgrew its need for "ripped from the headlines" comparisons. Episode by episode, Marguiles quickened, toughened, and deepend Alicia's character. Her imprisoned spouse becomes simply a footnote or sidebar as Alicia struggles to keep her family intact and build her career in a law firm riddled with scheming, scandal, and intrigue.