Longmire storyline is loosely based on Craig Johnson's novels about old fashioned Sheriff of Absroka, Wyoming County. He widowed only a year ago and still hides his soul's pain underneath the unassuming grin and impassive face. He wears a true to type cowboy hat, leather boots and holstered gun. All these attributes makes him looking similar to Raylan Gyvens (Justified). But Longmire personality features quite different traits. But in opposite of brave, but somewhat reckless Raylan, he is much wiser, seasoned and experienced. He is accompanied by Victoria "Vic" Moretti, an ex-cop from Philadelphia Homicide Department, played by Katee Sackhoff. You may know her by roles in CSI: Crime Scene Investigation, Battlestar Galactica and Sexy Evil Genius (as Nikki Franklyn). The main intrigue about her is how the proficient Philly policewoman have stuck in the middle of the Wyoming boondocks. The next intrigue unfolds in the pilot episode, a murder which traced back to "The Res", an Indian reservation where white men's legislation have nothing to do with Indian traditions and laws. The third intrigue revolves around the person of Deputy Branch Connally who appears to represent the "shady" forces of Longmire's team.

A stylistic and narrative departure from the other titles in the "CSI" franchise, the CSI: Miami edition strives to recreate the neon-drenched allure of South Beach. Veteran television viewers may recognize the show's natural affinity with the eighties hit "Miami Vice"; apparently, in Miami, the light always shines through colored filters and everyday events always have awesome soundtracks. As in all the "CSI" shows, a dedicated squad of forensics experts solves otherwise unsolvable crimes with the benefit of their daunting intellects and their dazzling technology. Plots follow Jerry Bruckheimer's tried-and-proven formula for "following the evidence" wherever it leads. The "pretty" one among the CSI brands, "CSI: Miami TV Show" features at least as much scientific could-be as it depends on forensic facts. Naturally, the characters are as pretty as their surroundings. David Caruso stars as Horatio Cane, the unit leader with a special gift for slowly and deliberately taking off his sunglasses and delivering pithy one-liners as if they were lines from Shakespeare. Emily Procter charms as ballistics expert Calleigh Duquesne, and the juxtaposition of petite southern belle with major firearms is not wasted on the show's primarily male audience. Adam Rodriguez plays the sometimes tormented "Delko," and Rodriguez tops fan polls as the show's most personable actor. Jonathan Togo and Eva LaRue round-out the show's collection of pretty people.

One of two intense medical dramas NBC introduced in the fall of 2009, "Mercy" had all the advantages its one-named rival "Trauma" did not. First, it had talent behind the scenes. Liz Heldens from "Friday Night Lights" created the show and led the writers, proving once again that the best way to dramatize the real world is to show it realistically"”ugliness and all. Second, it had attitude and guts to stay true to its revolutionary premise, the well-informed notion "that nurses remain [not only] more generous caregivers, but that they are more intuitively apt, smarter, more committed and as technically able as their [physician] superiors, with none of the accompanying arrogance." In a winner-take-all ER smackdown, you always would go all-in with the Mercy Hospital nurses. The main character, nurse Veronica Flanagan Callahan, has just returned from a tour in Iraq, where she clearly learned more in each day than the pompous, presumptuous doctors learned in all five years of medical school. Of course, Veronica gets neither the respect nor the reward she deserves, but "Mercy" dangles the possibility of true love as just recompense for Veronica's skill and compassion. Taylor Schilling plays Veronica with exactly the right balance of toughness and vulnerability, skillfully juxtaposing her consummate skill as a nurse with her intrepid ingenuousness in matters of the heart. If only "Mercy" had survived into a second season, all the tangled threads in the story might have come to their proper denouement. If only.

Empire is a television series that first aired in 2015 and ran for six seasons. The show centers around the Lyon family, who run a successful music company called Empire Entertainment. The patriarch, Lucious Lyon, is a former drug dealer turned music mogul who is diagnosed with a terminal illness at the beginning of the series. As he struggles to choose which of his three sons will inherit his business, tensions rise and family secrets are revealed.

From 1927 until 1991 Pan American Airlines was the largest international air transporter in the U.S. When the financial collapse came in 1991 it was only one of many major airlines to either cease business or be sold to another. The stewardess' role was always to accommodate passengers and insure they had a safe and enjoyable flight. Today they are called flight attendants and many are males but back in 1963, the setting for TV series Pan Am, becoming a stewardess with a major airlines was considered the dream job for many young women! In this one hour dramatic program we follow the lives of several "stews" and see how complicated some lives can be even while living the American Dream. When new hire Laura Cameron's photograph graces the cover of LIFE Magazine's latest issue it brings the occupation of stewardess into the spotlight and makes Cameron an instant celebrity even though she's only finished her training three weeks ago. Cameron is played by Margot Robbie (I.C.U., City Homicide), Maggie Ryan is under suspension for not wearing her girdle to work and is played by Christina Ricci (Saving Grace, Grey's Anatomy), and experienced stewardess Kate Cameron (Laura Cameron's older sister) has been approached by a CIA type with a special request, is played by Kelli Garner (Going The Distance, My Generation).

Sometimes "Bravo" serves-up high-quality instruction at least as powerfully as "The Learning Channel" and "National Geographic." Case in point: "Kell on Earth" reveals the ecology of New York's fashion industry, vividly illustrating the perilous lives of smaller fish on the couture food chain, and charting the symbiosis between design houses and the fashion press. The "Kell" in "Kell on Earth" refers to hyper-manic high-powered fashion publicist Kelly Cutrone, diva-dominatrix of public relations firm "People's Revolution." Although eponymous Kell gets the most air-time, "Kell on Earth" is not automatically all about her; instead, it shows the harried lives of second-tier stylists, public relations interns, and personal trainers who dwell near the bottom of New York's tumultuous, tempest-tossed fashion fishbowl. Observant viewers will note striking similarity between People's Revolution and Lauren Conrad's workplace on "The Hills" and "The City," which brought Cutrone into the public eye. Those same insightful viewers will see, however, that real-reality show "Kell on Earth" proves Cutrone's "little people" frequently sweat, swear, and stress, really working for their paychecks.