"Psych TV Show" features slick psychic crime-fighter with no psychic gifts. Unlike most basic cable networks, USA has generated many of its own hit shows on the strength of excellent characters and situations enhanced by exceptional writing. As bigger networks go into hibernation between seasons, USA wisely introduces its powerhouse programming. Among the network's original scripted dramas, "Psych TV show" has become one of the favorites. Walking the margin between crime drama and satire with tongue very deeply in cheek, "Psych TV series" stars James Roday as a fast-talking, exceptionally observant private investigator who manages to persuade the Santa Barbara police that he actually is a psychic. The backstory shows the tension between father and son, and it emphasizes how dad trained Shawn to pay attention to the most minute details, coincidences, and anomalies in everything he observes. Acute powers of observation easily pass for mystic revelations, and a healthy dose of wise-cracking charisma seals the deal. Over the objections of his disapproving police officer father, law enforcement officials reluctantly hire Shawn Spencer, psychic, to assist with solving their most challenging cases. Of course, Spenser and his reluctant sidekick Gus, brilliantly brought to life by Dule Hill, succeed where others fail.

By some miracle, everybody in America knows all about "30 Rock," and everybody loves Tina Fey, the show's creator and star, but relatively few viewers tune-in every week. During its first season, "30 Rock" toted-up a record twenty-two Emmy nominations, but its ratings ranked 102nd of 142 primetime shows. NBC stayed with the project on the assumption that Fey's popularity and the intense critical buzz eventually would translate to ratings; and the gamble paid off as viewership steadily rose over the comedy's first six seasons. Based on Fey's experiences as head writer for "Saturday Night Live," the show satirizes life behind the scenes of a network comedy, trapping co-star Alec Baldwin in corporate intrigues as the writers and actors endure the trials and tribulations of producing a live weekly broadcast. Strong characters and brilliant badinage distinguish "30 Rock" from the standard sitcom fare, and the thirteen-member ensemble cast puts the plausibility in improbably characters.

The Rehearsal is a docu-comedy television series created, written, directed by and starring Nathan Fielder. The show premiered on HBO in July 2022 and quickly received critical acclaim. In August of the same year, HBO announced that the series would be renewed for a second season.

"Martin" is a popular American television sitcom that aired from August 27, 1992, to May 1, 1997, for a total of five seasons. The show centers around Martin Payne, a wisecracking DJ, and his relationships with his girlfriend Gina Waters, his best friend Tommy Strawn, and his wacky neighbor Cole Brown. The show's setting is in Detroit, Michigan, where Martin hosts a radio show.

Dave is a comedy television series that premiered on FX in 2020. The show stars Dave Burd, a rapper and comedian who goes by the stage name Lil Dicky. The series is loosely based on Burd's own experiences in the music industry and his journey to become a successful rapper.

If your family drama cannot be "Modern Family" or "Brothers and Sisters," then what can it be? It almost inevitably will be NBC's "Parenthood," a mid-season, post-Olympic experiment boldly launched in February, 2010. The "Parenthood" experiment tests the hypothesis that good writers and actors can find the middle ground between "Modern Family's" understated but outrageous satire and "Brothers and Sisters'" intensity. Producers Ron Howard and Brian Grazer are re-working the basic premise of Parenthood, the 1989 movie starring Steve Martin as a frazzled father trying with all his might to do the right thing for everyone he loves. The New York Times accurately observes, "'Parenthood,' with its polished scripts and beautifully shot exteriors, seems like a last gasp of television past," big-big production values and a cast of small-screen all-stars including Craig T. Nelson, Bonnie Bedelia, and Lauren Graham. "Parenthood's" plots and dialogue exploit the irony in everyday family life, winning empathetic laughs and wry smiles where other teams might push too hard for punchlines. Some of the dialogue has the same brilliant serrated edge that distinguished "Gilmore Girls," but, as Lauren Graham points out, "I do not have to talk so fast." Like all good comedy, the teasing and quirkiness are fundamentally good-natured, and every episode features at least one weep-worthy segment. Because "Parenthood" is not "Modern Family" or "Brothers and Sisters," it has become the rarest of rare productions at NBC"”a hit.