All Rise

"Six Feet Under" is an American television series created by Alan Ball. It aired on HBO from 2001 to 2005 and follows the lives of the Fisher family, who run a funeral home in Los Angeles.

Christina Hawthorne is the Chief Nursing Officer at a hospital in Richmond, Virginia who is a constant advocate for her staff as well as her patients, even when it may threaten her job. When the hospital (Richmond Trinity) closes its doors the staff moves on to James River Hospital, where the working atmosphere seems brighter. Hawthorne finds she also faces extra stress due to her changing relationship with Chief of Surgery Dr. Tom Wakefield (Michael Vartan from Alias, Monster-In-Law). Seems he wants a commitment from her but she may not be ready. Nurse Hawthorne is ably played by Jada Pinkett Smith (A Different World, The Nutty Professor) who also is executive producer of the show. Pinkett had sworn off doing any more television but found this one a perfect fit and an interesting challenge. Also starring in Hawthorne are David Julian Hirsh (Lovebites, CSI: NY) as Ray Stein, RN and also Suleka Mathew from Men in Trees, The West Wing as Nurse Bobbie Jackson who is Chief Nursing Officer at James River Hospital, and Christina Moore (90210, Burn Notice) portrays Nurse Candy Sullivan.

"Body of Proof" will bring at least one more strong female lead to network television, bringing the sum total to approximately two. Too bad they will compete head-to-head in the same time-slot; good thing we have DVRs. "We need to have more smart women characters on television," says Dana Delany as she prepares to play medical examiner Megan Hunt in ABC's new drama, "Body of Evidence." As plots unfold on the new show, Dr. Megan Hunt's brilliance never will become an issue"”if anything she sometimes is too smart for her own good; but her compassion and human kindness frequently will be in doubt. Dr. Hunt brings a few issues to the autopsy room: Five years ago, she lost everything in the wake of a serious car accident"”her marriage, custody of her daughter,; and, most importantly, her extremely successful practice as a neurosurgeon. Promos for "Body of Evidence" are slick, stylish, sexy, and sassy. Ms. Delany looks seductively into the camera, promising, "Don't believe everything you've heard. The truth is much worse." Adding even more spice and power, Jeri Ryan ends her peripatetic travels across the dial, settling down to play Dr. Kate Murphy, the medical examiner. Set for debut on March 29, 2011, "Body of Evidence" promises to become a Tuesday ten o'clock favourite.

Sometimes "Bravo" serves-up high-quality instruction at least as powerfully as "The Learning Channel" and "National Geographic." Case in point: "Kell on Earth" reveals the ecology of New York's fashion industry, vividly illustrating the perilous lives of smaller fish on the couture food chain, and charting the symbiosis between design houses and the fashion press. The "Kell" in "Kell on Earth" refers to hyper-manic high-powered fashion publicist Kelly Cutrone, diva-dominatrix of public relations firm "People's Revolution." Although eponymous Kell gets the most air-time, "Kell on Earth" is not automatically all about her; instead, it shows the harried lives of second-tier stylists, public relations interns, and personal trainers who dwell near the bottom of New York's tumultuous, tempest-tossed fashion fishbowl. Observant viewers will note striking similarity between People's Revolution and Lauren Conrad's workplace on "The Hills" and "The City," which brought Cutrone into the public eye. Those same insightful viewers will see, however, that real-reality show "Kell on Earth" proves Cutrone's "little people" frequently sweat, swear, and stress, really working for their paychecks.

It seems like NBC decided not to give up with paranormal things in 2012. After the cancelation of Awake and realizing that Smash is not going to be a great hit, they decided to launch brand new supernatural-paranormal medical drama with far not first two-word gerund/noun title Saving Hope. But please, don't expect it to be a kind of chimera with mixed DNA of Saving Grace and Rising Hope. Not even close. To describe what Saving Hope is. Let's begin with the "complication" of the plot: two nice people are snuggling inside the wedding cab which is suddenly gets struck by the car. We see as the wedding couple acts absolutely professionally saving the life of the driver by using only medical equipment they have: a pair of common scissors and a tampon. This act of help reveals the newlyweds as the good doctors exactly that they are. The groom is Dr. Charles Harris (Michael Shanks) and the bride is Alex Reid (Erica Durance). However, the situation is getting worse after Alex realizes what a whack in the head Charles got during the accident. Shortly the traumatic brain injury sends Dr. Charles Harris to the hospital bed with the coma diagnosis instead of the honeymoon. As a side effect he receives a supernatural power to walk unseen and unheard between his former colleagues and patients. During his trips he immerses himself deep into the emotions of dying people and doctors trying to save them. He attempts to help both of them using his paranormal gift (which reminds us the CBS' Gifted Man). Charles also trying to get in touch with his ex-fiancee Alex, but all of these attempts fail frightening her almost to death. On the other hand Alex is trying to struggle for saving Charles' life, while he is in coma, but day after the day, she realizes the unfortunate futility of her attempts.

"There are eight million stories in the city that never sleeps," Gary Sinise's unmistakable tenor voices-over the opening skyline shots for "CSI: New York." Apparently, New York's dedicated crime scene investigators also suffer sleep-deprivation, working tirelessly"”some would say obsessively"”to demystify eight million different ways to die in the Big Apple. Sinise plays Detective Mac Taylor, suitably intense CSI:NY unit leader, complemented well by workaholic assistant Stella Bonasera, expertly portrayed by Melina Kankaredes. Together, the lead detectives manage an appropriately colorful team of streetwise geeks and nerds determined always to make their cases well beyond reasonable doubts. Like the others in Jerry Bruckheimer's crime-drama franchise, "CSI: New York" devotes more attention to sophisticated computer work and uber-cool lab procedures than to the old-fashioned business of talking to people. Mac Taylor quickly reminds, though, "We follow the evidence, because the evidence never lies."