The Man from U.N.C.L.E. is a 2015 action-comedy film directed by Guy Ritchie. It is based on the 1960s television series of the same name and stars Henry Cavill and Armie Hammer as two secret agents from opposing sides who must work together to stop a criminal organization from using nuclear weapons. Set in the 1960s Cold War era, the film combines espionage with humor and style, making for an entertaining and stylish spy thriller.

Noah is Darren Aronofsky's 2014 foray into Biblical storytelling. Aronofsky is well known for his body of directorial work, including The Fountain, Black Swan, Pi, and Requiem for a Dream. Aronofsky has a penchant for disturbing stories that challenge the viewer philosophically and provide a vivid, surreal experience, and Noah is no exception. Starring Russell Crowe as Noah along with Jennifer Connelly, Ray Winstone, Emma Watson, Logan Lerman and Anthony Hopkins, this film takes viewers on a mythical journey. Noah addresses important issues of our time, including environmentalism and animal rights. The film focuses not only on the mission that God calls on Noah to carry out, but the very deep human struggles he faces as he is forced to answer the question, "Does the human race deserve to survive?"

Dawn of the Planet of the Apes is the follow-up to 2011's Rise of the Planet of the Apes, the reboot of the original Planet of the Apes classic science fiction saga. Dawn of the Planet of the Apes is directed by Matt Reeves and stars Andy Serkis, Jason Clarke, Gary Oldman, Keri Russell, Toby Kebbell, and Kodi Smit-McPhee. As the eighth theatrical installment in the Planet of the Apes franchise, it met with widespread critical acclaim. In the story, the growing society of apes led by Cesar comes into contact with a band of human survivors. Initially the two bands reach an uneasy truce, but this peace quickly fractures as the two groups vie to determine which will inherit the planet as the dominant species. The film received positive reviews for its plot, emotional depth, and its visual design.

The third part of the saga about the elusive "avenger" attacked viewers from all the sides by the action could be comparable with Doug Lyman's one only. But in something The Bourne Ultimatum has overtaken him, for example, in suspense. It's not so surprising, taking into account the fact that director Paul Greengrass, this time take into account his mistakes make in the last movie. He almost brought it to perfection by the intrigues within the organization that pursues irrepressible Jason Bourne. "The film has gained an adventurous spirit, which lacked the second sequel, and the viewer itself got involved in a confrontation between Bourne and the his many rivals. Bourne is not only dangerous, he still allows himself to laugh at the most senior officials, deceiving them as blind kittens. The more Greengrass self-irony is seen, interspersed in the brief and romping Bourne fights with each another recruit. It should be noted that Bourne is increasingly opposed to the agent James Bond in the warfare usage. If the vaunted Mr. Bond uses a variety of gadgets, in order to kill the enemy, then the Born just takes the first available book and efficiently kills without taking the spirit…

Irish author Jonathan Swift first published Gulliver's Travels in 1726, and it became an immediate sensation. Since then, Gulliver's Travels never has gone out-of-print, and its twenty-first century sales remain nearly as robust as they were in the sixteenth. Universally acknowledged as a classic of British literature, Swift's wonderwork scathingly satirizes human nature and parodies "travellers' tales." Not surprising, then, Hollywood has attempted to bring Gulliver's story to life on film in every decade since the medium was invented. Typically, the special effects have failed to keep pace with Swift's imagination. In the story's latest reprise, a slightly modernized version, the special effects are up to the challenge, but the question emerges, "Is Jack Black up to it?" Black has disappointed fans with his last couple of ventures, but critics say he looks "at ease" as he goes for "big" laughs in the land of the Lilliputians. The producers and director have built-in a few features to give Black a healthy bounce: Updating the story, they show Gulliver as a contemporary mailroom guy who finally catches a break, winning a travel-writing assignment in the Bermuda Triangle. 3D has gotta help the contrast between big Gulliver and little Lilliputians, and an all-star supporting cast is expected to bring out the best of Black's comic gifts.

Jason Statham stars as Arthur Bishop, "mechanic" supreme. Of course, "mechanic" is bad-guy talk for the professional assassin who comes to fix your problem and generally tune-up your operation by striking terror into the hearts of your bad-guy rivals. The Mechanic, then, implies that in a world full of amateurish shooters, Arthur Bishop stands out as the consummate professional. In fact, Bishop lives and works by a strict code—precise, detached, professional, and perfectionist; in other words, Bishop delivers all the qualities anyone could wish or want in a fine mechanic."Donald Sutherland plays Harry, Bishop's friend and mentor; and then he dies. Assassinated. Not surprisingly, Bishop feels compelled and honor bound to avenge Harry's murder; but in all of his careful calculations, Bishop fails to factor-in Steve, Harry's son, who shares Bishop's desire for revenge and who brings beginner's enthusiasm to the business of learning his father's business. Of course, sinister stealth, insidious machinations, and high explosives complicate the would-be assassins' quest; and, as the promos proclaim, "those hired to fix problems become problems themselves." The Mechanic would qualify for your list of "standard guy stuff," except that it has a liberal dose of heart.