The third part of the saga about the elusive "avenger" attacked viewers from all the sides by the action could be comparable with Doug Lyman's one only. But in something The Bourne Ultimatum has overtaken him, for example, in suspense. It's not so surprising, taking into account the fact that director Paul Greengrass, this time take into account his mistakes make in the last movie. He almost brought it to perfection by the intrigues within the organization that pursues irrepressible Jason Bourne. "The film has gained an adventurous spirit, which lacked the second sequel, and the viewer itself got involved in a confrontation between Bourne and the his many rivals. Bourne is not only dangerous, he still allows himself to laugh at the most senior officials, deceiving them as blind kittens. The more Greengrass self-irony is seen, interspersed in the brief and romping Bourne fights with each another recruit. It should be noted that Bourne is increasingly opposed to the agent James Bond in the warfare usage. If the vaunted Mr. Bond uses a variety of gadgets, in order to kill the enemy, then the Born just takes the first available book and efficiently kills without taking the spirit…

Some futuristic story ideas seem to paint a rather bleak picture of how life may be later on and The Hunger Games is right up there with the premise that we could hold lotteries each year to select competitors from youngsters. Seems that North America has become a divided country and now there is only the Capitol which is broken down into 12 districts. Now called Panem, the former United States of America makes many crucial decisions by way of an annual fight to the death. There will be two from each of the 12 districts so the total of 24 participants must fight each other to the death and the citizens find this required viewing on live television!hen 16 year old Katniss Everdeen (Jennifer Lawrence from Medium, The Bill Engvall Show) volunteers to take her younger sisters place, she and Peeta Mellark, who is her counterpart find they are up against far bigger and stronger competitors who have been trained for this type of battle all of their lives. Peeta is played by Josh Hutcherson (RV, The Kids Are All Right). Look for Stanley Tucci, Woody Harrelson, Lenny Kravitz, and Donald Sutherland also in The Hunger Games.

Hughes brothers exploit a very specific niche of "commercial cinema for nerds" filmed The Book of Eli, a western about the Second Coming. You haven't even know that Eli is the God in Aramaic, and generally have at least a minimal understanding of sacred texts. Simplicity and clarity of massage of the movie makes us expecting some more complex content. Especially because the atmosphere and style of the film is beyond any praises. They succeeded to create really juicy and truthful post-apocalyptic world, which filled with the atmosphere of despair, echoing, resonating basses and shot with the cold spectrum filters. A character of Washington is so cool in his calm relaxed state that somehow you really begin to believe that good actually has fists.

The cinematographic version of adventures of a character named Solomon Kane, invented by Robert Howard (author of "Conan the Barbarian"), is a thick mix of the mud, blood, religious fanaticism and the ever-popular theme of zombies. Solomon Kane, unlike Van Helsing, who is here hinted at, basically, a cloak and hat, posed in a much more serious condition: he does not fight with single semi-comic characters like philoprogenitive Dracula or shrek-looking Mr. Hyde. He is opposed to evil as such, evil emanating from the enemy of the human race. This struggle involves bonfires, crucifixion, and the maximum concentration, and the religion, which naturally excludes all there worldly pleasures like love, joy, and throwing in witty remarks.

Police Story is a 1985 Hong Kong action film directed by and starring Jackie Chan. The film follows Chan as Kevin Chan Ka-Kui, a Hong Kong police officer tasked with protecting a witness in a major case against the drug lord Chu Tao. When the witness is kidnapped and Chan's girlfriend is threatened, Chan must go to extreme lengths to save them and bring the criminals to justice.

Nicholas Cage proves his special gift for keeping the paychecks coming, teaming up with the director of My Bloody Valentine for Drive Angry 3D, due in theaters early in February, 2011. The promotional materials seem a little ambivalent or ambiguous about the film's supernatural element: Cage supposedly has escaped from Hell to avenge his daughter's murder and rescue his infant grand-daughter from sacrifice at the hands of a devil-worshipping cult. Of course, "The Accountant," one of Satan's executive demons, pursues Cage as he drives angrily across a hostile landscape in hot pursuit of bad guys and redemption. Many of the synopses omit the demonic content, perhaps because it has very little impact on the characters, situations, or plot. Three classic American muscle cars actually star in Drive Angry 3D, exuding at least as much sex appeal as Charlotte Ross, who delivers a soon-to-be-legendary sex-and-violence vignette between Cage's angry driving sequences. What's not to love about a 1964 Buick Riviera, a 1969 Dodge Charger, and a 1971 Chevy Malibu all muscled-up and chromed for the occasion? Regardless of critics' and audiences' reaction to Drive Angry 3D, film historians may use the film as compelling evidence in support of their argument 3D definitely makes a film's imagery more vivid but does not automatically improve its content or redeem it as a work of art.