Two years Flew since the successful Identification. And this time the Matt Damon character to show his their Supremacy. Not finished with all the previous problems, Born again faces old issues. He lives on the end of the world, in the tropics, is trying to live the present, but nothing happens. He feels that he could not remember everything that he needed to know. But Bourne did not think that he will remember it all again, hiding from the people who did not understand his warnings two years ago. And if they do not understand ordinary words, then Jason will have to do what he warned them. And from that moment Bourne shows his true Supremacy.

When top author Janet Evanovich penned the novel One for the Money back in 1994 it was an immediate hit on paper. Now the fun and frolicking story comes to life in a film directed by Julie Anne Robinson with screenplay credit to Liz Brixius, Kirsten Smith, and Karen McCullah Lutz. A great cast insures this one will be a hit!e find Stephanie Plum out of a job and in need of cash she takes on some bail bondsman work for her cousin Vinnie Plum who owns Vinnie's Bail Bonds. Although she knows virtually nothing about the bail bond business she is determined to catch former vice cop Joe Morelli who is now a bail jumper as well as an accused murderer. This is also the same Joe Morelli who dumped Stephanie after seducing her back in high school. As with all Janet Evanovich stories this one is filled with twists, turns, and plenty of drama and comedy for the heroine. Stars Katherine Heigl (Grey's Anatomy, Knocked Up) as Stephanie Plum, Jason O'Mara (Life on Mars, Terra Nova) as Joe Morelli, and Debbie Reynolds (Tammy and the Bachelor, The Mating Game).

In a more sophisticated "golden age" when American public schools actually taught people to read, Hollywood made movies from literature—Grapes of Wrath, for example, or To Have and Have Not. According to Oliver Stone, in the 1990s, film became the literature of the age. In 2011, driven by a fetish for "CG integration," Hollywood adopted the comic book as its model of choice. Not "the graphic novel," which has a slightly more elevated ring to it. No. The comic book. "Comic book novices may have difficulty differentiating their Green super-heroes: The Green Lantern does not attract The Green Hornet as moth to flame. Green Lantern may, however, attract almost as many teen girls as teen geeks, because it features Ryan Reynolds, People Magazine's sexiest man, archetype of "obscenely cut" abs. Critics already have remarked and documented strong similarities between Green Lantern and the IronMan series. Given its comic book origins, you know how Green Lantern goes: Cocky gonna-be super-hero must grow into and take responsibility for his super-powers. He becomes part of an inter-galactic super-squadron charged to protect and serve the universe. Of course, hard-rockin' soundtrack and jaw-droppingly attractive women, both good and evil, accompany him wherever he goes. "After summer's spate of cartoon movies, literate viewers may wax nostalgic for Hemingway in collaboration with Bogart and Steinbeck inspiring Henry Fonda.

The third part of the saga about the elusive "avenger" attacked viewers from all the sides by the action could be comparable with Doug Lyman's one only. But in something The Bourne Ultimatum has overtaken him, for example, in suspense. It's not so surprising, taking into account the fact that director Paul Greengrass, this time take into account his mistakes make in the last movie. He almost brought it to perfection by the intrigues within the organization that pursues irrepressible Jason Bourne. "The film has gained an adventurous spirit, which lacked the second sequel, and the viewer itself got involved in a confrontation between Bourne and the his many rivals. Bourne is not only dangerous, he still allows himself to laugh at the most senior officials, deceiving them as blind kittens. The more Greengrass self-irony is seen, interspersed in the brief and romping Bourne fights with each another recruit. It should be noted that Bourne is increasingly opposed to the agent James Bond in the warfare usage. If the vaunted Mr. Bond uses a variety of gadgets, in order to kill the enemy, then the Born just takes the first available book and efficiently kills without taking the spirit…

Harry Potter and the Sorcerer's Stone is a real fairy tale. It is bright, kind, yet not very complicated, but responsible. And the main characters there are somehow ethereal. There are all things magical. And you are smiling simply because the mere presence of Harry at sight. It inspires such a hope, an infinite joy that you are pleased as a little child. Because he is already is part of you. Because you suddenly realize that from that moment friendship begins. And nothing on earth can replace such a friendship…

Ryan Gosling (The Notebook, Lars and the Real Girl) is the Driver who decides his day job as stunt driver in movies is not fulfilling enough decides to do some "moonlighting" while making use of his driving abilities. He becomes a wheelman for mobsters and when he learns there is a contract out on his own life must flee. he movie has many similarities to such top action flicks as Bullett (starring Steve McQueen), The Driver (starred Ryan O'Neal), and even Two Lane Blacktop (starring Warren Oats and James Taylor). hile the driver, Gosling, does not have much to say, he performs well when behind the wheel. His latest heist however went terribly wrong and now he needs to evade those who want him to pay for his mistakes. The movie is supposed to show a softer side of this "bad guy", and even thought there is limited dialog from him he presents himself as a shiny knight wanting only to do good. Drive also stars Carey Mulligan as Irene, Albert Brooks as Bernie Rose, and Ron Perlman as Nino.