Hunter S. Thompson wrote the book The Rum Diary back in 1961 when he knew very well what the demon rum was all about. Even the screenplay writer/director, Bruce Robinson was familiar with boozing being had sworn off alcohol over six years before but went back to it just to finish the screenplay that writer's block was keeping him from completing. That's dedication! ohnny Depp (Ed Wood, Donnie Brasco) is freelance journalist Paul Kemp, himself one of those lost souls he writes about. Determined to self destruct it's obvious this rag tag bunch of humanities leftovers just seem to drink their lives away. But Kemp falls for a woman that brightens up his days. Chenault is played by Amber Heard (Pineapple Express, Zombieland) and is Kemp's obsession as he drinks his days away in Puerto Rico.hat makes a movie about drunks and their ability to consume volumes of fermented sugarcane (rum) interesting? It's about the lost souls that seem to have given up on life and what they leave behind, like lovers, families, and life they're afraid to face. And Thompson's writing makes it all seem to work perhaps because The Rum Diary is about his life...

The cinematographic version of adventures of a character named Solomon Kane, invented by Robert Howard (author of "Conan the Barbarian"), is a thick mix of the mud, blood, religious fanaticism and the ever-popular theme of zombies. Solomon Kane, unlike Van Helsing, who is here hinted at, basically, a cloak and hat, posed in a much more serious condition: he does not fight with single semi-comic characters like philoprogenitive Dracula or shrek-looking Mr. Hyde. He is opposed to evil as such, evil emanating from the enemy of the human race. This struggle involves bonfires, crucifixion, and the maximum concentration, and the religion, which naturally excludes all there worldly pleasures like love, joy, and throwing in witty remarks.

Your Highness (2011). About rescuing fair damsels in distress… It's a historic and predictable epic comedy that tells of the chivalry and bravery of handsome knights dashing about saving fair damsels who may be in distress. They do this even while slaying dragons and conquering the evil that was all around them back in those epic times. Times when even heroes occasionally had to put up with ne'er do well brothers who never seem to learn right from wrong. James Franco (as Prince Fabious) and Danny McBride (as weak willed brother Thadeous) pair up to defeat evil and save their realm, a fantasy land called Your Highness. When the Prince known as Fabious's bride is stolen he sets out to rescue her from her kidnappers and the ever lazy and useless Thadeous follows along to help. The future princess Belladonna (Zooey Deschanel) awaits her fate as the bumbling brothers strive to save the day.

"The Rookie" is a 1990 action crime film directed by Clint Eastwood. The movie tells the story of Nick Pulovski, a seasoned police detective who is paired with a young, inexperienced partner named David Ackerman. As they investigate a car theft ring led by a ruthless criminal named Strom, they must overcome their differences and work together to bring the criminals to justice.

Jason Statham stars as Arthur Bishop, "mechanic" supreme. Of course, "mechanic" is bad-guy talk for the professional assassin who comes to fix your problem and generally tune-up your operation by striking terror into the hearts of your bad-guy rivals. The Mechanic, then, implies that in a world full of amateurish shooters, Arthur Bishop stands out as the consummate professional. In fact, Bishop lives and works by a strict code—precise, detached, professional, and perfectionist; in other words, Bishop delivers all the qualities anyone could wish or want in a fine mechanic."Donald Sutherland plays Harry, Bishop's friend and mentor; and then he dies. Assassinated. Not surprisingly, Bishop feels compelled and honor bound to avenge Harry's murder; but in all of his careful calculations, Bishop fails to factor-in Steve, Harry's son, who shares Bishop's desire for revenge and who brings beginner's enthusiasm to the business of learning his father's business. Of course, sinister stealth, insidious machinations, and high explosives complicate the would-be assassins' quest; and, as the promos proclaim, "those hired to fix problems become problems themselves." The Mechanic would qualify for your list of "standard guy stuff," except that it has a liberal dose of heart.

Nicholas Cage proves his special gift for keeping the paychecks coming, teaming up with the director of My Bloody Valentine for Drive Angry 3D, due in theaters early in February, 2011. The promotional materials seem a little ambivalent or ambiguous about the film's supernatural element: Cage supposedly has escaped from Hell to avenge his daughter's murder and rescue his infant grand-daughter from sacrifice at the hands of a devil-worshipping cult. Of course, "The Accountant," one of Satan's executive demons, pursues Cage as he drives angrily across a hostile landscape in hot pursuit of bad guys and redemption. Many of the synopses omit the demonic content, perhaps because it has very little impact on the characters, situations, or plot. Three classic American muscle cars actually star in Drive Angry 3D, exuding at least as much sex appeal as Charlotte Ross, who delivers a soon-to-be-legendary sex-and-violence vignette between Cage's angry driving sequences. What's not to love about a 1964 Buick Riviera, a 1969 Dodge Charger, and a 1971 Chevy Malibu all muscled-up and chromed for the occasion? Regardless of critics' and audiences' reaction to Drive Angry 3D, film historians may use the film as compelling evidence in support of their argument 3D definitely makes a film's imagery more vivid but does not automatically improve its content or redeem it as a work of art.