"Godzilla" is a 2014 American monster film directed by Gareth Edwards. It is a reboot of the Godzilla franchise and the 30th film in the Godzilla franchise. The film stars Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, Sally Hawkins, David Strathairn, and Bryan Cranston. The film follows a soldier and his wife who try to reunite with each other in San Francisco during an attack by Godzilla and other monsters called MUTOs.

Prince of Persia looks like almost perfect children's movie; especially if you're over 30. Nubian knife thrower, the races at these ostriches, rattlesnakes long with anaconda, ninja assassins, and tons of gold leaf that covers literally everything - it's obviously more fun than the teeth on the edge digital apocalypse. But, of course, most of all cheers political flair writers who could not hold on to a childlike not say all the obvious association with the adjective "Persian". Such a bold mix of old and contemporary, by the way, opens up many opportunities for the film adaptation of anything - even the most "Tetris." Clearly, even that of the parallelepipeds should have to go there under the earth in 3D.

According to the fairy tale story there was once a race of giants who ruled the earth. Now the young farmhand Jack finds he is responsible for opening a gateway that allowed the giants to return and reclaim the land they lost centuries ago. Jack, who now becomes the Giant Killer, is now fighting for the kingdom, people, and also the life of a kidnapped princess. Now Jack will become an unwilling legend when he defies the giants he only thought existed in a legendary story. Farm boy Jack is played by Nicholas Hoult (About A Boy, XMen: First Class), Eleanor Tomlinson (Alice in Wonderland) is Isabelle the princess, Stanley Tucci (Shall We Dance?, Julie & Julia) is Lord Roderick, the King's advisor. Ian McShane (Kings, Pillars of the Earth) is King Brahmwell, father of the princess who hates to see his royal daughter falling for the lowly farm boy. Jack the Giant Killer will be a fun fairy tale come to life on the big screen!

Life of Pi, directed by Ang Lee and based on the Booker award-winning novel of Yann Martel, which was rewritten by David Magee for the movie, telling as a story about Indian boy survived shipwreck alongside with hyena, orangutan, a wounded zebra and a beautiful White Bengal tiger. Yann Martel have explored and studied lots of facts about an ocean life to give credence to story. That's why, despite the unbelievable storyline, the situations and solutions described in the movie could really take place in real life. The boy named Pi was raised in Indian family owning a zoo. At one day they decided to migrate in Canada with all of their animals and boarded the Japanese freighter. Soon after the leaving India, a shipwreck has killed all the people and animals except for little boy and four animals including furious tiger. All of them take a shelter on one small lifeboat. The boy has managed to survive in this uneasy situation for 227 days. A strong will to overcome the deadly perils, a faith in life and inexhaustible optimism leaded him to long journey adrift by the Pacific Ocean. The journey fortunately ends when their boat reaches the Mexico coast. The tiger (named Richard Parker, by the way) escapes to the nearest jungle, leaving the boy alone. Years after, Japanese Maritime officers interviews Pi in order to investigate the circumstances and consequences of shipwreck. Pi tells him as story about his peregrination, but no one believes him. Pi, feeling the lack of confidence, tells them another version of his wandering, without animals, instead of which a sailor, a cook and his mother act. In this butcherly version a cook kills a sailor and Pi's mother to use them as bait and food. After he tells the second story, Pi asks Japanese officers which of two versions they like most. When he gets the answer, confirming that story with animals is better, Pi says "…and so it goes with God".

Captain America: The First Avenger will not be just another one of those "ripped from the comics" movies that have become a 2011 Hollywood staple. No way. "Captain America himself looks remarkably fit for a super-hero who celebrated his seventieth birthday in 2011, and his box office prospects are remarkably sanguine, too. For all those years, Captain America consistently has ranked well-up the list of popular comic characters. Maybe not the sexiest man alive, but a perpetual contender, and always the consummate patriot. Therefore, producers, writers, directors, actors, cinematographers, all the grips, and even the craft services crew understand they have their hands full as they make Captain America: The First Avenger. Their main character is, after all, revered as the United States' bravest, noblest, most-selfless, and greatest hundred-and-one percent hero…ever. "Captain America: The First Avenger tells the story from the beginning. Our hero, Steve Rogers, is rejected for service in World War II—very highly motivated but sadly unfit physically. Determined to serve, Rogers volunteers for "Project: Rebirth," a super-secret project that gives him the ultimate make-over, making him a super-soldier. The brass dub him "Captain America" upon his completion of training. Teaming-up with intrepid sidekick Bucky Barnes, "The First Avenger" kicks some serious Nazi butt as he fights "Red Skull," director of advanced weaponry for the Reich. Well-funded, well cast, well-scripted, Captain America: The First Avenger promises to kick some serious box office butt in the summer of 2011, putting all those other comic movies to shame.

The fact that appeals to the classic Disney animated film "Fantasia", The Sorcerer's Apprentice" movie was a success, making it hardly unexpected blockbuster the 2010 summer. The decisive factor is probably worth to consider the appointment of a director's chair, Jon Turteltaub. This school friend of Nicolas Cage commemorates in connection with "National Treasure", and in the new movie he has done almost all the same, minus the injections a few stupid conspiracy patriotism doses. In "The Sorcerer's Apprentice" he not only made the reliability of the tale, but also led to believe in the magical origins of Nicolas Cage, in recent years the losses, on the contrary, the tragic mediocrity. And finally, we believe, neon signs have never seemed so magical thing, like after watching this, probably the best children's film of the 2010 year.