The cinematographic version of adventures of a character named Solomon Kane, invented by Robert Howard (author of "Conan the Barbarian"), is a thick mix of the mud, blood, religious fanaticism and the ever-popular theme of zombies. Solomon Kane, unlike Van Helsing, who is here hinted at, basically, a cloak and hat, posed in a much more serious condition: he does not fight with single semi-comic characters like philoprogenitive Dracula or shrek-looking Mr. Hyde. He is opposed to evil as such, evil emanating from the enemy of the human race. This struggle involves bonfires, crucifixion, and the maximum concentration, and the religion, which naturally excludes all there worldly pleasures like love, joy, and throwing in witty remarks.
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Undoubtfully, cinematography has been my passion since a very young age. Even now, watching a new movie or series always prompts me to ask a lot of questions to the author. Thus, every little essay about a title is definitely not a spoiler, but rather an attempt to explore the idea.
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