Vampires Suck is a 2010 Jason Friedberg's and Aaron Seltzer's comedy. Filming the spoof of "The Twilight Saga" was, of course, a matter of time. Too many young people have passed through the ordeal: two hours of boredom crawl in a chair while the girl next to drool over pale the metrosexuals. And it is very fertile ground for this mockery that Jason Friedberg and Aaron Zelttser, the creators of the latest film parodies, from "Scary Movie" to "Meet the Spartans, gladly plow. Involuntarily escaped from his mistress, Edward with a weekly bristles and a glass of whiskey in hand, crying alone on the "Sex and the City." Jacob pokes into the camera a contract according which he is obliged to remove his shirt every ten minutes. The "hardest" role of the main female character is played by Jenn Proske. She does not even need to say anything: this languid gait in slow, sleepy eyes and ever-dangling strand of hair. All those things backed up remarkably precise and witty. Homely schoolgirl Becca (Prosky) suffering first stage of autism moves with his father, the sheriff (Bader) in Sporks place. Everything in this town seems odd: people threatening rocks, strangers continually strive to bite his neck, the poor are willing to work for the blood of Dentistry wildly sign with fangs. At school, Becca falls in love with Edward Salle (Lanter), not parted with hairspray vampire vegetarian, drinking the animals and the Atlanta housewives blood only…

For the legions of loyal Easter Bunny fans who have been long convinced the dentists' best springtime friend has not enjoyed nearly enough big-screen face-time, a tragic victim of the movie industry's pro-Santa preference, Hop brings a welcome measure of relief…maybe. Hugh Laurie does the voice of Easter Bunny, Sr., in this CG/real-life mash-up; Russell Brand lends his vocal talents to "E.B.," the Big Rabbit's prodigal son, who has run-off to Hollywood in hot pursuit of his career as a drummer, and clearly in the game for more than hard-boiled eggs. "In fact, Hop enjoys one distinct advantage over the truckload of CG/real-life hybrids currently headed your way: it has a decent plot and a well-crafted script. E.B. was supposed to take-over the family business when he split; and when Hollywood turns-out less than rewarding, he fakes injury from a car accident, imposing his own slacking self on another L.A. slacker, whom E.B. entrusts with the business of saving Easter. James Marsden plays Fred, unrepentant slacker and reluctant host. Kaley Cuoco, Elizabeth Perkins, and Chelsea Handler add depth, style, and spice to Hop.

White Chicks is a comedy film that was released in 2004. The film was directed by Keenen Ivory Wayans and stars Shawn Wayans and Marlon Wayans as two FBI agents who go undercover as white women to solve a kidnapping case. The story follows the brothers as they don blonde wigs and whiteface makeup to blend in with a group of wealthy socialites and uncover the truth behind the kidnapping.

"The Bonfire of the Vanities" is a 1990 satirical comedy-drama film directed by Brian De Palma, starring Tom Hanks, Melanie Griffith, and Bruce Willis. The story is based on Tom Wolfe's novel of the same name and is set in New York City during the 1980s. The film follows the life of a Wall Street bond trader named Sherman McCoy (Hanks) who gets caught up in a scandal after he and his mistress (Griffith) accidentally hit a black teenager with their car.

The Extra Man showcases a story about failed playwright Henry Harrison, who has just been fired. He begins to work in the service as an escort for reach elderly widows, and from that moment becomes an accompanying person for the rich widow in New York. Meanwhile he develops a strange relationship with his mentor Louis Ives, an aspiring writer whom Henry rents a room in his apartment in New York. Louis Henry teaches the art of being an "extra man" accompanying and entertaining the clients in social life of fantasy…

"Monsieur Verdoux" is a black comedy film that tells the story of Henri Verdoux, a former bank clerk who turns to a life of crime to support his family after losing his job. The film explores themes of morality, capitalism, and the struggles faced by the working class during the Great Depression.