Easy A movie tells a story about teenage girl Olive Penderghast (played by Emma Stone), who lied to her friend that she has lost the virginity. But it was accidently heard by the other girl (a very puritan one) of the same age a then and very soon Olive had to regret about everything she said. Rumors spread rapidly and become negative. One lie pulls a second, a second follows by a third, and it seems, this chain will never end. Very quickly Olive becomes an outcast. The girl was not too popular even before because of its modesty and quiet nature. Now disregarding and contemptuous behavior of her peers has become simply unbearable. Nevertheless, her extraordinary sense of humor, wit and cheerful nature, sober look at the world alongside with absolute trust of the parents helps her to cope with a psychologically pressing situation.

A film by Robert Schwentke is not even trying to step into the territory of melodrama: the protagonist played by Rachel McAdams is so in love with that there are no other characteristics can be found in her person. Her partner, Eric Bana plays just a handsome man, imbued with positive as with chloroform, next to whom dreamy lonely woman wished to be. Of course, Bana is not shining, as Patrick Swayze, while parting with Demi Moore, but it crumbles in the arms McAdams, like sand in the sandglass tears. Confrontation and the unity of love and time was already fully embodied on the screen by Darren Aronofsky (The Fountain), and for this pathos it was actually destroyed by the critics in Venice and the audience at the box office. Schwentke choked with the same feelings, but he also significantly reduced the degree of expressiveness.

Forgetting Sarah Marshall devoted to trendy once upon a time MTV series about hard to forget a person you fall in love with. The process of forgetting will be shown with all the consequences: a rebuke for wearing sweat pants, an alcohol as an analgesic, men's heart-rending sobs and the fact that the hero, lounging in his sweat pants on the couch, the least expected such a turn of events. Nicholas Stoller came close to reality, losing at the time of X to drop this reality to hell and give the audience what he wants - a catharsis, which is in a comedy is a pure bliss.

Letters to Juliet is an unbeatable summer melodrama about the simple fact: love is not a sausage – it has not expiry date. It is a kind of conceptual sequel to "From 13 to 30" of the same Gary Winick. In the film, 13-year-old girl trapped in the body of the Thirty Years' coquette, but here in "Letters to Juliet" it seems, there has been movement in the opposite direction - from 70 to 13. Mature sagacity lady returned to the age of the great dreams of stainless love, which has no expiration date and is happy to wait at least half a century, only to flare up with a new, triple the force. On the other hand, it is nice that the boundaries are shifted. Previously, it was necessary to have the certain courage to say: in 40 years, life has just begun. "Letters to Juliet" cheerfully join it: even in 70 it not ends there… neither directly nor figuratively.

You can forget second part of "Twilight" saga which was entirely built on the antics of Bella without paternal care of the Cullen family. "The Twilight Saga: Eclipse" was directed by David Slade, who shot one of the most horrible and nasty vampire films of recent years "30 Days of Night" and memorably nauseating "Candy", captured the essence of what is happening in the minds of young viewers, and especially the spectators. And he did not balk at the battle scenes, shot them, nevertheless, clearly, briefly, with proper amount "meat" details. In his " "The Twilight Saga: Eclipse", the third part of "Saga" written by Stephenie Meyer, he laid everything in equal proportions: animal magnetism emanating from Taylor Lautner *squeals in the audience*, and cool eroticism, which is responsible for Robert Pattinson *squeals in the audience again*. And what is most valuable, he has not forgotten and all sorts of comic situations, the source and the perpetual motion which is Kristen Stewart. Measure observed throughout the balance of power is not broken, just over two hours fly by unnoticed. You may left the fight scenes for "Another World", because in the third "Twilight" we are kissing with vampires and scratching wolves' ears. Long live diversity!

Beastly" movie follows a good looking and conceited young man, Kyle Kingson, played by Alex Pettyfer. He feels the results of a curse that morphs him into the very things he hates the most in this yarn spun on the heels of Beauty and the Beast. The stereotypical rich teenage boy that has everything his heart could desire gets his kicks by tormenting and mocking those less fortunate (both financially and genetically) than himself. When he asks the odd, eccentric gothic girl Kendra, played by Mary-Kate Olsen, to a school rally and then spurns her, Kendra casts a spell on Kyle that turns him into something truly beastly. Now instead of being the envy of the school, he is feared and mocked. His only hope of returning to his former physical appearance is to find someone who will love him as he is. Kyle's father, played by Peter Krause, sends him away to Brooklyn where Kyle becomes friends with the housekeeper, played by Lisa Gay Hamilton and his sight impaired private tutor, played by Neil Patrick Harris. Kyle then intervenes in a drug deal gone bad and becomes the protector of the addict so long as he sends his daughter, Lindy, played by Vanessa Hudges, to live with the beastly Kyle. You can guess where the movie goes from there.