In a more sophisticated "golden age" when American public schools actually taught people to read, Hollywood made movies from literature—Grapes of Wrath, for example, or To Have and Have Not. According to Oliver Stone, in the 1990s, film became the literature of the age. In 2011, driven by a fetish for "CG integration," Hollywood adopted the comic book as its model of choice. Not "the graphic novel," which has a slightly more elevated ring to it. No. The comic book. "Comic book novices may have difficulty differentiating their Green super-heroes: The Green Lantern does not attract The Green Hornet as moth to flame. Green Lantern may, however, attract almost as many teen girls as teen geeks, because it features Ryan Reynolds, People Magazine's sexiest man, archetype of "obscenely cut" abs. Critics already have remarked and documented strong similarities between Green Lantern and the IronMan series. Given its comic book origins, you know how Green Lantern goes: Cocky gonna-be super-hero must grow into and take responsibility for his super-powers. He becomes part of an inter-galactic super-squadron charged to protect and serve the universe. Of course, hard-rockin' soundtrack and jaw-droppingly attractive women, both good and evil, accompany him wherever he goes. "After summer's spate of cartoon movies, literate viewers may wax nostalgic for Hemingway in collaboration with Bogart and Steinbeck inspiring Henry Fonda.

Guy Ritchie has made of Sherlock Holmes's character in style of Tony Stark (Iron Man). The film looks fascinating, especially as for part of mystery stories, capable of grasping the whole 128 minutes, and at the same time funny, not devoid of jokes and humor, defusing a tense situation of the investigation. But in the end not only the integrity covers the entire film, gathering in one large mosaics of events, but also anxiously expectation for the sequel, because like the Joker card in the first Nolan's "Batman", the ending is virtually guaranteed that the movie is just a kind of "Sherlock Holmes: The Beginning" and the masterpiece "The London Knight" awaits us in the near future.

Red Cliff is full of good-quality large-scale, beautiful plans. It showcases not great battle scenes only, but the nature, which is the most important ally inferior in combat power of the defending forces. Nature delights: mountains, valleys, water, sky, fog and wind. They are patronizing, calm, fickle and beautiful.

RED movie showcases the life of Frank Moses (played by Bruce Willis), a former CIA operative agent, who quietly lives his days after the resignation. Trying to brighten up the loneliness he starts a long telephone conversation with the clerk Sarah Ross (portrayed by Mary-Louise Parker). One night the house of Frank was invaded by the Special Forces soldiers to kill him. Frank manages fight off the attack and escape. The reasons for the visit of uninvited guests clearly related to his dark past. However, the first thing Frank should do is to save Sarah. Their conversations were totally innocent, but Frank realizes that intelligence agencies will inevitably be interested in a woman with whom he talked to a few dozen times. Further, Frank and Sara visit former team-mate Moses. Only the team of retired special agents will be able to adequately confront the CIA "evil forces", that are seem to be on the way to settle the accounts with "retired"...

Captain Colter Stevens thinks he's just an ordinary former soldier until he awakens inside the body of a man unknown to him. Jake Gyllenhall (Brokeback Mountain) portrays the decorated soldier that is chosen for a unique mission to find a bomber who sets off a bomb on a Chicago commuter train. The mission is a government experimental program, called Source Code, which enables Stevens to re-live the explosion again and again until he gathers enough clues to solve the bombing mystery before the bomber creates a much bigger catastrophe and kills millions in down town Chicago.s part of a secret operation dubbed Beleaguered Castle, Colter Stevens figures he must be involved in some sort of simulation exercise with the goal of capturing the bomber before even more mayhem is created. This is not a game and the soldier must work fast to find the murderer on the train before it's too late.

We can only hope that real CIA agents have more important things to do than to compete over a woman, even if she is one of the most beautiful women on the planet. And if it means destroying some pretty important equipment along the way, well she'd better be worth it! With some truly spectacular highly technical gadgets to play with, Chris Pine and Tom Hardy play the two black ops agents who have worked so well together during past operations but find it impossible to get along once a woman (Reese Witherspoon) becomes the object of each mans affections. etween jumping from airplanes to deliberately jumping through windows, the two characters seem determined to out do each other and win her affections. This means their day job is put temporarily on the back burner but who cares? The romance must outweigh the danger and intrigue of fighting enemy nations, right? Chris Pine from Star Trek and Tom Hardy from Inception used to be best friends before Lauren (Reese Witherspoon from Walk the Line, Pleasantville) came between them. Now all the two can do is act like children who are fighting over a prize toy. They need to grow up or she won't be interested.