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Based on Priscilla Presley’s Own Memoir — The film adapts Elvis and Me, the 1985 memoir co-written by Priscilla Presley herself, who also served as a producer on the film and approved its depiction of her life.
No Elvis Music — By deliberate choice, Sofia Coppola licensed no Elvis Presley recordings for the film’s soundtrack, using period music and an original score by Son Lux instead, shifting focus entirely to Priscilla’s perspective.
Venice Film Festival Premiere — Priscilla premiered at the 80th Venice International Film Festival, where Cailee Spaeny won the Volpi Cup for Best Actress — one of cinema’s most prestigious acting prizes.
Filmed in Canada — Despite being set primarily in Memphis, Tennessee, the film was shot largely in Ontario, Canada, with period-accurate production design recreating the look of early 1960s Graceland.
Sofia Coppola’s Personal Connection — Coppola has spoken publicly about her interest in stories of young women navigating powerful men, seeing Priscilla’s story as a natural continuation of her filmography from The Virgin Suicides through Marie Antoinette.
Cailee Spaeny’s Breakthrough — Before Priscilla, Spaeny was known for supporting roles in smaller films; this performance established her as one of her generation’s most compelling leading actresses.
Contrast with Baz Luhrmann’s Elvis — Released just a year after Baz Luhrmann’s maximalist Elvis (2022), Coppola’s film offers a nearly opposite approach: intimate, quiet, and centered on the woman watching from the margins of a spectacle she never asked to be part of.
Based on Priscilla Presley’s memoir Elvis and Me, the film tells the story of a lonely teenager who falls under the spell of Elvis Presley when she meets him at a party in Germany in 1959. As she grows into a young woman inside the gilded cage of Graceland, Priscilla must find her own identity in the shadow of the world’s biggest star.
Sofia Coppola brings her signature sensibility — delicate, interior, deeply sympathetic to women in gilded cages — to a story that could easily have become hagiography. Instead, Priscilla is a quietly devastating portrait of a young woman whose formative years are shaped entirely by one man’s gravitational pull, and whose eventual awakening to her own personhood costs her everything she has known.
Cailee Spaeny won the Best Actress award at the Venice Film Festival for her performance, embodying Priscilla’s transformation from a wide-eyed teenager to a grown woman whose quiet dignity becomes its own form of resistance. Jacob Elordi’s Elvis is charming, possessive, and fundamentally unknowable — a figure who fills the frame without ever quite becoming a person.
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