Ride Along is a 2014 American buddy cop action comedy film directed by Tim Story and written by Greg Coolidge, Jason Mantzoukas, Phil Hay, and Matt Manfredi. The film stars Ice Cube, Kevin Hart, John Leguizamo, Bryan Callen, Tika Sumpter, and Laurence Fishburne. It follows Ben Barber, a high school security guard, who goes on a ride-along with his fiancée's brother, James, a hot-tempered Atlanta Police Department detective, in order to prove himself worthy of marrying James's sister. However, the two men find themselves in the middle of a major case when they stumble upon a dangerous criminal activity.

I'll See You in My Dreams is a 2015 American comedy-drama film directed by Brett Haley. The film follows Carol Petersen, a widow in her seventies who is forced to confront her loneliness and rediscover her passions after the death of her beloved dog. As she navigates the challenges of retirement and dating, Carol forms unexpected connections with a group of younger friends and a charming pool cleaner.

Mavis Gary (Charlize Theron from The Italian Job, Monster) is the author of teen literature. She goes back to her home town in hope of rekindling the flames with an old boyfriend from her high school days. Buddy Slade (Patrick Wilson from The A-Team, Morning Glory is the old boyfriend of Mavis Gary, But he is now happily married and with a new baby and not exactly interested so she finds it's not that easy to claim what she wanted. When she meets up with Matt Freehauf (Patton Oswalt from The King of Queens), another with an agenda when it comes to old high school events, they find their interest have much in common. Freehauf was beaten by some school "jocks" who thought he was gay, causing permanent damage to his legs. Unable to get over past memories from their old alma mater, maturity does not prevail with these old school alumni. reat casting and capable direction from Jason Reitman (actor in Ghostbusters II, Kindergarten Cop and director of Juno, Jennifer's Body). Thoroughly entertaining with a high quality cast and fun story line.

All three layers of Tooth Fairy movie closely intertwined with each other, creating a film attractive for family watching, for the sentimental female audience, for teens who love killer comedy, and the audience that wants to watch every product of a moral code or a philosophical conclusion. Moral of the Tooth Fairy comes down to a favorite American idea: one must believe in the dream, do not lose heart, to dare, to fight, and then success will inevitably be reached. After sporting the tooth fairy, Derek is responsible for the the Cinderella story: the athlete-loser, lonely, desperate, purging the dreams of children in the end finds his family and achieves the professional success. Tooth Fairy with all its constituents is a fairy tale about faith. The protagonist opens the forgotten dreams and helping relatives gain confidence, claiming the optimistic slogan of this kind of movies: do not despair and everything comes true.

Hangover immediately knocks down by the hurricane humor. Is not always this sense of humor is bontone, but almost always successful. Hangover is a movie with a very clever composition and structure: there are amazing flash backing vocals, and the action that evolves backwards-ahead, there are a lot of plot quirks that did not tangle, but for sure amaze you. From the standpoint of the movie formal construction of the picture it's just brilliant. There is a very clear role differentiation: each character is an expression of a prejudice, a walking stereotype, which manifests itself in different situations so predictable and therefore all the film looks like parody.

The super-smart but tragically nerdy kids go to Harvard; the wise-ass geniuses go to Yale. Natalie Portman went to Yale. Therefore, no one should feel at all surprised that Portman can follow a brilliant and breathtaking performance in Black Swan with a charming and lighthearted romp through No Strings Attached. The bitter and brutal ballet movie showed critics and audiences just how smart, sensitive, and psychotic Portman can become when a role demands manic intensity. One critic commented, "She always has been good, but now we know the woman actually can act—except she is so good we forget she is acting." No Strings Attached proves Portman's range, and it satisfies her concern that Hollywood produces far too few "vulgar" comedies for women by women and starring women."No Strings Attached gained director Ivan Reitman's attention when it qualified for the 2009 "Hollywood Blacklist," a studio executive's annual collection of the best scripts that have failed to make the cut at every major studio. The writers pitched No Strings Attached in a single sentence: "A guy and a girl struggle to have an exclusively sexual relationship as they both come to realize they want much more." Although the plot seems painfully thin, irony, sentiment, and humor alloy the script. Natalie Portman and Ashton Kutcher punctuate and pixelate the post-modern era's answer to Doris Day and Rock Hudson, delivering a sweetly satisfying Valentine's Day confection. Apparently, at Yale, students learn never to take themselves or their obvious brilliance too seriously.