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1. Larraín's iconic women trilogy. Maria completes Pablo Larraín's unofficial trilogy of films about iconic twentieth-century women, following Jackie (2016) with Natalie Portman and Spencer (2021) with Kristen Stewart — each a bold, non-literal portrait of a woman constrained by legend.
2. Jolie's intensive vocal preparation. Angelina Jolie worked with opera teachers for over a year to understand the physical and emotional demands of the soprano voice, with the film blending her own voice with archival Maria Callas recordings to create an authentic portrayal.
3. Callas's real final years. The real Maria Callas spent her final years in increasing isolation in her Paris apartment, largely withdrawn from public life and struggling with her health. She died in September 1977 at the age of 53 — exactly where the film is set.
4. The bel canto revival. Maria Callas is credited with single-handedly reviving the bel canto operatic tradition, transforming how conductors and audiences approached Donizetti, Bellini, and Verdi and redefining expectations for operatic acting and vocal color.
5. Onassis's long shadow. The film references Callas's legendary and tortured relationship with shipping magnate Aristotle Onassis, which ended when he married Jacqueline Kennedy in 1968 — a heartbreak that many believe hastened the collapse of Callas's voice and her withdrawal from the stage.
6. Paris as a character. Larraín deliberately sets the film entirely in Paris, using the city's architecture and light to create a world that feels simultaneously glamorous and haunted — the perfect setting for a woman suspended between memory and the present.
7. Netflix global distribution. Maria was acquired by Netflix for global distribution following its prestigious festival run, making it one of the platform's most high-profile prestige-drama acquisitions of the 2024 awards season.
Maria is a stunning biographical drama directed by Pablo Larraín, completing his trilogy of films about iconic women of the twentieth century following Jackie (2016) and Spencer (2021). Angelina Jolie delivers a career-defining performance as Maria Callas, the legendary Greek-American soprano widely regarded as the greatest opera singer of the modern era. Set in the final days of Callas's life in Paris in 1977, the film blurs the lines between memory, delusion, and performance as Maria attempts to recapture her voice and confront the full arc of her extraordinary and painful existence.
Larraín's approach is characteristically bold and non-literal. Rather than a conventional biopic chronicling Callas's life from beginning to end, Maria plunges us into the turbulent interiority of its subject, staging her memories and fantasies with operatic grandeur. The film's visual language is ravishing — saturated colors, grand Parisian interiors, and sequences of live performance — yet always in service of understanding a woman who gave everything to her art and paid an enormous personal cost. Jolie's performance is the film's beating heart, requiring her to embody one of classical music's most demanding vocal traditions while portraying profound loneliness and complex self-reckoning.
Maria is not simply a film for opera lovers or fans of classic Hollywood glamour, though it will delight both. It is a meditation on what it means to dedicate a life to art, on the relationship between a performer and her audience, and on the often devastating trade-offs that genius demands. Like Callas herself, the film is flawed, excessive, passionate, and unforgettable — a work of genuine cinematic ambition that stays with the viewer long after the credits roll.
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