A ludicrous to absurdity teen comedy released in 2012 by Paramount Pictures, Fun Size is revolving around a teenage girl Wren, who is in love with Roosevelt. He is older than Wren and very popular in their school as political debates superstar. Roosevelt invites Wren to Halloween party at his house exact that day when Wren's mother asks her to watch all night after her little brother Albert. Wren of course much more worries more about her crush's invitation than about her brother safety. In these circumstances she decides nothing better than to take her little brother to Halloween party in order to not miss the opportunity to be with Roosevelt. However this untoward decision leads to catastrophically developing consequences: the little Albert disappears in a crowd of trick-or-treaters. Wren with the help of her best friends Roosevelt, Peng and April tries their best to locate Albert before Wren's mother learns what happened. This unfortunate foursome take a journey thru the Halloween night in pursuit to find Wren's little brother, meeting some weird and odious personalities along their trip. un Size (2012) features some perfectly combined cast ensemble: Wren is played by Victoria Justice, a famous Fun Size from Victorious TV series, while Roosevelt is portrayed by Thomas Mann. You may know Thomas Mann as Thomas from Project X.

The super-smart but tragically nerdy kids go to Harvard; the wise-ass geniuses go to Yale. Natalie Portman went to Yale. Therefore, no one should feel at all surprised that Portman can follow a brilliant and breathtaking performance in Black Swan with a charming and lighthearted romp through No Strings Attached. The bitter and brutal ballet movie showed critics and audiences just how smart, sensitive, and psychotic Portman can become when a role demands manic intensity. One critic commented, "She always has been good, but now we know the woman actually can act—except she is so good we forget she is acting." No Strings Attached proves Portman's range, and it satisfies her concern that Hollywood produces far too few "vulgar" comedies for women by women and starring women."No Strings Attached gained director Ivan Reitman's attention when it qualified for the 2009 "Hollywood Blacklist," a studio executive's annual collection of the best scripts that have failed to make the cut at every major studio. The writers pitched No Strings Attached in a single sentence: "A guy and a girl struggle to have an exclusively sexual relationship as they both come to realize they want much more." Although the plot seems painfully thin, irony, sentiment, and humor alloy the script. Natalie Portman and Ashton Kutcher punctuate and pixelate the post-modern era's answer to Doris Day and Rock Hudson, delivering a sweetly satisfying Valentine's Day confection. Apparently, at Yale, students learn never to take themselves or their obvious brilliance too seriously.

Night at the Museum: Secret of the Tomb is a movie released in 2014. It is a comedy-adventure film and the third and final installment in the Night at the Museum series. The film follows the story of Larry Daley, a museum security guard, who travels to London to discover the secret of the magical tablet that brings the museum exhibits to life at night.

"Kingsman: The Secret Service" is a 2014 action-comedy film based on the comic book series "The Secret Service" by Mark Millar and Dave Gibbons. The film was directed by Matthew Vaughn and stars Colin Firth, Taron Egerton, and Samuel L. Jackson. The story follows a young man named Eggsy, who is recruited by a secret spy organization called Kingsman and trained to become a spy.

The Vicious Kind tells the story of one family, more precisely on the short stage in the life of a certain circle of people. A young couple, Peter and Emma, come to visit his father on Thanksgiving Day. They are driven up by pretty brutal, bizarre and intemperate man, the dear elder brother of Peter. Due to certain family circumstances, about which we would be told in the end of the movie, the eldest son is not communicating with his father for nearly eight years.

The Greenberg movie's main protagonist escapes from a nervous breakdown and declaratively "temporarily no busy". From this point of view he does nothing and almost nothing happens in the movie. Director, probably even would not mind to sit in front of Greenberg on the edge of the pool all the half and one hour, but the damned human conventions make both occasionally move. Stiller clearly relishes the role: nature has limited its role, but here with the usual cosmetic changes Stiller's character changed radically. Gestures, facial expressions, manner of speech - the same, but they did not remain a single gram of charm, fixated on their tedious frustrations Greenberg is the last person with whom you want to be in the same room.