Irma Vep is a movie that was released in 1996. It was written and directed by Olivier Assayas and starred Hong Kong actress Maggie Cheung, who played a fictionalized version of herself. The film is a comedy-drama about the struggles of a French film director, played by Jean-Pierre Léaud, as he attempts to remake the classic silent film serial Les Vampires from 1915-1916. The movie takes a unique perspective, largely through the eyes of a foreigner, Cheung, and also examines the state of the French film industry.

Young Frankenstein is a 1974 American comedy horror film directed by Mel Brooks and written by Brooks and Gene Wilder. The story is a parody of classic horror films, particularly the various film adaptations of Mary Shelley's novel Frankenstein produced by Universal Pictures in the 1930s. The cast includes Wilder, Peter Boyle, Marty Feldman, Cloris Leachman, Teri Garr, Kenneth Mars, and Gene Hackman.

Juno is a 2007 American coming-of-age comedy-drama film directed by Jason Reitman and written by Diablo Cody. The story follows Juno MacGuff, a 16-year-old high school student who unexpectedly becomes pregnant. With the help of her friend Leah and her boyfriend Paulie, Juno decides to give her baby up for adoption to a couple named Vanessa and Mark, who are unable to have children of their own.

The Hangover numbers among those very few movies that can lay legitimate claim to the title "instant classic." As contrived, convoluted, twisted, silly, and slapstick as something woven from the three stooges meeting the Marx brothers, "The Hangover" nevertheless maintained its sincerity and inspired audiences' sympathy for the poor slobs they were watching screw-up at every available opportunity. We call that "comic genius.""Can The Hangover Part II possibly reprise the genius and do justice to the original? As the movie went into post-production, Hangover star Bradley Cooper shared his worries, telling The Los Angeles Times, "I'd be lying if I said I wasn't trepidatious." The el dos, the original characters travel to Bangkok, which Cooper characterized as "Las Vegas on steroids." Stu once again is scheduled for nuptials, and he has pre-empted a bachelor party rerun by scheduling a proper, safe, conservative pre-wedding brunch. Of course, the words "yeah, right" come to mind. The studio says, "What happens in Vegas may stay in Vegas, but what happens in Bangkok can't even be imagined.""Cooper assuages his own and the audience's trepidations, claiming, ": "The script was better than the first one. The scope is larger. [Shooting it] went smoother than it did the first time in terms of letting spontaneous moments happen." Devoted fans have their fingers tightly crossed.

Sure, the agonizing choice between love and money is a staple in the rom-com genre. After all, what sustains Jane Austen's perennial popularity more than her poignant, insightful portrayals of sweet young things torn between desire for love and need for thousands-a-month? We do not, however, often see men in the same dilemma, so Arthur strongly suggests that some bois may have hearts after all. Well, underneath the profligacy and playboy stuff, bois may have hearts. In Arthur, the title character must decide between preserving his inheritance by acquiescing in an arranged marriage or protecting his heart by staying with the woman he truly loves. Naturally, no spoilers required. "Yes, this year's Arthur is a remake of the Dudley Moore classic; you may compare and contrast at your leisure. With Russell Brand and Jennifer Garner filling the screen, the old story has a whole new look, feel, and flavour. And with Helen Mirren playing Hobson, the adult supervision, aka Arthur's devoted caretaker and confidante, we get just the right measure of gravitas to keep the funny and ironic parts truly funny and ironic.

Pretty in Pink is a 1986 American teen romantic comedy-drama film directed by Howard Deutch. The film stars Molly Ringwald as Andie, a working-class high school senior who falls in love with Blane, a wealthy popular boy played by Andrew McCarthy. The film follows Andie as she navigates the challenges of high school social hierarchies and the expectations of her peers.